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Pablo Suárez deposited Panorama de la música popular cubana en los Premios Lucas 2016 in the group
Paper Music on Humanities Commons 5 years, 6 months agoEn la actualidad se manifiesta una pluralidad discursiva en la música cubana, donde la diversificación de sus soportes de difusión juega un papel fundamental para que determinados músicos sean tenidos como populares. Bajo esa tesitura, los Premios Lucas brindan una variedad de fuentes primarias incomparables, poco abordadas como objetos de est…[Read more]
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Pablo Suárez deposited Panorama de la música popular cubana en los Premios Lucas 2016 in the group
Ethnomusicology on Humanities Commons 5 years, 6 months agoEn la actualidad se manifiesta una pluralidad discursiva en la música cubana, donde la diversificación de sus soportes de difusión juega un papel fundamental para que determinados músicos sean tenidos como populares. Bajo esa tesitura, los Premios Lucas brindan una variedad de fuentes primarias incomparables, poco abordadas como objetos de est…[Read more]
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Pablo Suárez deposited Algunas consideraciones analíticas sobre el performance musical in the group
Ethnomusicology on Humanities Commons 5 years, 6 months agoCon el presente trabajo se busca allanar la zanja que existe entre los abordajes tradicionales del discurso musical y los estudios de performance. Para la realización de investigaciones artísticas sobre performances musicales se debe tener en cuenta dicha expresión como subjetividad cambiante a lo largo de su devenir histórico, construido en las…[Read more]
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Pablo Suárez deposited Música para ritual masónico de Ramón Figueroa Morales: documentos testimoniales sobre la práctica musical en la logia Prudencia no. 2 de Santiago de Cuba (1898-1928) in the group
Paper Music on Humanities Commons 5 years, 6 months agoHasta hace poco, los estudios sobre las prácticas musicales al interior de una logia masónica cubana eran casi inexistentes. Con la identificación de la Música para ritual masónico de Ramón Figueroa Morales dentro del Archivo de Música de la Catedral de Santiago de Cuba (AMCSC), se dio el primer paso hacia el entendimiento del tema en cuesti…[Read more]
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Pablo Suárez deposited El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical in the group
Paper Music on Humanities Commons 5 years, 6 months agoLa pluralidad discursiva manifiesta en la música cubana se ha encontrado enmarcada en una realidad estético-musical cambiante, causada por una postmodernidad social cada vez más abierta a la globalización de las expresiones culturales de los pueblos. Es dentro de esta dinámica creativa que se encontraron inmersos los performances musicales del…[Read more]
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Pablo Suárez deposited El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical in the group
Ethnomusicology on Humanities Commons 5 years, 6 months agoLa pluralidad discursiva manifiesta en la música cubana se ha encontrado enmarcada en una realidad estético-musical cambiante, causada por una postmodernidad social cada vez más abierta a la globalización de las expresiones culturales de los pueblos. Es dentro de esta dinámica creativa que se encontraron inmersos los performances musicales del…[Read more]
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Shayna Silverstein deposited The Punk Arab: Demystifying Omar Souleyman’s Techno-Dabke in the group
Ethnomusicology on Humanities Commons 5 years, 6 months agoEssay analyzing Syrian wedding singer Omar Souleyman’s popularity in rave, techno, and other popular Western music markets.
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Shayna Silverstein deposited Transforming Space: The Production of Contemporary Syrian Art Music in the group
Ethnomusicology on Humanities Commons 5 years, 6 months agoIn the first decade of the twenty-first century, a young generation of Syrian experimental composers conceived a space for musiqa mu‘asira, or contemporary art music. Informed by debates on critical aesthetics, modernity, and subjectivity in the Arab world and beyond, these composers drew on particular compositional devices and techniques to m…[Read more]
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Anthony Cerulli deposited Archival Aesthetics: Framing and Exhibiting Indian Manuscripts and Manuscript Libraries in the group
Archives on Humanities Commons 5 years, 7 months agoCan the Indian manuscript and manuscript library be art? In what follows, I reflect on this question by examining a set of photographs I created for an art project called Manuscriptistan. I explain what it has meant for me to aestheticise Indian manuscript libraries and manuscripts, and I offer some insights about why it is important for scholars…[Read more]
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Megan Miller deposited Selling Science in the 20th Century in the group
Archives on Humanities Commons 5 years, 7 months ago“Selling Science in the 20th Century” was a public talk delivered as part of the Chemical Heritage Foundation’s Saturday Speakers series. The presentation focused on Beckman Instruments, science advertising, the Beckman Historical Collection, and the digitization component of CHF’s Beckman Legacy Project. Audience members also had the opportunity…[Read more]
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Carlos Pittella deposited Portugal, o primeiro aviso de Mensagem: 106 documentos inéditos in the group
Archives on Humanities Commons 5 years, 7 months agoWhen we think we know Fernando Pessoa, a new surprise arises: this time, one related to the genesis of Mensagem, the most established and celebrated book of the Pessoan canon. That book, published in 1934 with a title only finalized at the time of the typographical proofs, was initially called Portugal—an inscription dating from 1910, when P…[Read more]
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Edmundo Murray deposited A Symphony of Flavors: Food and Music in Concert in the group
Ethnomusicology on Humanities Commons 5 years, 7 months agoThese are the introductory chapter and chapter eight of the multi-authored book that I edited on food-music relations in various regions and periods. In the introduction I analyze the phenomenological basis of the unbalanced relations between food and music. Chapter 8 deals with song lyrics about food in Latin American and the Caribbean.
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Jim McGrath deposited Mapping Violence Syllabus (Brown University Undergraduate Course; Taught by Monica Muñoz Martinez, Jim McGrath, and Edwin Rodriguez; Spring 2020) in the group
Archives on Humanities Commons 5 years, 7 months agoPDF copy of the syllabus for “Mapping Violence,” an undergraduate course co-taught by Profs. Monica Muñoz Martinez and Jim McGrath with Teaching Assistant Edwin Rodriguez. The course draws on and contributes to work from Mapping Violence, a digital restorative justice initiative focused on acts of state-sanctioned racial violence in Texas and…[Read more]
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Jake Benson deposited The Raja of Mahmudabad Palace Library Project in the group
Archives on Humanities Commons 5 years, 8 months agoOver the course of the last year the Hill Museum and Manuscript Library (HMML) and the Roshan Institute for Persian Studies at the University of Maryland, College Park (Roshan Institute-UMD) have begun collaborating with the Raja of Mahmudabad family on the preservation of their important manuscript collection. The project will help protect the…[Read more]
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Gavin Holman deposited Ponsonby Boys’ Brass Band 1916-1968 in the group
Ethnomusicology on Humanities Commons 5 years, 8 months agoThis band was formed in Auckland, New Zealand following the success of an earlier drum and fife band associated with the Ponsonby Boy Scouts Association. It undertook several country-wide tours on both islands during the 1920’s and was a very successful and sought-after musical organisation.
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Miklos Mezosi deposited Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései in the group
Ethnomusicology on Humanities Commons 5 years, 8 months agoA „Don Juan”-nak szentelt, valójában az önálló mítosszá nőtt Mozart-operához, a Don Giovanni néven jegyzett „dramma giocoso per musicá”-hoz hozzászóló értekezéseikben E. T. A. Hoffman és Søren Kierkegaard nemcsak érzékeny elemzését adják az operának, hanem ezenfelül megörökítik az opera előadásához kötődő élményeiket – Kierkegaard utalásszerűen,…[Read more]
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Andrew J. Eisenberg deposited Resonant Voices and Spatial Politics: An Acoustemology of Citizenship in a Muslim Neighbourhood of the Kenyan Coast in the group
Ethnomusicology on Humanities Commons 5 years, 9 months agoThis chapter is an updated and newly illustrated version of “Islam, Sound and Space: Acoustemology and Muslim Citizenship on the Kenyan Coast,” originally published in the volume _Music, Sound and Space: Transformations of Public and Private Experience_ (2013, ed. Georgina Born, Cambridge University Press).
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Amadeu Corbera Jaume deposited Music, Noise and Singing in Silence: Industrial Soundscape and Working Experience in the Factory. The Case of Menorca. in the group
Ethnomusicology on Humanities Commons 5 years, 9 months agoIn preindustrial societies, singing and working was – and still is – conceived as part of the same activity, of the same life experience. However, the great social transformation that will imply the industrialization of much of the Catalan Countries at the end of the 19th century, and the progressive impetus of the capitalist production system,…[Read more]
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K. E. Goldschmitt deposited Popular Music and the Growth of Brazilian Culture Industries since 1945 in the group
Ethnomusicology on Humanities Commons 5 years, 10 months agoThe period following the end of Getúlio Vargas’s second government (1951-1954) saw a massive expansion of the media industries with popular music in particular becoming an important cultural touchstone. Some salient trends in the post-War period include the politicization of music and other media (radio, television, social media), the in…[Read more]
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Kate Topham deposited Parting the Metadata Sea: a Crosswalk to Preserve Religious Sound in the group
Archives on Humanities Commons 5 years, 10 months agoThe American Religious Sounds Project, a joint effort from Michigan State University and Ohio State University, has been gathering sound recordings of American religious life since 2014. The project is undertaking a dual process of expanding to other institutions and ingesting the collection into the Vincent Voice Library at MSU.
With thousands…[Read more] - Load More