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Stef Craps started the topic Call for Papers Mnemonics 2023: The Industry of Memory in the discussion
TC Memory Studies on MLA Commons 2 years, 11 months agoCall for Papers Mnemonics 2023: The Industry of Memory
London, UK, 27-29 June 2023
The eleventh Mnemonics summer school will be hosted by King’s College London, the University of Westminster, and Goldsmiths, University of London from Tuesday 27 to Thursday 29 June 2023, and will take place on-site at King’s College London and the Regent’s Stre…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [remarks] in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [remarks] in the group
GS Poetry and Poetics on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [remarks] in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [remarks] in the group
2020 MLA Convention on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [slides] in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [slides] in the group
GS Poetry and Poetics on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [slides] in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [slides] in the group
2020 MLA Convention on MLA Commons 6 years agoSince the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Otherbreath: Bare Life and the Limits of Self in Claudia Rankine’s ‘Citizen’ in the group
TC Race and Ethnicity Studies on MLA Commons 6 years agoFor the “Extreme Texts” special issue of Jacket2, edited by Divya Victor (2019)
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Julie Phillips Brown deposited Otherbreath: Bare Life and the Limits of Self in Claudia Rankine’s ‘Citizen’ in the group
GS Poetry and Poetics on MLA Commons 6 years agoFor the “Extreme Texts” special issue of Jacket2, edited by Divya Victor (2019)
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Julie Phillips Brown deposited Otherbreath: Bare Life and the Limits of Self in Claudia Rankine’s ‘Citizen’ in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years agoFor the “Extreme Texts” special issue of Jacket2, edited by Divya Victor (2019)
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [remarks] on MLA Commons 6 years ago
Since the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [slides] on MLA Commons 6 years ago
Since the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, m…[Read more]
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Julie Phillips Brown deposited Otherbreath: Bare Life and the Limits of Self in Claudia Rankine’s ‘Citizen’ on Humanities Commons 6 years ago
For the “Extreme Texts” special issue of Jacket2, edited by Divya Victor (2019)
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Stef Craps's profile was updated on MLA Commons 9 years, 10 months ago
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Stef Craps's profile was updated on MLA Commons 10 years, 11 months ago
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Stef Craps's profile was updated on MLA Commons 10 years, 11 months ago
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Bruce W. Robbins posted an update on MLA Commons 11 years, 7 months ago
As many of you will have heard, Resolution 2014-1 got 60% of the votes cast but did not reach the minimum of 10% of the total membership required (by a recent rule) in order to be officially adopted. Thank you to all who voted. I attach an op-ed by David Lloyd that to my mind gives a good sense of the meaning of the event:
Academics Vote for…[Read more]-
I’m among the 1500, but what worries me more than the opposition is the apathy of those who did not care to cast any vote. Not that we are much different here in Poland… Thank you for your post.
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Bruce W. Robbins posted an update on MLA Commons 11 years, 7 months ago
Thank you to everyone who voted on resolution 2014-1. As you will have heard, the resolution got 60% of the votes in its favor but did not pass because it did not reach the minimum of 10% of the membership required (by a recent rule). This still counts as a major victory. I attach an op-ed by David Lloyd:
Academics Vote for Freedom of Movement…[Read more] - Load More
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