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Kaleb E. Goldschmitt deposited From Miami to Hong Kong SoundingTransnational Queerness and Translation in Moonlight in the group
Film Studies on Humanities Commons 2 years, 10 months agoThrough the example of Barry Jenkins’ choices for Moonlight (2016), this chapter argues that pre-existing musical cues can link a film’s themes to other minority filmmaking traditions. The song at the center of this chapter, “Cucurrucucú Paloma,” exemplifies the kinds of cultural translations common in transnational queer cinema. It was orig…[Read more]
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Kaleb E. Goldschmitt deposited From Miami to Hong Kong SoundingTransnational Queerness and Translation in Moonlight in the group
Ethnomusicology on Humanities Commons 2 years, 10 months agoThrough the example of Barry Jenkins’ choices for Moonlight (2016), this chapter argues that pre-existing musical cues can link a film’s themes to other minority filmmaking traditions. The song at the center of this chapter, “Cucurrucucú Paloma,” exemplifies the kinds of cultural translations common in transnational queer cinema. It was orig…[Read more]
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Kaleb E. Goldschmitt's profile was updated on Humanities Commons 2 years, 10 months ago
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Kaleb E. Goldschmitt deposited From Miami to Hong Kong SoundingTransnational Queerness and Translation in Moonlight on Humanities Commons 2 years, 10 months ago
Through the example of Jenkins’ choices for Moonlight (2016), this chapter argues that pre-existing musical cues can link a film’s themes to other minority filmmaking traditions. The song at the center of this chapter, “Cucurrucucú Paloma,” exemplifies the kinds of cultural translations common in transnational queer cinema. It was originally a Me…[Read more]
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Kaleb E. Goldschmitt's profile was updated on Humanities Commons 2 years, 10 months ago
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Jonathan Godsall's profile was updated on Humanities Commons 3 years ago
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