Rita Henriques
,@ritahenriques
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Luís Henriques deposited O Livro de Missas da capela de Maria Dias: assegurando musicalmente a salvação na Igreja de S. Pedro de Évora no século XVI on Humanities Commons 2 years, 3 months ago
Um dos legados mais detalhados que se se conhecem associados à Igreja de São Pedro de Évora é o testamento feito em 1377 por Maria Dias, camareira da rainha D. Beatriz, instituindo uma capela de missas nessa igreja para salvação da sua alma. No século XVI foi produzido um livro com o cantochão das missas que Maria Dias havia instituído para uso…[Read more]
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Luís Henriques deposited Francisco Velez, a musician in sixteenth century Évora on Humanities Commons 2 years, 3 months ago
Francisco Velez (fl. 1537-1585) was singer at Évora Cathedral chapel throughout the sixteenth century. He also hold the post of mestre da Claustra at the Cathedral after Mateus d’Aranda left Évora. Not much is known about Velez’s life but his long musical career places him among the most important music masters in Évora during the sixteenth century.
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Luís Henriques's profile was updated on Humanities Commons 2 years, 6 months ago
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Religious Studies on Humanities Commons 2 years, 7 months ago“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Film Studies on Humanities Commons 2 years, 7 months ago“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Cultural Studies on Humanities Commons 2 years, 7 months ago“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) on Humanities Commons 2 years, 7 months ago
“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Luís Henriques deposited A Novena para a festa de S. Joseph de Pedro Vaz Rego: A sua integração na Catedral de Évora na primeira metade do século XVIII in the group
Music in Évora studies on Humanities Commons 3 years, 1 month agoA celebração de novenas, septenários e trezenas foi uma importante manifestação de devoção popular desde o século XVIII. O repertório musical composto para estas ocasiões desenvolveu-se por todas as camadas da sociedade com vários graus de complexidade, permeando a língua vernácula os textos latinos, sobretudo nos momentos das jaculatórias…[Read more]
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Luís Henriques deposited A Novena para a festa de S. Joseph de Pedro Vaz Rego: A sua integração na Catedral de Évora na primeira metade do século XVIII in the group
Historical Soundscape Studies on Humanities Commons 3 years, 1 month agoA celebração de novenas, septenários e trezenas foi uma importante manifestação de devoção popular desde o século XVIII. O repertório musical composto para estas ocasiões desenvolveu-se por todas as camadas da sociedade com vários graus de complexidade, permeando a língua vernácula os textos latinos, sobretudo nos momentos das jaculatórias…[Read more]
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Luís Henriques deposited A Novena para a festa de S. Joseph de Pedro Vaz Rego: A sua integração na Catedral de Évora na primeira metade do século XVIII on Humanities Commons 3 years, 1 month ago
A celebração de novenas, septenários e trezenas foi uma importante manifestação de devoção popular desde o século XVIII. O repertório musical composto para estas ocasiões desenvolveu-se por todas as camadas da sociedade com vários graus de complexidade, permeando a língua vernácula os textos latinos, sobretudo nos momentos das jaculatórias…[Read more]
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Luís Henriques posted an update on Humanities Commons 3 years, 1 month ago
Really impressed with the recent “websites” feature upgrades on the Humanities Commons. The new WP “blocks” are bringing very interesting results to the sites appearance.
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Sérgio Dias Branco changed their profile picture on Humanities Commons 3 years, 3 months ago
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