In this chapter I discuss how contests about religious language have revolved around a contrast between, on the one hand, a preference for literalism, with its emphasis on reference and denotation; and on the other hand, a valuation of the poetic functions of language and its material properties. Turning to the issue of electronically mediated…[Read more]

In this chapter I discuss how contests about religious language have revolved around a contrast between, on the one hand, a preference for literalism, with its emphasis on reference and denotation; and on the other hand, a valuation of the poetic functions of language and its material properties. Turning to the issue of electronically mediated…[Read more]

This article explores a unique series of caricatures made between 1884 and 1896 by Yusuf Franko Kusa, a high-ranking Ottoman bureaucrat and a vener- ated member of n-de-siècle Pera’s high society. Yusuf Franko’s hitherto unstudied caricatures were comparable to contemporary European caricatures in style, but their subject matter was very loca…[Read more]

This article explores a unique series of caricatures made between 1884 and 1896 by Yusuf Franko Kusa, a high-ranking Ottoman bureaucrat and a vener- ated member of n-de-siècle Pera’s high society. Yusuf Franko’s hitherto unstudied caricatures were comparable to contemporary European caricatures in style, but their subject matter was very loca…[Read more]

This article explores a unique series of caricatures made between 1884 and 1896 by Yusuf Franko Kusa, a high-ranking Ottoman bureaucrat and a vener- ated member of n-de-siècle Pera’s high society. Yusuf Franko’s hitherto unstudied caricatures were comparable to contemporary European caricatures in style, but their subject matter was very loca…[Read more]

This article explores a unique series of caricatures made between 1884 and 1896 by Yusuf Franko Kusa, a high-ranking Ottoman bureaucrat and a vener- ated member of n-de-siècle Pera’s high society. Yusuf Franko’s hitherto unstudied caricatures were comparable to contemporary European caricatures in style, but their subject matter was very loca…[Read more]

Little India is a rich historical and ethnographic examination of a fascinating example of linguistic plurality on the island of Mauritius, where more than two-thirds of the population is of Indian ancestry. Patrick Eisenlohr’s groundbreaking study focuses on the formation of diaspora as mediated through the cultural phenomenon of Indian ancestral…[Read more]

Little India is a rich historical and ethnographic examination of a fascinating example of linguistic plurality on the island of Mauritius, where more than two-thirds of the population is of Indian ancestry. Patrick Eisenlohr’s groundbreaking study focuses on the formation of diaspora as mediated through the cultural phenomenon of Indian ancestral…[Read more]

While board games had been around for millennia, their popularization as a market commodity, with specilal themes and branding, had coincided with the formation of the global dominance of the British Empire as a maritime juggernaut. Early board game producers in the second half of the eighteenth century were mapmakers, and the board games shared…[Read more]

While board games had been around for millennia, their popularization as a market commodity, with specilal themes and branding, had coincided with the formation of the global dominance of the British Empire as a maritime juggernaut. Early board game producers in the second half of the eighteenth century were mapmakers, and the board games shared…[Read more]