***SPECIAL OFFER***
Studies in American Humor has additional copies of its landmark, jumbo special MAD issue (n.s. 3, no 30, fall 2014) with guest coeditor John Bird—
“MAD MAGAZINE AND ITS LEGACIES”
a splendiferous 224 pp. issue devoted to one of the most important American comic innovations of all time
For new members, or members who were not m…[Read more]

I’m starting to get some great information from the first round of responses to the “Using Online Shakespeare Sources” survey I created as part of my SAA ’15 workshop (“Using Data in Shakespeare Studies”). If you’ve already responded: THANK YOU! If you haven’t yet, I’d be grateful if you could answer a few quick questions and please share the link…[Read more]

I’m starting to get some great information from the first round of responses to the “Using Online Shakespeare Sources” survey I created as part of my SAA ’15 workshop (“Using Data in Shakespeare Studies). If you’ve already responded: THANK YOU! If you haven’t yet, I’d be grateful if you could answer a few quick questions and please share the link…[Read more]

Charlie-Hebdo and its Publics

Ever since the tragic murders of staff members of French satirical newspaper Charlie Hebdo, there have been heated discussions in the public sphere regarding free speech, religious expression, and the power of satire. Reactions have differed dramatically among national and social groups, East and West. These varied…[Read more]

Call for Papers for a guaranteed panel at the Modern Language Association

(MLA) Annual Convention, 7-10 Jan. 2016, in Austin.

Satire and the Editorial Cartoon

Ever since the days of William Hogarth and his brand of pictorial satire, expressing an opinion on the politics of the day in print demanded the combination of humor, hyperbole, and…[Read more]

General Call for Papers
Illustration, Comics, and Animation Conference

May 8-10, 2015, Dartmouth College, Hanover, NH

*What is the future of illustration studies?
*What can comics scholars learn from animation studies and vice versa?
*Do illustrated books or graphic novels resist the supposed obsolescence of the book? *What do pictures want…[Read more]

Hi everyone,

I wrote an essay about a specific comic book and the essay is going to be published in an anthology. My question is about reproducing images from the comic in the anthology. I am, of course, citing the comic and the images in the essay, so is there any issue with using images from the comic in the anthology? It would be much more…[Read more]

CALL FOR CONTRIBUTIONS
Rethinking Shakespeare and Italy: Cultural Exchanges from the Early Modern Period to the Present, ed. by Enza De Francisci and Chris Stamatakis (Routledge: Studies in Shakespeare Series)

This volume brings together international scholars from English literature, Italian studies, drama, and linguistics, as well as actors…[Read more]

The Robt Greene topic reminds me.  Renn. scholars in the U.S. should be aware of  work in Britain which has changed/supplemented knowledge of earlier drama.  Greg Walker’s work is a good key to the whole and and his history re-names the “morality”  play as part of Tudor Drama in his book of that name, his anthology, and bibliography.  Rece…[Read more]

Hello All,

I’m starting a project looking into the theater scene of London pre-1592, using Robert Greene and his “Conny Catching” pamphlets as my entry point. My hope is to gain a better understanding of the social environment at that time through the different contributors of the “pamphlet wars”, of which Greene seems to be at the center.  The…[Read more]

The Aphra Behn Society will be hosting two sessions at ASECS in 2015. Abstracts due to session organizers by September 1, 2014.

SESSION 1:

Collaborations: Women in the Arts

Dr. Carolyn Woodward

writecjw@gmail.com

During most of the eighteenth century, copyright was still in flux and of benefit mainly to booksellers. Although in the middle of…[Read more]

Hello, Everybody Shakespearean,

A group of us have been thinking and rethinking a documentary film project that would show the value of crossing the line between science and the arts.

At first we were going to make it a conversation between Galileo and Shakespeare–roughly contemporaries.
But granting agencies didn’t like the fictional…[Read more]