A paper of 17 pages as described in its title and opening lines. “Hoa Hakananai’a” is an Easter Island statue, now in the British Museum. For “Linear and cult art”, see The Problem with Linear B (https://hcommons-staging.org/deposits/item/hc:20833/

A low-tech introductory workshop on print-to-digital transcription for an audience interested in the creation of digital editions. Learning objectives include: recognition of the intellectual labor involved in transcription; understanding of the basic concepts of textual scholarship, especially the distinction between text and document;…[Read more]

New digital projects use geographic information systems (GIS) and crowdsourcing applications to gather data about the accessibility of public spaces for disabled people. While these projects offer useful tools, their approach to technology and disability is often depoliticized. Compliance-based maps take disability for granted as medical…[Read more]

We live in an increasingly übercapitalist society. It’s übercapitalist in that a specific version of neoliberalism, characterised by low pay, zero-hours and fixed-term contracts, is growing ever more aggressive; and that the disruptive technology firm Uber offers one of the most high-profile examples of this intensified form of deregulated cap…[Read more]

This short essay is part of a Forum centered upon responses to Simon During’s essay, “Precariousness, Literature and the Humanities Today,” Australian Humanities Review 58 (May 2015), and argues (following Nicholas Bourriaud’s figure of the radicant) for the becoming-itinerant of humanistic practice, as well as for reinventing the Academy as a wan…[Read more]

This essay comprises four parts, each by one of the co-bloggers at In the Middle (http://www.inthemedievalmiddle.com). Karl Steel argues that the benefits of academic blogging outweigh its potential humiliations, and that academic conferences should post their papers publicly and allow for comments so that conferences, in a sense, never end.…[Read more]

This mini-manifesto takes a firm and unwavering stand against any and all metrics that might be devised to measure scholarly productivity, “outcomes,” and the value of scholarship in the humanities. Regarding the notion of a “humane” or “humanistic” metrics for scholarship produced in the Humanities, we don’t need more “humane indicators of excell…[Read more]

Whilst “The Problem with Linear B” (https://hcommons-staging.org/deposits/item/hc:20833/) focused on the physical or visual aspects of Linear objects, this paper mainly examines the secondary assumptions and arguments used to support the thesis that those objects are purely administrative.

This essay is partly a response + riposte to Johanna Drucker’s Jan. 2014 essay in the Los Angeles Review of Books, “Pixel Dust: Illusions of Innovation in Scholarly Publishing,” and partly a plea for the University, and the Humanities, along with their publishing “arms,” to be refashioned, not as sites of cultural Authority from which Knowledge…[Read more]

A 5-page paper discussing the Linear signage and visual aspects of a Linear B tablet from Thebes, Greece, apparently discovered in the 1990s.

Review of C. Tsagalis (ed.), “Poetry in Fragments: Studies on the Hesiodic Corpus and its Afterlife.” Trends in Classics – Supplementary Volumes, 50. Berlin; Boston: De Gruyter, 2017

Notice of (D.) Sider (ed.) Hellenistic Poetry. A Selection. Pp. xx + 579, ills. Ann Arbor: University of Michigan Press, 2017. Paper, US$49.50 (Cased, US$90). ISBN: 978-0-472-05313-1 (978-0-472-07313-9 hbk).

The significance and influence of Attic drama on Hellenistic poetry has been a topic of little consistent focus in recent scholarship, reflecting the dominant academic emphasis on Hellenistic poetry as a written artefact, allegedly detached from any immediate context of performance. This paper attempts to reverse this trend by setting out the…[Read more]

Drawing on rabbinic sources redacted in the early third and late fourth/ early fifth centuries, this paper tracks the intertwined lives of divine image-things and rabbis living in late Roman and Byzantine period Palestine. The paper argues that the religious image-things of others (or avodah zarah, in rabbinic terms) pressed in different ways on…[Read more]

This syllabus is my fifth version of a course aimed at introducing the digital humanities at an undergraduate level. In consultation with my colleagues, I decided that this year’s version should also include a unit that looked at digital objects with a humanities perspective. The course is organized around four projects, each of which is oriented…[Read more]

The book demonstrates the invalidity of existing assumptions about the administrative nature of Linear B (“Mycenaean Greek”) and related objects, proposes an alternative revolving around cult art, and explores similar evidence relating to scripts and art from the same and other regions and periods.