I’m starting to get some great information from the first round of responses to the “Using Online Shakespeare Sources” survey I created as part of my SAA ’15 workshop (“Using Data in Shakespeare Studies”). If you’ve already responded: THANK YOU! If you haven’t yet, I’d be grateful if you could answer a few quick questions and please share the link…[Read more]

I’m starting to get some great information from the first round of responses to the “Using Online Shakespeare Sources” survey I created as part of my SAA ’15 workshop (“Using Data in Shakespeare Studies). If you’ve already responded: THANK YOU! If you haven’t yet, I’d be grateful if you could answer a few quick questions and please share the link…[Read more]

Call for Papers
Panel Topic: Evolution, Ethics, and Tragedy

Conference:
Why the Humanities: Answers from Cognitive and Neuroscience
Kent State University
Kent, Ohio
July 9-12, 2015
http://www.kent.edu/cas/why-humanities

Contact Person for this Panel:
David Palmer
Humanities Department
Massachusetts Maritime Academy
dpalmer@maritime.edu

I am…[Read more]

Dear Colleagues,

The Division (soon to be “Forum”) on Drama and Performance is pleased post below a lengthier description of our plans for Austin, 2016.

On behalf of Brian Herrera, Eng-Beng Lim, Nadia Ellis, and Shane Vogel, we are very much looking forward to your queries and proposals,

Jody Enders, Chair (2016)

What are the lim…[Read more]

In mid-2015, Shaw’s work will become “new media” in the most obvious of ways, when the National Theatre Live digitally broadcasts their high-profile production of Man and Superman (via satellite) to movie theatres around the world. While we invite papers on this and other examples of digital Shaw, we encourage proposals that adopt the broad, histo…[Read more]

In mid-2015, Shaw’s work will become “new media” in the most obvious of ways, when the National Theatre Live digitally broadcasts their high-profile production of Man and Superman (via satellite) to movie theatres around the world. While we invite papers on this and other examples of digital Shaw, we encourage proposals that adopt the broad, histo…[Read more]

2015 Society for the Study of American Women Writers Triennial Conference
Nov. 4-8, 2015
Philadelphia, Pennsylvania

Proposed Panel: “Women Playwrights of the Harlem Renaissance”

Taking a cue from the conference theme, “Liminal Spaces, Hybrid Lives,” this panel asks how African American women playwrights worked out questions of liminal…[Read more]

CALL FOR CONTRIBUTIONS
Rethinking Shakespeare and Italy: Cultural Exchanges from the Early Modern Period to the Present, ed. by Enza De Francisci and Chris Stamatakis (Routledge: Studies in Shakespeare Series)

This volume brings together international scholars from English literature, Italian studies, drama, and linguistics, as well as actors…[Read more]

The Robt Greene topic reminds me.  Renn. scholars in the U.S. should be aware of  work in Britain which has changed/supplemented knowledge of earlier drama.  Greg Walker’s work is a good key to the whole and and his history re-names the “morality”  play as part of Tudor Drama in his book of that name, his anthology, and bibliography.  Rece…[Read more]

Hello All,

I’m starting a project looking into the theater scene of London pre-1592, using Robert Greene and his “Conny Catching” pamphlets as my entry point. My hope is to gain a better understanding of the social environment at that time through the different contributors of the “pamphlet wars”, of which Greene seems to be at the center.  The…[Read more]

The Aphra Behn Society will be hosting two sessions at ASECS in 2015. Abstracts due to session organizers by September 1, 2014.

SESSION 1:

Collaborations: Women in the Arts

Dr. Carolyn Woodward

writecjw@gmail.com

During most of the eighteenth century, copyright was still in flux and of benefit mainly to booksellers. Although in the middle of…[Read more]

Hello, Everybody Shakespearean,

A group of us have been thinking and rethinking a documentary film project that would show the value of crossing the line between science and the arts.

At first we were going to make it a conversation between Galileo and Shakespeare–roughly contemporaries.
But granting agencies didn’t like the fictional…[Read more]

Dear Wonderful Teachers of Shakespeare,

CultureWorks Productions, in partnership with Shakespeare’s Globe (London), is developing an exciting new service called<b> Shakespeare Central</b>, an easily accessible database of all kinds of Shakespeare media.

<b>Shakespeare Central</b> will be the hub for a vast collection of Shakespeare inf…[Read more]

2015 is the centennial of Arthur Miller’s birth. As part of the celebration of this event, the Arthur Miller Society is organizing a session at the 2015 MLA convention in Vancouver on a central theme in Miller’s literary work and his career as a public intellectual: the elusiveness of the American Dream, the Dream’s foundations in what often are c…[Read more]

Applications are now open for “<b>Performing Dickens: <i>Oliver Twist</i> and <i>Great Expectations</i> on Page Stage, and Screen</b>,” a four-week National Endowment for the Humanities Summer Seminar for College and University Teachers, sponsored by the Dickens Project at the University of California Santa Cruz.  From <b>Monday, July 7, 2014 to F…[Read more]