METAFISICA E MATEMATICA. Continuo e discreto. L’ambiguità dell’attimo. Il principio di continuità. Forza viva e forza morta. Tra Platone e Democrito

L’INTERPRETAZIONE DEL CALCOLO. Il nuovo secolo. La ripresa delle ostilità. La giustificazione del calcolo infinitesimale. Tra sé e sé. Interpretazione e immaginario. Regole e princìpi

LE PRIME CONTROVERSIE. Quantità incomparabilmente piccole. Il primo contendente. La disputa con Nieuwentijt. Irrealtà dell’infinitesimo. Ultimi strascichi polemici

LA PUBBLICAZIONE DEL METODO. Un nuovo algoritmo. La scuola concorrente. Flussioni nel tempo e nello spazio

LA NASCITA DEL CALCOLO LEIBNIZIANO: La geometria degli indivisibili. Infiniti indivisibili attuali. Gli anni d’apprendistato di Leibniz. L’aritmetica degli infinit.i Verso l’analisi infinitesimale. Il triangolo caratteristico. La fondazione del calcolo

INTRODUZIONE: Metafisica dell’infinitamente piccolo. L’analisi leibniziana. L’infinitesimo e il calcolo. La scomposizione del mutamento

A particular aspect of the confrontation between modern philosophy and the aristotelian tradition regards the so-called psychology of faculties. On this ground, it is for modern thought much harder, in comparison to the field of natural sciences, to differentiate itself from concepts, theories, and terminologies which characterize the still…[Read more]

The paper deals with Leibniz’s manuscript writings on the foundation of infinitesimal calculus since 1702: the mathematician’s late theory, and the preparatory works to his “Cum prodiisset atque increbuisset”, are presented. An edition of Leibniz’s unpublished DEFENSE DU CALCUL DE DIFFERENCES is provided as an Appendix.

Walt Whitman, a world poet and the father of American free verse, has been received by diverse audiences from around the world. Literary and cultural scholars have studied Whitman’s interaction with social, political and literary movements of different countries. Despite his continuing presence in Iran, Whitman’s reception in this country has rem…[Read more]

For at least the last twenty years, scholarly attention has been drawn to the numerous depictions of cancer in comic books as well as oncology’s use of the comics medium (Rhode and Connor, 2012). However, little in the way of comprehensive analysis has been attempted, especially in terms of the various genres addressed. In this presentation, a ca…[Read more]

This short essay considers rabbinic ideas of reproduction, likeness, and species variation in conversation with the work of Joann Sfar and Sunaura Taylor. Part of Ancient Jew Review’s Forum on Animals.

Este escrito trata sobre la vinculación entre la obra de Vere Gordon Childe y los planteos de la Arqueología Social Latinoamericana que tomó explícitamente al primero como referente y estímulo inicial de una arqueología marxista que ligara el pasado y el presente. Se revisan algunas continuidades, diferencias y convergencias entre este arque…[Read more]

The objects of science education are transformed, degraded and disappeared for many reasons, and sometimes take other things with them when they go. This close reading of an undergraduate physiology laboratory report demonstrates how the kymograph was never a stand-alone instrument, but intertwined with conceptual frameworks and technical skills,…[Read more]

A brief piece on what I call “diagnosis deafness.” In short, to depict the sudden disorientation and shock of being diagnosed with cancer, comics artists frequently employ a visual rhetoric usually reserved for instances of deafness. At least momentarily – during an immensely significant moment in the life of the character – words fail, dev…[Read more]

A comic about the Notre-Dame cathedral 15 April 2019 fire, made by Ernesto Priego reusing images from various sources. References and Original Image Sources listed at https://doi.org/10.6084/m9.figshare.7999418

A comic by Ernesto Priego about Sylvia Plath’s last London address.

Creative non-fiction/semi-academic reflective piece on seeing Vincent van Gogh’s The Starry Night for the first time in person at the Museum of Modern Arts.

Creative non-fiction/semi-academic reflective piece on seeing Vincent van Gogh’s The Starry Night for the first time in person at the Museum of Modern Arts.

Jorgenrique Adoum (translated by Katherine M. Hedeen and Víctor Rodríguez Núñez), ʿĀ’ishah al-Bāʿūnīyah (translated by Th. Emil Homerin), Rachel Tzvia Back, Dan Bellm, Luis Enrique Belmonte (translated by Guillermo Parra), Daniel Borzutzky, George Economou, Sa rah Tuss Efrik (translated by Johannes Göransson), Paul Éluard (translated by Carlos L…[Read more]

The early Church regarded dreams as potential messages from God, private revelations that appear as visions while the soul is undistracted by bodily sensations. Sleep, with its accompanying dreams, was also believed to be the temporary state of the disembodied soul as it awaits the resurrection of its body at the Last Judgment. Not only did…[Read more]