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Olivia Louvel deposited RESOUNDING THE VOICE. On repurposing the archival material of voice, from analogue to digital. in the group
Music and Sound on Humanities Commons 4 years, 7 months agoThis research investigates the practice of resounding the archival material of voice, when translating the sound object from analogue to digital. The author is focussing on the voice as spoken word, when the archival voice has been temporarily overlooked but preserved. Since technological progress allowed us to record, we have been accumulating…[Read more]
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Alvin Alagao deposited The Future Historiography of AI Art in the group
Networked Art on Humanities Commons 4 years, 7 months agoMore and more artists from all over the world are engaging in the production of AI art. Because of this, art historians need to start thinking about how the histories of AI art should be articulated. This paper aims to take part in this conversation by addressing the problem of whether the AIs created by human artists should be considered as…[Read more]
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Pruritus Migrans deposited Lady Liberty! in the group
Networked Art on Humanities Commons 4 years, 7 months agoLady Liberty! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Amadeu Corbera Jaume deposited Josep Massot i la musicologia catalana in the group
Ethnomusicology on Humanities Commons 4 years, 8 months agoArticle sobre l’aportació de l’historiador Josep Massot a la musicologia catalana. Publicat al núm. 56 de la revista “Modèlics” de l’Associació d’Amics del Seminari de Mallorca, dedicat íntegrament a homenatjar el pare Massot.
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Ignatius Tan started the topic CFP: The Acoustic Text Symposium in the discussion
Music on Humanities Commons 4 years, 8 months agoThe Acoustic Text Symposium
1-2 October 2021 (Online)
CFP Deadline: 15 July 2021
Hosted By: Nanyang Technological University
Keynote Speakers: Steven Connor, Rita Felski
This symposium brings into critical aggregation the aesthetic concerns
of literature, music, and sound. Where these areas of study frequently intersect to generate novel and…[Read more] -
Jasmine Burns deposited A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in “Big Data and Society” in the group
Digital Art History on Humanities Commons 4 years, 8 months agoThis is a gut-reaction response to the recent article “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, published in Big Data and Society on April 6, 2021, doi: https://doi.org/10.1177/20539517211006165. My main argument is that exploiting labor and appropriating cultural heritage are int…[Read more]
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Amadeu Corbera Jaume deposited Mallorca 1930: la compositora Cicely Foster in the group
Ethnomusicology on Humanities Commons 4 years, 9 months agoCicely Foster (1903-2002) va ser una compositora anglesa, alumna entre d’altres d’Alfredo Casella, Alfred Cortot i Nadia Boulanger. El 1932 ella i el seu marit, el pintor nord-americà Archie Gittes, es varen instal·lar a Mallorca. L’illa era aleshores un refugi de bohemis i artites estrangers, entre els quals Robert Graves, Albert Vigoleis T…[Read more]
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Gary Hall deposited Postdigital Politics: or, How To Be An Anti-Bourgeois Theorist in the group
Networked Art on Humanities Commons 4 years, 9 months agoIn ‘Postdigital Politics’ I examine our contemporary postdigital political conjuncture. This conjuncture, I argue, springs from the crisis of representative democracy we are currently experiencing and involves a shift to more direct forms of democracy via postdigital communications. The latter is evident in the decentralised manner in which mov…[Read more]
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Jake Johnson deposited Post-Secular Musicals in a Post-Truth World in the group
Music and Sound on Humanities Commons 4 years, 10 months agoIn this chapter, I make two interconnected observations. I first consider how musicals inhabit and promote a ‘post-truth’ worldview similar to those reflected in current populist resurgences throughout the West. I argue that it is musical theater’s penchant for the unreal that in recent decades has given it traction within both secular,…[Read more]
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Alicia Mihalic deposited Principles and Practical Implications of the Reconstruction of Historical Dress Artefacts in Museum Environment in the group
Museums on Humanities Commons 4 years, 10 months agoMihalic, Alicia (2020) ‘Principles and Practical Implications of the Reconstruction of Historical Dress Artefacts in Museum Environment’. in Simončič, K. N. (ed.) From Replica of Historical Dress to Costume. Zagreb: University of Zagreb, Faculty of Textile Technology. pp. 42-60.
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Pruritus Migrans deposited HELLcome to ameriKKKa! in the group
Networked Art on Humanities Commons 4 years, 10 months agoHELLcome to ameriKKKa! * QRt by PRURITUS MIGRANS * CC: BY-NC-ND
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Garrett Lynch (IRL) deposited A Haunting of Haunts in the group
Networked Art on Humanities Commons 4 years, 11 months agoA Haunting of Haunts is a collection of media kits that allow artists to reenact or create new networked performance art based on landmark performances. It provides media in image and 3D formats that can be employed within a number of networked environments.
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Garrett Lynch (IRL) deposited I’m Garrett Lynch (IRL) in the group
Networked Art on Humanities Commons 4 years, 11 months agoThis article discusses a selection from a series of performances created between 2008 and 2019 that as practice as research (PaR) explore ideas of identity, representation and place as they relate to the intersection of what are termed ‘virtual’ and ‘real’ spaces. These include I’m Garrett Lynch (IRL) (2010), I’m not Garrett Lynch (IRL) – Ident…[Read more]
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Olivia Louvel deposited ‘The Sculptor Speaks’: resounding the archival voice of Barbara Hepworth. in the group
Music and Sound on Humanities Commons 4 years, 11 months agoThe project ‘The Sculptor Speaks’ takes its source from a 1961 tape by British sculptor Barbara Hepworth. Unearthed at the British Library, the tape’s initial purpose was for a pre-recorded talk with slides for the British Council. Every recording is a priori an archival object, which can potentially resound anew through a contemporary carrier, p…[Read more]
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Michael Lyons deposited Excavating ‘Excavating AI’: The Elephant in the Gallery in the group
Digital Art History on Humanities Commons 4 years, 11 months agoTwo art exhibitions, “Training Humans” and “Making Faces,” and the accompanying essay “Excavating AI: The politics of images in machine learning training sets” by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,…[Read more]
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Pruritus Migrans deposited BIS REPETITA PLACENT! in the group
Networked Art on Humanities Commons 4 years, 11 months agoBIS REPETITA PLACENT! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Pruritus Migrans deposited CORVIDS in the group
Networked Art on Humanities Commons 5 years agoCORVIDS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Pruritus Migrans deposited QRt is the new pop ARt! in the group
Networked Art on Humanities Commons 5 years agoQRt is the new pop ARt! – by PRURITUS MIGRANS – CC-BY-NC-ND
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Pruritus Migrans deposited Enjoy Caustic Humour! in the group
Networked Art on Humanities Commons 5 years agoEnjoy Caustic Humour! * Caustic Humour by PRURITUS MIGRANS * CC-BY-NC-SA
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Laurence Dresner started the topic Joan of Arc Music in the discussion
Music on Humanities Commons 5 years agoI’m a classically trained composer considering writing a chamber piece about Joan of Arc. I’m looking for information regarding (folk) songs she would have probably been familiar with during the early part of her life – before she began her quest. Any information, links, suggestions, would be greatly appreciated. Thanks
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