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José Angel GARCÍA LANDA deposited Explicitando al autor implícito in the group
Narrative theory and Narratology on Humanities Commons 4 years, 1 month agoSpanish abstract: El concepto de ‘autor implícito’ (implied author) lo difundió Wayne Booth en ‘La Retórica de la Ficción’ (1961) pero, como veremos, algo apuntaron al respecto con anterioridad otros autores. Aquí señalamos más en concreto el precedente de Hegel. ______…[Read more]
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José Angel GARCÍA LANDA deposited Baring the Device of Reality: A Note on Unamuno’s Metafiction in the group
Narrative theory and Narratology on Humanities Commons 4 years, 1 month agoA note on the existential significance of Miguel de Unamuno’s metafiction. His novels question the ‘willing suspension of disbelief’ which is the bedrock of workaday human reality. (A retropost from 2011).
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Lodewijk Muns deposited Who’s ‘I’ in Music?: Unmasking the Musical Persona in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 1 month agoAccording to conventional literary theory, when we interpret the text of a poem or work of fiction as a condensed or represented speech act, this implies a hypothetical speaker. The speaker may be a well-defined narrator who may also be a participant in the action. Often, however, the text offers few or no clues as to who is ‘speaking’. In suc…[Read more]
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Channan Willner posted an update in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 1 month agoDear colleagues,
I have just added a paper entitled “On Parsing Mozart, 1782-84,” to the Online Publications on my website at .Taking as its point of departure Edward Lowinsky’s landmark “On Mozart’s Rhythm” (1956), the article revisits Mozart’s C minor Serenade, K. 388 (in its string quintet version, K. 406),from the fluid perspective of…[Read more]
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José Angel GARCÍA LANDA deposited La Oreja (y la cámara) in the group
Narrative theory and Narratology on Humanities Commons 4 years, 2 months agoSpanish abstract: ‘Ucho’ (La oreja), película de Karel Kachyňa (1970) es una prefiguración de ‘La vida de los Otros’ sobre la Cheka checa, pero con una estética peculiar—una película entre el realismo documental y lo grotesco, algo así como un cruce entre ‘1984’ y ‘Quién teme a Virginia Woolf ‘, combinando la sátira política con la cinematogr…[Read more]
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