Article that explores stories of wild banquets within the context of ethnographic discourses.

Chapter introducing and surveying the intersection of the gods and travel in the Greco-Roman world.

Article exploring and challenging the notion of the decline of the city as a preliminary to the study of rivalries among associations.

An interpretation of the rock art appearing in The Shaft at Lascaux and a discussion of Aurignacian Rites of Passage

An interpretation of the Red Mammoth Panel in Chauvet linking Chauvet to Lascaux in a single ritual landscape

Horace is sometimes said to profess in the Odes a “poetics of presence”, a philosophical or aesthetic orientation that privileges the here and now. This paper examines how such an orientation toward the present might interact with the poet’s use of the future tense and especially with those future verbs that seem to postpone focal events. It is co…[Read more]

In Books 1-3 of the Odes, Horace makes clear a hierarchy of divinity through the structures of lyric address and distinguishes the gods and goddesses of his poetic preference from the preeminent deities of Augustan state cult. Specifically, he equivocates masterfully as he approaches Apollo and Jupiter while elevating Mercury, a minor figure in…[Read more]

This article introduces a new perspective, the history of vision, into the study of rabbinic literature. Specifically it examines how rabbinic visual regimes dealt with those objects and images that it designated as idols. It argues that rabbis took seeing seriously and that they developed a set of strategies to shape the viewing of problematic…[Read more]

Studies of Egyptian Late Period statuary often assume that the extant corpus is a representative sample of the artistic output of the Twenty-Sixth to Thirty-First Dynasties (c. 664–332 BCE). This assumption ignores the various human processes that affect the survival of statues after their initial dedication. In particular, the Roman practice of c…[Read more]

Studies of Egyptian Late Period statuary often assume that the extant corpus is a representative sample of the artistic output of the Twenty-Sixth to Thirty-First Dynasties (c. 664–332 BCE). This assumption ignores the various human processes that affect the survival of statues after their initial dedication. In particular, the Roman practice of c…[Read more]

Studies of Egyptian Late Period statuary often assume that the extant corpus is a representative sample of the artistic output of the Twenty-Sixth to Thirty-First Dynasties (c. 664–332 BCE). This assumption ignores the various human processes that affect the survival of statues after their initial dedication. In particular, the Roman practice of c…[Read more]

Studies of Egyptian Late Period statuary often assume that the extant corpus is a representative sample of the artistic output of the Twenty-Sixth to Thirty-First Dynasties (c. 664–332 BCE). This assumption ignores the various human processes that affect the survival of statues after their initial dedication. In particular, the Roman practice of c…[Read more]

Exploration of the ways boy-slaves’ bodies were objectified in first century CE Roman art and literature.

“Curial Communiqué: Memory, Propaganda, and the Roman Senate House,” in Aspects of Ancient Institutions and Geography: Studies in Honor of Richard J.A. Talbert, Impact of Empire Series, edited by Lee L. Brice and Daniëlle Slootjes (Leiden: Brill, 2014), 84-102.

“Curial Communiqué: Memory, Propaganda, and the Roman Senate House,” in Aspects of Ancient Institutions and Geography: Studies in Honor of Richard J.A. Talbert, Impact of Empire Series, edited by Lee L. Brice and Daniëlle Slootjes (Leiden: Brill, 2014), 84-102.

As the 2017-18 academic job cycle came to an end I found myself, for the first time in five years, in the enviable position of not having to resume my search for employment again in the fall, thanks to a two-year position at a very eminent institution. This good fortune has prompted me to compile my reflections on the classical archaeology job…[Read more]

As the 2017-18 academic job cycle came to an end I found myself, for the first time in five years, in the enviable position of not having to resume my search for employment again in the fall, thanks to a two-year position at a very eminent institution. This good fortune has prompted me to compile my reflections on the classical archaeology job…[Read more]

As the 2017-18 academic job cycle came to an end I found myself, for the first time in five years, in the enviable position of not having to resume my search for employment again in the fall, thanks to a two-year position at a very eminent institution. This good fortune has prompted me to compile my reflections on the classical archaeology job…[Read more]

This Chapter provides simple but valuable insights to Upper Paleo abstract values such as Time, Life After Death, Social Roles, etc. Introduction to ‘Soft Cultural Institutions’. Understanding how abstract valuations become embedded into social structure is especially important in terms of understanding nonverbal language and symbolic sets.

The Index of Deities and Demons is the heart of One Godz. This Index presents almost all Deities and Demons represented on the cave walls of Chauvet and Lascaux along with their defining Basis Points drawn from Hesiod and the Homeric Hymns. This chapter demonstrates the actual process of attaching meaning to symbolism while mediating subjectivity.