This essay explores the impact of digitized and born-digital special collections on teaching, learning, and research, and, through institutional case studies, considers the variety of collaborative opportunities made possible by the digitization of special collections.

This essay explores the impact of digitized and born-digital special collections on teaching, learning, and research, and, through institutional case studies, considers the variety of collaborative opportunities made possible by the digitization of special collections.

Review about Elvira Asensi book’s “Música mestre!”, about Valencian wind orchestras at the beginning of the 20th century.

A principis dels anys 90, amb el boom del Rock català, comença formar-se tota una escena musical pròpia dels Països Catalans, amb un model de funcionament diferenciat del de l’escena espanyola. Actualment, aquesta escena ha canviat, s’han obert noves vies: per una banda, l’eco del Rock català segueix vigent, mentre que per l’altra es…[Read more]

El cant de la Sibil·la és una tradició medieval que avui encara es canta a l’illa de Mallorca durant la nit de Nadal. Però existeixen traces que demostren el coneixement popular d’aquesta representació a l’illa de Menorca almenys fins al segle XIX.

The Chant of the Sibyl is a medieval tradition that is still sung in the island of Mallorca duri…[Read more]

The open access movement has taken a strong hold within cultural heritage institutions, as large-scale digitization efforts are becoming increasingly popular in most libraries, museums, and archives. These initiatives have had a particular effect on the status of rare and unique materials through the provision of high-quality images and…[Read more]

This paper engages with the existing body of archival literature that addresses what has been termed “documentary art” in order to address questions regarding the treatment of visual materials in archival practice and theory. It will also borrow and apply theories from the disciplines of material culture studies and art history in order to for…[Read more]

Through an engagement with theory from the fields of art history, anthropology, and sociology, this article examines the archival existence of medieval manuscripts and facilitates an understanding of archival practice and its effects on user experience from the perspective of the researcher, rather than from that of the archivist or information…[Read more]

Through a discussion of the materiality of photographic documents and the inherent qualities of digital objects, this article examines the viability of digitization as a method of archival photographic preservation. By exploring notions of surrogacy, originality, and aura, the author presents and deconstructs the popular argument that digital…[Read more]

This work presents a brief overview on the history of Web archiving projects in some English speaking countries, paying particular attention to the development and main problems faced by the UK Web Archive Consortium (UKWAC) and UK Web Archive partnership in Britain. It highlights, particularly, the changeable nature of Web pages through constant…[Read more]

This dissertation describes the current pressures on archive funding and their historical reliance on non-earned sources of funds. It explores the different ways in which archives can generate income and their respective success factors. In particular, it considers the role of digitisation and how archives might organise themselves to maximise the…[Read more]

A group editorial from the Editorial Board of the Journal of Librarianship and Scholarly Communication.

The Monty Hyams Archive stands as an important source of information history. This project seeks to organise and investigate the contents of the Archive while providing information on standards application to the care of the Archive. Through the research methodologies of literary warrant analysis, documentary analysis, and historical research,…[Read more]

In his 1992 essay Eftermaele: ‘That which will be said afterwards’ Eugenio Barba states that ‘[i]n the age of electronic memory, of films, and of reproducibility … performance … defines itself through the work that living memory, which is not museum but metamorphosis, is obliged to do’ (78). His mention of memory is an acknowledgement of…[Read more]

Presentation from the MARAC conference in Newark, NJ on April 20–22, 2017. Session 6: You Established a Social Media Presence, What’s Next?

This presentation offers an overview of social media outreach at the Chemical Heritage Foundation. A particular focus is placed on the strategies, content, and workflow of the Othmer Library’s Tumblr, Othmeralia.

The late nineteenth century was a crucial moment in Japan, driven by new conceptions of authorship and literary narratives. An influential world of collecting and compilation gave birth to those changes, but its workings are still poorly understood. By showing how compilers assembled the 1894 Kōtei Saikaku zenshū (The Edited Complete Works of Sa…[Read more]

The MADDLAIN project aims to analyse the behaviour and the needs of different audiences with regard to digital access to the collections offered by the CegeSoma, the Royal Library of Belgium and the State Archives of Belgium. In the scope of this project, I presented some of the results of the qualitative survey conducted with professional…[Read more]

The Muslim-dominated “Swahili Coast”has always served as a conceptual as well as physical periphery for post-colonial Kenya. This article takes Kenyan youth music under the influence of global hip-hop as an ethnographic entry into the dynamics of identity and citizenship in this region. Kenyan youth music borrows from global hip-hop culture the…[Read more]