Although there were many handwritten, often informal catalogues of Sir Robert Cotton’s manuscripts and books during his lifetime and in the years afterwards, the desire for an official printed catalogue which could be circulated in the public realm did not really bear fruit until the late 1600s. And when two versions finally did appear — the…[Read more]

The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the…[Read more]

This essay is partly a response + riposte to Johanna Drucker’s Jan. 2014 essay in the Los Angeles Review of Books, “Pixel Dust: Illusions of Innovation in Scholarly Publishing,” and partly a plea for the University, and the Humanities, along with their publishing “arms,” to be refashioned, not as sites of cultural Authority from which Knowledge…[Read more]

Relative to many of the ongoing discussions and debates around the changing (and often precarious) landscapes of scholarly publishing, and especially around Open Access publishing, we at punctum books have put together a sort of “primer” (which also serves as our own, expanded vision statement) on what we see as the perils of the commodification…[Read more]

This article provides an overview of design thinking as a component of, and contributor to, great library user experiences. When design thinking is used to shape the environment in which users connect with library spaces and personnel, the result is a better library experience—by design.

Good Night, Sleep Tight is an interactive virtual reality performance created by theatre and digital arts company ZU-UK. It was previewed at Gerry’s Kitchen in July 2017. Combining VR and binaural technologies, participants are put to bed and transported to a dreamscape composed of childhood imagery and aerial cityscapes. This artistic position r…[Read more]

This syllabus is my fifth version of a course aimed at introducing the digital humanities at an undergraduate level. In consultation with my colleagues, I decided that this year’s version should also include a unit that looked at digital objects with a humanities perspective. The course is organized around four projects, each of which is oriented…[Read more]

This is the first version of a larger project that I’ve been working on in my spare time to create a dataset of the guests, songs, books, and luxuries on the long-running BBC radio program Desert Island Discs (https://www.bbc.co.uk/programmes/b006qnmr, https://en.wikipedia.org/wiki/Desert_Island_Discs). Originally, I began with data gathered by…[Read more]

The Music Library at the University of Washington is fortunate to count among its holdings a substantial collection of rare musical scores. A highlight of our special collections is the William Crawford III Music Collection. Given to the UW in 2014, the Crawford Collection includes over 700 rare, early-edition vocal scores, spanning six centuries…[Read more]

As librarians, we recognize that the ways in which our students access information are changing, rapidly and dramatically. The students we work with today face an information landscape that is often very different from what we remember from our student years. So much of what our music students need is seemingly readily available online through…[Read more]

An examination of the cyborg potential of wearable technology as located in dress-body-technology assemblages and a call for public humanities work, such as Fashioning Circuits, that extends the Quantified Self to think instead about the Quantified Other or the Quantified Self-in-kinship.

The past twenty years have witnessed a mounting crisis in academic publishing. Companies such as Reed-Elsevier, Wiley-Blackwell, and Taylor and Francis have earned unprecedented profits by controlling more and more scholarly output while increasing subscription rates to academic journals. Thus publishers have consolidated their influence despite…[Read more]

The past twenty years have witnessed a mounting crisis in academic publishing. Companies such as Reed-Elsevier, Wiley-Blackwell, and Taylor and Francis have earned unprecedented profits by controlling more and more scholarly output while increasing subscription rates to academic journals. Thus publishers have consolidated their influence despite…[Read more]

This article explores the use of Émilie Du Châtelet’s Institutions de physique as both an acknowledged and unacknowledged source for the Encyclopédie of Diderot and d’Alembert, and argues for Du Châtelet’s inclusion as a full participant in the philosophical conversations the Encyclopédie enacts. Widely considered a minor voice who entered the…[Read more]

This article examines the recurring ways in which some of the most popular DH tools are presented as easy to use. It argues that attempts to couch powerful tools in what is often false familiarity, directly undermines the goal of encouraging scholarly innovation and risk taking. The consequences of framing digital tools as either easy or more…[Read more]