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David Neumeyer deposited Register and Cadence Gesture (2): Gershwin’s “Embraceable You” in the group
Society for Music Theory (SMT) on Humanities Commons 3 years, 11 months agoThis is a companion piece to an essay on Jerome Kern’s “All the Things You Are,” where an alternative ending with a rising melodic gesture is written into the published sheet music. The survey of Gershwin’s “Embraceable You” here was inspired by a similar figure in an early recorded performance by Sarah Vaughan.
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David Neumeyer deposited Register and Cadence Gesture (1): Jerome Kern’s “All the Things You Are” in the group
Society for Music Theory (SMT) on Humanities Commons 3 years, 11 months agoSome cadences in European and European-influenced tonal music show a contradiction in direction between registral stasis and linear movement, the example being alternative endings written into a song by Jerome Kern. The topic is explored through analysis of 51 recorded performances.
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David Neumeyer deposited Register and Cadence Gesture (2): Gershwin’s “Embraceable You” on Humanities Commons 3 years, 11 months ago
This is a companion piece to an essay on Jerome Kern’s “All the Things You Are,” where an alternative ending with a rising melodic gesture is written into the published sheet music. The survey of Gershwin’s “Embraceable You” here was inspired by a similar figure in an early recorded performance by Sarah Vaughan.
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David Neumeyer deposited Register and Cadence Gesture (1): Jerome Kern’s “All the Things You Are” on Humanities Commons 3 years, 11 months ago
Some cadences in European and European-influenced tonal music show a contradiction in direction between registral stasis and linear movement, the example being alternative endings written into a song by Jerome Kern. The topic is explored through analysis of 51 recorded performances.
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Kendra Leonard replied to the topic News in the discussion
Julia Perry Working Group on Humanities Commons 3 years, 11 months agoOn Feb 23, the University of Pittsburgh Symphony Orchestra will present the premiere of Perry’s Violin Concerto. Streaming here: https://www.youtube.com/watch?v=cWCz-Pf8Z40
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Kendra Leonard replied to the topic Rights in the discussion
Julia Perry Working Group on Humanities Commons 3 years, 11 months agoHello friends–I received an email this morning from Jay Berger of Carl Fischer, who asked for me to remove the copies of Perry’s Violin Concerto, for which the full score and the piano reduction are currently available on this site. I have asked him how I should go about asking for permission to continue to host these files here, especially…[Read more]
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Kendra Leonard replied to the topic News in the discussion
Julia Perry Working Group on Humanities Commons 3 years, 11 months agoHello friends–
I received an email this morning from Jay Berger of Carl Fischer, who asked for me to remove the copies of Perry’s Violin Concerto, for which the full score and the piano reduction are currently available on this site. I have asked him how I should go about asking for permission to continue to host these files here, especially…[Read more]
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Kendra Leonard replied to the topic News in the discussion
Julia Perry Working Group on Humanities Commons 3 years, 12 months agoHi everybody! A few things: 1. I’ve made a Julia Perry Resources group library at Zotero. Anyone can join and add resources there: https://www.zotero.org/groups/4582379/julia_perry_resources.
2. I’ll be talking about Perry’s opera The Selfish Giant at the Black Identities on the Operatic Stage: A Symposium with Music, March 26. I’ll be presenting…[Read more]
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Kendra Leonard commented on the doc Analysis of Stabat Mater in the group
Julia Perry Working Group on Humanities Commons 4 years agoOh, I’d love that paper! Can you email it to me? kendraleonard at pm dot me And I’ll send you the conference paper when I have a draft–I’d love to have your take on it if you have time.
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