Brahmanical history is based on myths. It neither has been constructed chronologically nor is factually correct. It has eclipsed the reality with a cobweb of myths. To establish a new creed, established dogmas must be disproven. Ish Mishra reviews ‘Mahishasur: Mithak va Paramparayen’ :

The book Mahishasur: Mithak va Paramparayen (Ma…[Read more]

Recently, an important book, Mahishasur: Mithak va Paramparayen (Mahishasur: Myth and Traditions), edited by Pramod Ranjan, was published by Forward Press in collaboration with Marginalised Publication. The book lets the reader travel through the living history of the myths of Durga and Mahishasur. The book is divided into five parts – ‘Yatra Vri…[Read more]

Recently, an important book, Mahishasur: Mithak va Paramparayen (Mahishasur: Myth and Traditions), edited by Pramod Ranjan, was published by Forward Press in collaboration with Marginalised Publication. The book lets the reader travel through the living history of the myths of Durga and Mahishasur. The book is divided into five parts – ‘Yatra Vri…[Read more]

Spanish abstract: Unas notas sobre el final del libro ‘El lugar del hombre en el cosmos’ de Fred Spier, sobre la sostenibilidad de la actual comunicación globalizada. La Gran Historia sitúa al ser humano en el contexto de la evolución cósmica y de la ecología de los recursos. Vivimos hoy en la Era de los Combustibles Fósiles. Con esta energ…[Read more]

Spanish abstract: Unas notas sobre el final del libro ‘El lugar del hombre en el cosmos’ de Fred Spier, sobre la sostenibilidad de la actual comunicación globalizada. La Gran Historia sitúa al ser humano en el contexto de la evolución cósmica y de la ecología de los recursos. Vivimos hoy en la Era de los Combustibles Fósiles. Con esta energ…[Read more]

Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such…[Read more]

The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo…[Read more]

This essay traces some of the contexts and media in which “Heracles-Hercules” – as a hero between virtue and hubris – was visible in European societies from the end of the middle ages onwards. It discusses whether this example of the reception, appropriation and transformation of classical myths in the early modern period can be understood as a…[Read more]

For two years, from 1788 to 1790, Duchess Anna Amalia of Saxe-Weimar-Eisenach (1739-1807) exchanged her familiar surroundings with Rome and Naples. She undertook her furthest and most ambitious journey at the age of almost 49. For the only time the princely widow left Germany or the German territories of the Reich. During her stay, the Duchess…[Read more]

This article analyzes the nexus between collective violence, temple violation, and military glory in 1 and 2 Maccabees by comparing two festivals established in the context of revolt and guerilla warfare; namely, Hanukkah and Nicanor’s Day. It argues that the accounts of the origins of these two festivals in 1 and 2 Maccabees reinforce the close c…[Read more]

This article analyzes the nexus between collective violence, temple violation, and military glory in 1 and 2 Maccabees by comparing two festivals established in the context of revolt and guerilla warfare; namely, Hanukkah and Nicanor’s Day. It argues that the accounts of the origins of these two festivals in 1 and 2 Maccabees reinforce the close c…[Read more]