Christopher Doll
,@rockdoc
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John Covach deposited “The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation,” Journal of the Arnold Schönberg Center 16 (2019): 99-111. on Humanities Commons 6 years, 1 month ago
This paper considers Rudolf Reti’s The Thematic Process in Music in the context of Arnold Schoenberg theoretical writing.
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Brad Osborn uploaded the file: Osborn: Analyzing Popular Music (F2019) materials to
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 1 month agoContains syllabus, bibliography, schedule, assignments, and repertoire list
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Brad Osborn deleted the file: Analyzing Popular Music: Syllabus, Bibliography, Assignments from
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 1 month ago -
Stefanie Acevedo commented on the doc Working Draft — Proposed Bylaws in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoI like this! However, 5% seems a little low to pass amendments, no?
(If we have 50 members, that’s only 2.5 people…)Wikipedia on Quorum: “Robert’s Rules of Order Newly Revised states that the quorum set in an organization’s bylaws ‘should approximate the largest number that can be depended on to attend any meeting except in very bad…[Read more]
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Stefanie Acevedo uploaded the file: Acevedo – Music Technology Final Composition Project to
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoFor a music technology course project but has spec ideas if you wish to do something more techy.
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Stefanie Acevedo uploaded the file: Acevedo – Theory IV Popular Song Composition Guidelines to
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoDesigned as part of a class that focuses on 20th/21st century styles and that included various previous composition projects.
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John Covach deposited Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of a collection of essays by Carl Dahlhaus, translated by Derrick Puffett and Alfred Clayton and entitled Schoenberg and the New Music.
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John Covach deposited Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoReview of the Lippman and Rahn books, both devoted to music aeathetics.
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John Covach deposited Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of the Lippman and Rahn books, both devoted to music aeathetics.
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John Covach deposited Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoReview of Forte’s book devoted to the analysis of Tin Pan Alley popular music.
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John Covach deposited Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of Forte’s book devoted to the analysis of Tin Pan Alley popular music.
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John Covach deposited Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998). in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoReview of three books devoted to progressive rock snd its history.
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John Covach deposited Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998). in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of three books devoted to progressive rock snd its history.
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John Covach deposited Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015). in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoReviews Freeman/s book with special attention paid to the development of music school curricula.
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John Covach deposited Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015). in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReviews Freeman/s book with special attention paid to the development of music school curricula.
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John Covach deposited Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoReview of Borthwick’s book, which approaches music theory from a point of view informed by philosophy.
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John Covach deposited Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of Borthwick’s book, which approaches music theory from a point of view informed by philosophy.
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John Covach deposited Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42. on Humanities Commons 6 years, 2 months ago
Review of a collection of essays by Carl Dahlhaus, translated by Derrick Puffett and Alfred Clayton and entitled Schoenberg and the New Music.
-
John Covach deposited Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82. on Humanities Commons 6 years, 2 months ago
Review of the Lippman and Rahn books, both devoted to music aeathetics.
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