Rita Henriques
,@ritahenriques
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Luís Henriques's profile was updated on Humanities Commons 5 years, 2 months ago
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Luís Henriques's profile was updated on Humanities Commons 5 years, 2 months ago
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Sérgio Dias Branco deposited Spectres of Today: The Fractures of History in “Horse Money” (2014) in the group
Religious Studies on Humanities Commons 5 years, 4 months agoIt took Pedro Costa four feature films to get to “Horse Money” (“Cavalo Dinheiro”, 2014). In Down to Earth (Casa de Lava, 1994), a Portuguese nurse accompanies an immigrant worker in coma from Lisbon to his homeland, the Cape Verdean island of Fogo. “Bones” (“Ossos”, 1997), In “Vanda’s Room” (“No Quarto da Vanda”, 2000), and “Colossal Youth” (“Ju…[Read more]
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Sérgio Dias Branco deposited Spectres of Today: The Fractures of History in “Horse Money” (2014) in the group
Postcolonial Studies on Humanities Commons 5 years, 4 months agoIt took Pedro Costa four feature films to get to “Horse Money” (“Cavalo Dinheiro”, 2014). In Down to Earth (Casa de Lava, 1994), a Portuguese nurse accompanies an immigrant worker in coma from Lisbon to his homeland, the Cape Verdean island of Fogo. “Bones” (“Ossos”, 1997), In “Vanda’s Room” (“No Quarto da Vanda”, 2000), and “Colossal Youth” (“Ju…[Read more]
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Sérgio Dias Branco deposited Spectres of Today: The Fractures of History in “Horse Money” (2014) in the group
Film Studies on Humanities Commons 5 years, 4 months agoIt took Pedro Costa four feature films to get to “Horse Money” (“Cavalo Dinheiro”, 2014). In Down to Earth (Casa de Lava, 1994), a Portuguese nurse accompanies an immigrant worker in coma from Lisbon to his homeland, the Cape Verdean island of Fogo. “Bones” (“Ossos”, 1997), In “Vanda’s Room” (“No Quarto da Vanda”, 2000), and “Colossal Youth” (“Ju…[Read more]
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Sérgio Dias Branco deposited Spectres of Today: The Fractures of History in “Horse Money” (2014) in the group
Cultural Studies on Humanities Commons 5 years, 4 months agoIt took Pedro Costa four feature films to get to “Horse Money” (“Cavalo Dinheiro”, 2014). In Down to Earth (Casa de Lava, 1994), a Portuguese nurse accompanies an immigrant worker in coma from Lisbon to his homeland, the Cape Verdean island of Fogo. “Bones” (“Ossos”, 1997), In “Vanda’s Room” (“No Quarto da Vanda”, 2000), and “Colossal Youth” (“Ju…[Read more]
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Sérgio Dias Branco deposited Spectres of Today: The Fractures of History in “Horse Money” (2014) on Humanities Commons 5 years, 4 months ago
It took Pedro Costa four feature films to get to “Horse Money” (“Cavalo Dinheiro”, 2014). In Down to Earth (Casa de Lava, 1994), a Portuguese nurse accompanies an immigrant worker in coma from Lisbon to his homeland, the Cape Verdean island of Fogo. “Bones” (“Ossos”, 1997), In “Vanda’s Room” (“No Quarto da Vanda”, 2000), and “Colossal Youth” (“Ju…[Read more]
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Luís Henriques's profile was updated on Humanities Commons 5 years, 4 months ago
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Luís Henriques deposited Continuidade do repertório polifónico na Catedral de Évora no século XVIII in the group
Music in Évora studies on Humanities Commons 5 years, 6 months agoEste texto apresenta um sumário de caraterísticas que apontam para a continuidade de uma tradição de escrita vocal polifónica na Catedral de Évora pelos compositores do final do século XVII e do século XVIII, nomeadamente as obras de Diogo Dias Melgaz, Pedro Vaz Rego e os seus sucessores, entre os quais se incluem Francisco José Perdigão e Miguel…[Read more]
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Luís Henriques deposited Continuidade do repertório polifónico na Catedral de Évora no século XVIII on Humanities Commons 5 years, 6 months ago
Este texto apresenta um sumário de caraterísticas que apontam para a continuidade de uma tradição de escrita vocal polifónica na Catedral de Évora pelos compositores do final do século XVII e do século XVIII, nomeadamente as obras de Diogo Dias Melgaz, Pedro Vaz Rego e os seus sucessores, entre os quais se incluem Francisco José Perdigão e Miguel…[Read more]
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