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Flavia De Nicola deposited Equus infoelicitatis: analisi iconografica di una xilografia dell’ Hypnerotomachia Poliphili fra testo e immagine, xilografia n. 6 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 2 months agoThe peculiar iconography of the winged horse surmounted by several puttos, as appears in the Hypnerotomachia Poliphili sixth woodcut, turns out to be unprecedented and enigmatic at a glance and it’s the result of the depth and complexity of the author’s concepts.
Considering the iconographic details of the sculptural group as well as the text sca…[Read more] -
Kathleen W. Peters deposited Sacred Views of Saint Francis: The Sacro Monte di Orta in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 2 months agoOverlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment.…[Read more]
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David Amelang deposited David J. Amelang, “A Day in the Life: The Performance of Playgoing in Early Modern Madrid and London” (Bulletin of the Comediantes 70.2, 2018), pp. 111-127 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 2 months agoGoing to the theater was one of the most distinctive-as well as conspicuous-cultural activities to take place regularly in early modern european cities. Precisely because so many people from all walks of life partook of this highly visible pastime, public theaters became spaces wherein social and cultural boundaries between spectators were easily…[Read more]
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David Amelang deposited David J. Amelang, “’A Broken Voice’: Iconic Distress in Shakespeare’s Tragedies” (Anglia 137.1, 2019), pp. 33-52 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 2 months agoThis article explores the change in dynamics between matter and style in Shakespeare’s way of depicting distress on the early modern stage. During his early years as a dramatist, Shakespeare wrote plays filled with violence and death, but language did not lose its composure at the sight of blood and destruction; it kept on marching to the beat o…[Read more]
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David Amelang deposited David J. Amelang, “Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare” (Bulletin of the Comediantes 71.1-2, 2019), pp. 119-134 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 2 months agoOne of the major differences between the otherwise very similar commercial theatrical cultures of early modern Spain and England was that, whereas in England female roles were performed by young, cross-dressed boys, in Spain female performers were prominent in their industry. indeed, actresses in Spain played an active role in the creative process…[Read more]
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Jefferson Pooley deposited James Rorty’s Voice: Introduction to the mediastudies.press edition in the group
Digital Books on Humanities Commons 5 years, 3 months agoAn introduction to a new edition of James Rorty’s classic 1934 book Our Master’s Voice. The book presents a coherent and original theory of advertising. Its main tenet holds that the ad business can only be understood within the totality of the country’s economy and culture. The alternative—to treat the business of publicity as a “ca…[Read more]
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Yan Brailowsky deposited « La tête qui bondit » ou la décollation de Marie Stuart in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 3 months agoMary Stuart’s Bouncing Head
Execution scenes reveal the links between the spectacular and the punitive (Michel Foucault), but they are difficult to stage, even more so when the topic is the decapitation of Mary Stuart, whose execution divided Catholics and Protestants, forcing playwrights to adopt several mediation strategies. Taking plays by J…[Read more] -
RONALD VINCE deposited Jean de la Taille, Saul in his Madness (Saül le furieux) in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 3 months agoJean de la Taille’s “Saül le furieux” (1562) has been described as “the most dramatic play produced by the French Renaissance,” and the author’s preface to the play in the printed edition of 1572, “De l’Art de la Tragedie,” as “certainly the best theoretical essay on the theatre written in France before the classical period.” These estimates by…[Read more]
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Lawrence K Wang deposited EAST WEST HEAR SAY 東 讀 西 寫:芋 薯 彈 浪 in the group
Digital Books on Humanities Commons 5 years, 3 months agoTsao, Hung-ping 曹恆平 and Mou, Yong Ning 牟永寧 (2020). EAST WEST HEAR SAY. In: “Evolutionary Progress in Science, Technology, Engineering, Arts, and Mathematics (STEAM)”, Wang, Lawrence K. 王抗曝 and Tsao, Hung-ping 曹恆平 (editors). Volume 2, Number 10, October 2020; 60 pages. Lenox Institute Press, Newtonville, NY, 12128-0405, USA. No. STEAM-VOL2-NUM…[Read more]
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Rebecca Ruth Gould deposited Translation and activism in the time of the now (Introduction to The Routledge Handbook of Translation and Activism) in the group
Translation Studies on Humanities Commons 5 years, 3 months agoIntroduction to The Routledge Handbook of Translation and Activism
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Rebecca Ruth Gould deposited “Inspired and Multiple: On Poetry and Co-Translation,” Overland (2019) in the group
Translation Studies on Humanities Commons 5 years, 3 months agoThis co-authored essay reflects on the process of co-translation as a form of co-authorship, drawing on examples taken from Persian poetry and the history of Russian-English literary translation.
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Robert M. Kelly deposited The WALLPAPER Volume 1, Number 6 in the group
Printing History on Humanities Commons 5 years, 5 months agoTHE ZUBER PATRIARCHY
Spring: Jean Zuber, fl.1790-1835; Summer: Jean Zuber-Karth, fl. 1836-1853; Autumn: Ivan (Jean) Zuber, fl. 1854-1907This is the first of a multi-part series telling how the Zuber family made wallpaper over a 117-year period (1790-1907). It is closely based on the thesis “From the Workshop to the Wall” by Dr. Bernard Jac…[Read more]
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Dan Rudmann deposited The Disguise of Language: Translation through the Mahābhārata in the group
Translation Studies on Humanities Commons 5 years, 5 months agoAs the Pāṇḍava brothers move through the forest in the third book of the Mahābhārata, they hear stories of fantastic transformations and journeys: a band of gods all masked as the same prince, dice that become thieving birds, a sage turned into a hunted deer, a woman who traverses Yama’s realm. These tales recast and elucidate the condit…[Read more]
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Lawrence K Wang deposited THE PRINCIPLE OF FEBRILE AND INFLAMMATORY DISEASES 温热病原理 in the group
Digital Books on Humanities Commons 5 years, 5 months agoWang, Nai-Yi (2020). The principle of febrile and infllammatory diseases. In: “Evolutionary Progress in Science, Technology, Engineering, Arts, and Mathematics (STEAM)”, Wang, Lawrence K. and Tsao, Hung-ping (editors). Volume 2, Number 8, August 2020; 206 pages. Lenox Institute Press, PO Box 405, Newtonville, NY, 12128-0405, USA. No.…[Read more]
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Tully Barnett deposited Metadata in the Margins: Queering the Knowledge Infrastructures of Digitisation and Humanities Databases in the group
Digital Books on Humanities Commons 5 years, 6 months agoMetadata and the Margins: Queering the Knowledge Infrastructures of Digitisation and Humanities Databases
This presentation formed part of the Global Renderings in the Queer Digital Humanities for DH2020v
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Lawrence K Wang deposited THE COLOR PURPLE OF TAIWAN POLITICS in the group
Digital Books on Humanities Commons 5 years, 6 months agoTsao, Hung-ping (2020). The Color Purple of Taiwan Politics. In: “Evolutionary Progress in Science, Technology, Engineering, Arts, and Mathematics (STEAM)”, Wang, Lawrence K. and Tsao, Hung-ping (editors). Volume 2, Number 10, October 2020; 285 pages. Lenox Institute Press, Newtonville, NY, 12128-0405, USA. No. STEAM-VOL2-NUM10-OCT2020; ISBN…[Read more]
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Jason Rosenholtz-Witt started the topic CFP – Renaissance Bergamo at RSA 2021 in the discussion
Renaissance/ Early Modern Studies on Humanities Commons 5 years, 6 months agoRenaissance Bergamo: At the Edge of the Venetian Terraferma
Present day Bergamo is bifurcated into an upper and lower portion of the city by the Venetian walls, built in 1561-1623 to discourage Milanese northward expansion, as well as to limit contraband trade. Bergamo was one of the most important of the strong points fortified by the Venetian…[Read more] -
Robin Rolfhamre deposited Embellishing lute music: Using the Renaissance Italian passaggi practice as a model and pedagogical tool for an increased improvisation vocabulary in the French Baroque style in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoEarly seventeenth century lute improvisation — a phrase that by its mere utterance may cause debates full of uncertainties, fears and fantasies. What is proper improvisa-tion? How did they do it 360 years ago? In this article I seek to revive a systematic prac-tice of teaching ornamentation and improvisation from the Renaissance scholars — i.e…[Read more]
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Robin Rolfhamre deposited Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoInformed Play presents a conceptual understanding of tone production based on extensive historical research on primary sources, modern literature and handbook reviews, physical and psychological perspectives as well as on technology. As the first volume in English to discuss and contextualise the topic of tone production on Early Modern lute…[Read more]
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Alexander J McNair deposited Pasillo del Cid Campeador: un curioso pliego suelto del siglo XIX in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoEn su edición del Romancero del Cid de 1871, un compendio de todos los romances del Cid disponibles en versiones impresas de los siglos XVI y XVII, Carolina Michaëlis incluyó un apéndice para demostrar la vitalidad de la tradición cidiana en pleno siglo XIX. Michaëlis escribe: “Para muestra del género de romances populares que aun hoy dia en A…[Read more]
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