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cynthia tompkins deposited call for papers in the group
TM Literary Criticism on MLA Commons 6 years agoCall for Proposals
Media, Lingualisms, Translations: Technologies of Language and Power
Conference to be held November 13-14, 2020; hosted by the School of International Letters and Cultures, Arizona State University, Tempe.
Keynote speakers: Jean-Noël Robert (Collège de France, Paris)
Lourdes Ortega (Georgetown University, W…[Read more] -
cynthia tompkins deposited call for papers in the group
TM Literary and Cultural Theory on MLA Commons 6 years agoCall for Proposals
Media, Lingualisms, Translations: Technologies of Language and Power
Conference to be held November 13-14, 2020; hosted by the School of International Letters and Cultures, Arizona State University, Tempe.
Keynote speakers: Jean-Noël Robert (Collège de France, Paris)
Lourdes Ortega (Georgetown University, W…[Read more] -
cynthia tompkins deposited call for papers in the group
CLCS Hemispheric American on MLA Commons 6 years agoCall for Proposals
Media, Lingualisms, Translations: Technologies of Language and Power
Conference to be held November 13-14, 2020; hosted by the School of International Letters and Cultures, Arizona State University, Tempe.
Keynote speakers: Jean-Noël Robert (Collège de France, Paris)
Lourdes Ortega (Georgetown University, W…[Read more] -
Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [remarks] in the group
GS Poetry and Poetics on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [remarks] in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [slides] in the group
GS Poetry and Poetics on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [slides] in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Scott Challener deposited American Literature’s Hemispheric Address: 1823-1923 (Fall 2019) in the group
CLCS Hemispheric American on MLA Commons 6 years agoThis course is a study of American literature’s address to and engagement with the hemisphere in the long nineteenth century. As such, it is first and foremost an inquiry into the concepts—“America,” “literature,” “address,” “hemisphere,” race and period—that animate our study. Our first task, then, is to turn these concepts into problems. What c…[Read more]
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Madeline Gangnes replied to the topic MLA 2020: Bibliopedagogy in the discussion
TM Book History, Print Cultures, Lexicography on MLA Commons 6 years agoIf it’s of interest to anyone, I livetweeted this excellent panel: https://twitter.com/maddohere/status/1215367439988350976
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Madeline Gangnes started the topic MLA 2020 Panel #265 "Databases and Print Culture Studies" Livetweet Thread in the discussion
TM Book History, Print Cultures, Lexicography on MLA Commons 6 years agoI was asked by the moderator of this morning’s MLA session #265 “Databases and Print Culture Studies” panel, so here is the link: https://twitter.com/maddohere/status/1215697238107750404. (Official panel info found here: https://www.sharpweb.org/main/mla-2020-sharp-session-databases-and-print-culture-studies/) I hope it will be of some use to the…[Read more]
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Julie Phillips Brown deposited Otherbreath: Bare Life and the Limits of Self in Claudia Rankine’s ‘Citizen’ in the group
GS Poetry and Poetics on MLA Commons 6 years agoFor the “Extreme Texts” special issue of Jacket2, edited by Divya Victor (2019)
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Julie Phillips Brown deposited Otherbreath: Bare Life and the Limits of Self in Claudia Rankine’s ‘Citizen’ in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years agoFor the “Extreme Texts” special issue of Jacket2, edited by Divya Victor (2019)
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Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group
TM Literary and Cultural Theory on MLA Commons 6 years agoThis course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the…[Read more]
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Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group
LLC 20th- and 21st-Century Latin American on MLA Commons 6 years agoThis course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the…[Read more]
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Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group
LLC 20th- and 21st-Century American on MLA Commons 6 years agoThis course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the…[Read more]
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Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group
CLCS Hemispheric American on MLA Commons 6 years agoThis course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the…[Read more]
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Scott Challener deposited The New Border in the group
LLC 20th- and 21st-Century American on MLA Commons 6 years, 1 month agoThis course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft…[Read more]
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Scott Challener deposited The New Border in the group
GS Poetry and Poetics on MLA Commons 6 years, 1 month agoThis course is a study of the literature of the U.S.-Mexico border from the 1980s to the present. We begin with Gloria Anzaldúa’s foundational texts, Borderlands / La Frontera, and her landmark feminist anthology, co-edited with Cherríe Moraga, This Bridge Called My Back: Radical Writings by Women of Color. We then consider the legacies and aft…[Read more]
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