“…survivors are disappearing from academia. Our schools, our syllabi, our classrooms, our bibliographies, our campuses, our research labs, our thesis committees, our libraries, our conference panels, our departments, our programs, and our monographs are riddled through and through with survivor-shaped gaps. Each gap is a place in academia where…[Read more]

Mis conversaciones con Joseph T. Snow, nuestro querido Pepe Nieves, como él mismo nos insta a llamarlo desde el contacto inicial, generalmente tienen lugar en la cafetería de la Biblioteca Nacional de Madrid, un insólito locus amoenus en el cual el más habitual inquilino del pupitre 99 de la Sala María Moliner ejerce con bondad y simpatía su papel…[Read more]

In the history of old Romanian painting, the icon of Saint John the Baptist with scenes from his life from Budești‑Josani occupies a very important place due to its exceptional artistic quality, as well as the Slavonic inscription with the master’s signature and date. The inscription, in a very poor state of preservation, has already been part…[Read more]

This study identified the icon of Virgin Moscovita and the icon of the Holy Mandylion, described in Konstantinos Dapontes’ writings, with the icon of the Virgin and the icon of the Holy Mandylion preserved in his family monastery Evangelistria in Skopelos island. We can now retrace the “biography”of these two artefacts, the history of their creat…[Read more]

La découverte d’une inscription slavonne dans le narthex de l’église du monastère de Râmeț (comté d’Alba) en 1966, sa relecture avec des moyens techniques spéciaux en 1978 et sa publication officielle en 1985 ont porté à l’attention des historiens le nom du peintre (Mihul du Criș-Blanc), le nom de l’évêque fondateur (archevêque Gélase),…[Read more]