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Sarah E. Chinn deposited Queer Feelings/Feeling Queer: A Conversation with Heather Love about Politics. Teaching, and the “Dark, Tender Thrills” of Affect in the group
TC Cognitive and Affect Studies on Humanities Commons 8 years agoConversation with Heather Love about queerness and affect.
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Sarah E. Chinn deposited Masculinity and National Identity on the Early American Stage in the group
TC Women’s and Gender Studies on MLA Commons 8 years agoThis essay explores how the early American stage functioned as an incubator for ideas about national identity, artistic expression, and masculinity. Reading four plays from the early years of the Republic – Royall Tyler’s The Contrast, William Dunlap’s Andre´, John Augustus Stone’s Metamora, and Robert Montgomery Bird’s The Gladiator, I demonstrat…[Read more]
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Sarah E. Chinn deposited Masculinity and National Identity on the Early American Stage in the group
TC Sexuality Studies on MLA Commons 8 years agoThis essay explores how the early American stage functioned as an incubator for ideas about national identity, artistic expression, and masculinity. Reading four plays from the early years of the Republic – Royall Tyler’s The Contrast, William Dunlap’s Andre´, John Augustus Stone’s Metamora, and Robert Montgomery Bird’s The Gladiator, I demonstrat…[Read more]
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Sarah E. Chinn deposited Masculinity and National Identity on the Early American Stage in the group
Performance Studies on Humanities Commons 8 years agoThis essay explores how the early American stage functioned as an incubator for ideas about national identity, artistic expression, and masculinity. Reading four plays from the early years of the Republic – Royall Tyler’s The Contrast, William Dunlap’s Andre´, John Augustus Stone’s Metamora, and Robert Montgomery Bird’s The Gladiator, I demonstrat…[Read more]
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Sarah E. Chinn deposited Masculinity and National Identity on the Early American Stage in the group
LLC Early American on MLA Commons 8 years agoThis essay explores how the early American stage functioned as an incubator for ideas about national identity, artistic expression, and masculinity. Reading four plays from the early years of the Republic – Royall Tyler’s The Contrast, William Dunlap’s Andre´, John Augustus Stone’s Metamora, and Robert Montgomery Bird’s The Gladiator, I demonstrat…[Read more]
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Sarah E. Chinn deposited Masculinity and National Identity on the Early American Stage in the group
GS Drama and Performance on MLA Commons 8 years agoThis essay explores how the early American stage functioned as an incubator for ideas about national identity, artistic expression, and masculinity. Reading four plays from the early years of the Republic – Royall Tyler’s The Contrast, William Dunlap’s Andre´, John Augustus Stone’s Metamora, and Robert Montgomery Bird’s The Gladiator, I demonstrat…[Read more]
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Sarah E. Chinn deposited Feeling Her Way: Audre Lorde and the Power of Touch in the group
LLC 20th- and 21st-Century American on Humanities Commons 8 years agoThis article analyzes the connections between Lorde’s representations of blindness in Zami: A New Spelling of My Name, and its connection to lesbian sexuality.
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Sarah E. Chinn deposited Feeling Her Way: Audre Lorde and the Power of Touch in the group
Gender Studies on Humanities Commons 8 years agoThis article analyzes the connections between Lorde’s representations of blindness in Zami: A New Spelling of My Name, and its connection to lesbian sexuality.
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Sarah E. Chinn deposited Feeling Her Way: Audre Lorde and the Power of Touch in the group
Feminist Humanities on Humanities Commons 8 years agoThis article analyzes the connections between Lorde’s representations of blindness in Zami: A New Spelling of My Name, and its connection to lesbian sexuality.
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Sarah E. Chinn deposited Masculinity and National Identity on the Early American Stage on Humanities Commons 8 years ago
This essay explores how the early American stage functioned as an incubator for ideas about
national identity, artistic expression, and masculinity. Reading four plays from the early years of
the Republic – Royall Tyler’s The Contrast, William Dunlap’s Andre´, John Augustus Stone’s Metamora,
and Robert Montgomery Bird’s The Gladiator,…[Read more] -
Sarah E. Chinn deposited VULNERABILITY AND POWER”: DISABILITY, PEDAGOGY IDENTITY A Conversation with Ellen Samuels on Humanities Commons 8 years ago
A conversation with Ellen Samuels about disability studies and its relationship to pedagogy.
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Sarah E. Chinn deposited “To Reveal the Humble Immigrant Parents to Their Own Children” Immigrant Women, Their American Daughters, and the Hull-House Labor Museum on Humanities Commons 8 years ago
This essay explores how Jane Addams used her Labor Museum to attempt to connect immigrant adolescents with their parents.
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Sarah E. Chinn deposited Queer Feelings/Feeling Queer: A Conversation with Heather Love about Politics. Teaching, and the “Dark, Tender Thrills” of Affect on Humanities Commons 8 years ago
Conversation with Heather Love about queerness and affect.
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Sarah E. Chinn deposited Feeling Her Way: Audre Lorde and the Power of Touch on Humanities Commons 8 years ago
This article analyzes the connections between Lorde’s representations of blindness in Zami: A New Spelling of My Name, and its connection to lesbian sexuality.
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Sarah E. Chinn replied to the topic Texas campus open carry laws in the discussion
2016 MLA Convention on MLA Commons 10 years, 2 months agoThanks for getting this started Kirsten. I’ll be at MLA and happy to participate in any way.
Open access, open source, open to all
