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John Michael McCluskey deposited “Rough! Tough! Real Stuff!”: Music, Militarism, and Masculinity in American College Football in the group
Music and Sound on Humanities Commons 6 years, 7 months agoRobert Kennedy proclaimed, “Except for war, there is nothing in American life which trains a boy better for life than football.” While the sport’s governing bodies are presently distancing themselves from violent connections—altering rules in order to make the game safer for players—football culture remains firmly connected with militaris…[Read more]
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Júlia Azevedo deposited Luigi Dallapiccola – Fragmentos de uma vida em benefício de uma obra pianística in the group
Open Music on Humanities Commons 6 years, 9 months agoProposta para trabalho final de Mestrado em Interpretação Artística – Piano, acerca do compositor italiano do século XX Luigi Dallapiccola (1904-1975) e da sua obra para piano. Serão abordados aspetos biográficos, o contexto sociopolítico e cultural na Europa e Itália na primeira metade do século, o enquadramento das obras para piano no contexto…[Read more]
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Júlia Azevedo deposited Luigi Dallapiccola – Fragmentos de uma vida em benefício de uma obra pianística in the group
Music and Sound on Humanities Commons 6 years, 9 months agoProposta para trabalho final de Mestrado em Interpretação Artística – Piano, acerca do compositor italiano do século XX Luigi Dallapiccola (1904-1975) e da sua obra para piano. Serão abordados aspetos biográficos, o contexto sociopolítico e cultural na Europa e Itália na primeira metade do século, o enquadramento das obras para piano no contexto…[Read more]
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Patrick Eisenlohr deposited Religion publique et médiation religieuse chez les musulmans mauriciens in the group
Music and Sound on Humanities Commons 6 years, 9 months agoLes usages de la reproduction sonore parmi les musulmans mauriciens illustrent les liens entre religion publique et médiation religieuse. Les usages de la reproduction sonore parmi les musulmans mauriciens illustrent les liens entre religion publique et médiation religieuse. Ces deux dimensions de la religion s’appuient sur des objets mat…[Read more]
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Virginia Anderson deposited ‘Aspects of British Experimental Music as a Separate Art-Music Culture’ in the group
Music and Sound on Humanities Commons 6 years, 9 months agoThis thesis examines the relationship of the ‘approved’ avant-garde culture to the ‘outsider’ culture of experimentalism. This relationship exhibits some parallels to the idea of cultural hegemony articulated by Edward Said in Orientalism and is informed by four basic aesthetic principles. These principles can be found in the work of Corneli…[Read more]
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Ferran Escriva-Llorca deposited CFP: The Mediterranean: Migrant Sounds in the group
Open Music on Humanities Commons 6 years, 9 months agoOn June 17, 2018, the Aquarius, a boat carrying refugees, docked in Valencia. The wave of solidarity that ran through the city and neighboring towns in response to this arrival was intermingled with ignorance of a phenomenon—migration across the Mediterranean Sea—that has been a historical constant, and which indexes both the aspirations and fea…[Read more]
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Ferran Escriva-Llorca deposited CFP: The Mediterranean: Migrant Sounds in the group
Music and Sound on Humanities Commons 6 years, 9 months agoOn June 17, 2018, the Aquarius, a boat carrying refugees, docked in Valencia. The wave of solidarity that ran through the city and neighboring towns in response to this arrival was intermingled with ignorance of a phenomenon—migration across the Mediterranean Sea—that has been a historical constant, and which indexes both the aspirations and fea…[Read more]
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Luís Henriques deposited CFP II Historical Soundscapes Meeting – Évora 2019 in the group
Music and Sound on Humanities Commons 6 years, 10 months agoCall for papers for the II Historical Soundscapes Meeting – Évora 2019, that will take place at the University of Évora, October 16th-18th, 2019. The meeting is organized by the FCT research project PASEV – Patrimonialization of Évora’s Soundscape (1540-1910) (ref ALT20-03-0145-FEDER-028584 • LISBOA-01-0145-FEDER-028584). Further information and…[Read more]
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Tiffany Ng deposited Mending Bells and Closing Belfries with Faust in the group
Open Music on Humanities Commons 6 years, 10 months agoFinite Element Analyses (FEA) was used to predict the resonant modes of the Tsar Kolokol, a 200-ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a concert for Tsar bell and carillon with…[Read more]
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Tiffany Ng deposited Mending Bells and Closing Belfries with Faust in the group
Music and Sound on Humanities Commons 6 years, 10 months agoFinite Element Analyses (FEA) was used to predict the resonant modes of the Tsar Kolokol, a 200-ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a concert for Tsar bell and carillon with…[Read more]
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Patrick Eisenlohr deposited Religious language and media: Sound reproduction and transduction in the group
Music and Sound on Humanities Commons 6 years, 10 months agoIn this chapter I discuss how contests about religious language have revolved around a contrast between, on the one hand, a preference for literalism, with its emphasis on reference and denotation; and on the other hand, a valuation of the poetic functions of language and its material properties. Turning to the issue of electronically mediated…[Read more]
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group
Music and Sound on Humanities Commons 6 years, 10 months agoShipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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Kathleen DeLaurenti started the topic Notice of new rule making for the Music Modernization Act in the discussion
Open Music on Humanities Commons 6 years, 11 months agoHi all –
The copyright office issued their proposed rule for the new 1401(c) section of the copyright law. This part of the new MMA addresses non-commercial use of orphaned/abandoned sound recordings.https://www.federalregister.<wbr />gov/documents/2019/02/05/2019-<wbr />00873/noncommercial-use-of-<wbr />pre-1972-sound-recordings-<wbr… -
Kathleen DeLaurenti started the topic Controlled ebook lending for libraries in the discussion
Open Music on Humanities Commons 6 years, 11 months agoHi all –
There has been some very lively conversation about digital lending of ebooks by libraries happening. In case you missed it, Kyle Courtney and Dave Hansen released a white paper about digitizing ebooks and controlled lending (a la what many public libraries have with overdrive/adobe digital…[Read more]
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Matthew Franke started the topic Open-Access Music Journals in the discussion
Open Music on Humanities Commons 6 years, 11 months agoI have updated my List of Open-Access Music Journals, the most comprehensive such list online. It now has over 140 entries in a variety of languages. Please be in touch if you know of a journal that should be added to the list!List of Open-Access Music Journals
(cross-posted in case there are people here who aren’t in the American Musicological…[Read more]
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Tiffany Ng deposited Music & Architecture: A Selected Bibliography in the group
Music and Sound on Humanities Commons 7 years agoThis bibliography presents selected sources (mostly in English) at the intersection of music and architecture. Many of the sources approach the relationship between the practices through multiple case studies. Several books focused on particular artists in both disciplines have been included not because those artists are central to the study of…[Read more]
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Anna Kijas deposited “What does the data tell us?: Representation, Canon, and Music Encoding” in the group
Open Music on Humanities Commons 7 years agoIn this keynote, Kijas explores issues embedded in musicological traditions of canonicity and discusses the need for recovery of underrepresented composers in order to build a more inclusive digital canon.
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Tekla Babyak deposited Dante, Liszt, and the Alienated Agony of Hell in the group
Music and Sound on Humanities Commons 7 years agoDante Alighieri’s Inferno (1314) portrays Hell as an alienated realm, in which the doomed spirits must spend eternity in isolation and regret. Franz Liszt’s two-movement Dante Symphony (1857), based on the Inferno and Purgatorio, gives musical form to Dante’s textual expressions of agony. These evocations of suffering are enhanced by Lisz…[Read more]
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John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group
Music and Sound on Humanities Commons 7 years agoContemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the…[Read more]
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Erika Supria Honisch deposited Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750 in the group
Music and Sound on Humanities Commons 7 years, 1 month agoWhat were the sounds of war in the early modern period? What were the sounds of peace? The period between 1570 and 1750—roughly coincident with the cultural era known in Western contexts as “the Baroque”—was characterized by almost continual conflict in Europe. Whether caught up in the French Wars of Religion, the English Civil War, the Thirty…[Read more]
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