Behind the literary form of testament and expressions memorializing the dead is a concept of how objects, rights, and speech pass from one generation to the next: transmission. This essay examines two interrelated phenomena that give filial succession in the biblical and Ugaritic literature its contours: first, the discourses surrounding…[Read more]

Behind the literary form of testament and expressions memorializing the dead is a concept of how objects, rights, and speech pass from one generation to the next: transmission. This essay examines two interrelated phenomena that give filial succession in the biblical and Ugaritic literature its contours: first, the discourses surrounding…[Read more]

Behind the literary form of testament and expressions memorializing the dead is a concept of how objects, rights, and speech pass from one generation to the next: transmission. This essay examines two interrelated phenomena that give filial succession in the biblical and Ugaritic literature its contours: first, the discourses surrounding…[Read more]

A survey of an re-reading of Job 42:6, in a Festshcrift honoring the late Semitic philologist, Giovanni Garbini.

This chapter explores the prose traditions in the Writings under the broad division between historiography and storytelling. While 1–2 Chronicles and Ezra-Nehemiah make use of archival sources and possibly genuine first-person accounts, these materials are arranged and subsumed under an ideological umbrella—much like contemporaneous Greek his…[Read more]

This chapter explores the prose traditions in the Writings under the broad division between historiography and storytelling. While 1–2 Chronicles and Ezra-Nehemiah make use of archival sources and possibly genuine first-person accounts, these materials are arranged and subsumed under an ideological umbrella—much like contemporaneous Greek his…[Read more]

This chapter explores the prose traditions in the Writings under the broad division between historiography and storytelling. While 1–2 Chronicles and Ezra-Nehemiah make use of archival sources and possibly genuine first-person accounts, these materials are arranged and subsumed under an ideological umbrella—much like contemporaneous Greek his…[Read more]