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Sjoerd Levelt's profile was updated on Humanities Commons 3 years, 2 months ago
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Martine van Elk's profile was updated on Humanities Commons 3 years, 4 months ago
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Bradley J. Irish's profile was updated on Humanities Commons 3 years, 6 months ago
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Ari Friedlander's profile was updated on Humanities Commons 3 years, 6 months ago
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Martine van Elk deposited Digital Editions of Early Modern Women’s Writing on Humanities Commons 3 years, 7 months ago
Review of three digital editions of early modern women’s writing
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Martine van Elk's profile was updated on Humanities Commons 3 years, 9 months ago
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fares bagheri posted an update on Humanities Commons 3 years, 10 months ago
fares bagheri
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Ari Friedlander's profile was updated on Humanities Commons 3 years, 11 months ago
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Kathryn Vomero Santos's profile was updated on Humanities Commons 4 years ago
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Frank A. Dominguez's profile was updated on Humanities Commons 4 years, 1 month ago
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Penelope Geng's profile was updated on MLA Commons 4 years, 3 months ago
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Steven Swarbrick deposited “The Violence of the Frame: Image, Animal, Interval in Lars von Trier’s Nymphomaniac” in the group
TC Science and Literature on MLA Commons 4 years, 4 months agoBuilding on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
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Steven Swarbrick deposited “The Violence of the Frame: Image, Animal, Interval in Lars von Trier’s Nymphomaniac” in the group
TC Ecocriticism and Environmental Humanities on MLA Commons 4 years, 4 months agoBuilding on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
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Steven Swarbrick deposited “The Violence of the Frame: Image, Animal, Interval in Lars von Trier’s Nymphomaniac” in the group
Literary theory on Humanities Commons 4 years, 4 months agoBuilding on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
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Steven Swarbrick deposited “The Violence of the Frame: Image, Animal, Interval in Lars von Trier’s Nymphomaniac” in the group
Film Studies on Humanities Commons 4 years, 4 months agoBuilding on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
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Steven Swarbrick deposited “The Violence of the Frame: Image, Animal, Interval in Lars von Trier’s Nymphomaniac” in the group
Environmental Humanities on Humanities Commons 4 years, 4 months agoBuilding on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
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Steven Swarbrick deposited “The Violence of the Frame: Image, Animal, Interval in Lars von Trier’s Nymphomaniac” on Humanities Commons 4 years, 4 months ago
Building on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
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Murat Öğütcü's profile was updated on Humanities Commons 4 years, 5 months ago
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Jonathan Hsy's profile was updated on MLA Commons 4 years, 6 months ago
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