Christopher Doll
,@rockdoc
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Brad Osborn's profile was updated on Humanities Commons 2 years, 5 months ago
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Brad Osborn deposited Formal Functions and Rotations in Top-40 EDM in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 2 years, 6 months agoPublications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]
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Brad Osborn deposited Formal Functions and Rotations in Top-40 EDM in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 6 months agoPublications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]
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Brad Osborn deposited The Subdominant Tritone in Film and Television Music in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 2 years, 6 months agoTritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]
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Brad Osborn deposited The Subdominant Tritone in Film and Television Music in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 6 months agoTritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]
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Brad Osborn deposited Formal Functions and Rotations in Top-40 EDM on Humanities Commons 2 years, 6 months ago
Publications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]
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Brad Osborn deposited The Subdominant Tritone in Film and Television Music on Humanities Commons 2 years, 6 months ago
Tritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 2 years, 10 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland on Humanities Commons 2 years, 10 months ago
Osborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Brad Osborn deposited Program for Symposium in Honor of Jonathan Bernard on Humanities Commons 3 years, 7 months ago
Program v1.4
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Stefanie Acevedo's profile was updated on Humanities Commons 4 years, 5 months ago
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Brad Osborn deposited The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 4 years, 7 months agoReview of The Bloomsbury Handbook of Popular Music Video Analysis.
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Brad Osborn deposited The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332. in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 7 months agoReview of The Bloomsbury Handbook of Popular Music Video Analysis.
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Brad Osborn deposited The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332. on Humanities Commons 4 years, 7 months ago
Review of The Bloomsbury Handbook of Popular Music Video Analysis.
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Brad Osborn deposited Resistance Gazes in Recent Music Videos in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 4 years, 8 months agoA number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimi- zation regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.
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Brad Osborn deposited Resistance Gazes in Recent Music Videos in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 8 months agoA number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimi- zation regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.
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Brad Osborn deposited Resistance Gazes in Recent Music Videos on Humanities Commons 4 years, 8 months ago
A number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimi- zation regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.
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