Travel has always been an extremely important theme in Irish-language literature, but often this travel was motivated by financial hardship and, up until the late twentieth century, Irish-language accounts of travel largely documented the emigrant experience. In more recent years, however, Irish-language literature has witnessed a transition from…[Read more]

Guidebooks play an important role in increasing the visibility of a nation, as they introduce the country to potential visitors and create images prior to travelling. However, they also tend to reinforce stereotypes and create “romantic fictions” (Mahn 2008). This article examines the representation of Wales in French and German guidebooks and con…[Read more]

This article examines Derek Walcott’s “travel poems” about Wales and England from the collections The Fortunate Traveller (1981) and Midsummer (1984) through the prism of Deleuze and Guattari’s concept of littérature mineure. As a Caribbean poet, Walcott is placed both outside the centre of “majority”, post-imperial civilisation and within the s…[Read more]

In spite of a burgeoning recognition of the Welsh language as part of a wider appreciation of Welsh culture at the beginning of the nineteenth century (see Constantine 2014: 124), Home Tour writing about Wales remained largely Anglocentric (Borm, quoted in Colbert 2012: 85). The journals written by lady’s companions, Eliza and Millicent Bant, in 1…[Read more]

This introduction to the MLO special issue “Minoritised Languages and Travel” provides an overview of the pieces in this collection in context with historical travel accounts in German about nineteenth-century Wales.

The contributions in this collection lay bare frictions between traveller and travelee as well as the inherent instability of soc…[Read more]

“Experience has shown pastoral caregivers that individuals do seem to cope better if they can “actualize” their spiritual experiences in times of crisis.”
A substantial amount of interest in spiritual experiences recently appears to be from a re-emergence of interest from the (unofficial) pastoral school of thought in psychology. For ins…[Read more]

Una dicusión crítica de la lectura de Engels. El marxismo tiene como potencia el propio marxismo, pero implica la autocrítica, ubicar a sus exponentes en sus condiciones históricas materiales concretas.
La tarea de los marxistas del presente es, como diría Hegel, actualizar los elementos revolucionarios del marxismo con las potencias revo…[Read more]

Three consecutive patriarchs of Esoteric Buddhism were Amoghavajra of India, Huiguo of China, and Kūkai of Japan. This paper foregrounds the usually taken-for-granted but vital historical role of language education and translation in the international spread of religion and culture. There had to be sufficiently educated bilingual or multilingual…[Read more]

Geertz, perhaps the most influential of the anthropologists, contends that symbolism and meaning are central to religion: “The view of man as a symbolizing, conceptualizing, meaning-seeking animal, which has become increasingly popular both in the social sciences and in philosophy over the past several years, opens up a whole new approach not o…[Read more]

Einstein observed, “Try and penetrate with our limited means the secrets of nature and you will find that, behind all the discernible laws and connections, there remains something subtle, intangible and inexplicable. Veneration of this force beyond anything that we can comprehend is my religion. To that extent I am, in fact, religious.” As the p…[Read more]

This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and…[Read more]

“Every culture develops some kind of art as surely as it develops language. Some primitive cultures have no real mythology or religion, but all have some art – dance, song, design (sometimes only on tools or on the human body). Dance, above all, seems to be the oldest elaborated art….. Art is, indeed, the spearhead of human development, social…[Read more]

This Critical Exchange explores the nonhuman condition. It asks: What are the implications of decentering the human subject via a new materialist reading of radical democracy? Does this reading dilute political agency? Or should this be seen, on the contrary, as an invitation for new voices and demands to enter into democratic assemblages? How…[Read more]

A beginner reader might think that my title is senseless: aren’t sense and nonsense supposed to be opposed? Why seeking continuity there? The Stoics and after them this line that goes from Leibniz to Deleuze via Nietzsche, have revealed an intrinsic relationship of continuity between these two entities that common sense sees as contradictory.…[Read more]

The name of Joaquina Mayol Bazo (Málaga, 1830 – 1915) is linked to her former husband, the photographer Eugenio Lorichon, son of the legendary pioneer of photography in Spain: Enrique Lorichon. Joaquina worked as an independent photographer in Malaga from 1860 to 1865, above all, under the name of Viuda de Lorichon. / El nombre de Joaquina Ma…[Read more]

The theory of language that underlies Plotinus’ Enneads is considered in relation to his broader metaphysical vision. For Plotinus, language is neither univocal nor equivocal, but is something in-between, incapable of precisely describing reality, but nonetheless not completely useless. Propositional knowledge expressed discursively represents a…[Read more]

The world of Platonic idealism will not be satisfactorily imported into the world of phenomenological consciousness. The task of phenomenological philosophers is to return to the interpretation of experience itself and seek to recast meaning not in terms of theoretical idealism, but in terms of existential meaning. The phenomenological philosopher…[Read more]

King of Brexitland * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

This paper explores how Bucharest’s cinema-going public perceived the Nazi influence on Hollywood in the 1930s. The aim is to identify how Nazi propaganda was disseminated and consumed in interwar Bucharest and its similarities to the idea of glamour, relevant both to fashion and cinema. Considering the links between Goebbels’ propaganda mac…[Read more]