Richard Elliott
,@richardelliott
13
Following
15
Followers
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Catherine Haworth changed their profile picture on Humanities Commons 8 years, 2 months ago
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Catherine Haworth changed their profile picture on Humanities Commons 8 years, 2 months ago
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Joao Silva's profile was updated on Humanities Commons 8 years, 2 months ago
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Joao Silva deposited Music, theatre and the nation :the entertainment market in Lisbon (1865-1908) on Humanities Commons 8 years, 2 months ago
The development of the Portuguese entertainment market and the rise of several types of musical theatre are inextricably bound to the complex symbolic and material process through which Portugal was established, presented, developed, and commodified as a modern nation-state between 1865 and 1908. During this period, several fundamental…[Read more]
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Shawna Ross deposited The (Meme) Master: James’s Afterlives in Viral Satire on MLA Commons 8 years, 3 months ago
This article investigates Henry James’s digital afterlives by analyzing popular James-themed images and articles that have been shared on the Internet since 2000. Adapting Richard Dawkins’s theory of virality and Michael Anesko’s concept of James’s cultural capital, this article engages with viral content published on websites such as Bustle,…[Read more]
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John Brackett deposited “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde in the group
Music and Sound on Humanities Commons 8 years, 3 months agoMusico-analytical examination of Frank Ocean’s album Blonde and the lyrical references and musical allusions to a marijuana high.
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John Brackett deposited Some Notes on John Zorn’s Cobra in the group
Music and Sound on Humanities Commons 8 years, 3 months agoHistorical, analytical, and critical overview of John Zorn’s celebrated file-card composition, Cobra.
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John Brackett deposited Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I) in the group
Music and Sound on Humanities Commons 8 years, 3 months agoFor Arnold Schoenberg, presentation (Darstellung) is an act of conscien- tious composition by which the formal/functional properties of motives and Gestalten, along with any possible development or variation, are real- ized in the creation of a coherent musical artwork. Presentation, then, is the manner by which a musical idea (Gedanke) is made…[Read more]
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John Brackett deposited John Zorn: Tradition and Transgression in the group
Music and Sound on Humanities Commons 8 years, 3 months agoBook-length examination of the musical, artistic, and aesthetic practices of the American experimental composer and saxophonist, John Zorn.
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John Brackett deposited ‘Hand in Glove’ and the Development of The Smiths’ Sound in the group
Music and Sound on Humanities Commons 8 years, 3 months agoThe Smiths are one of the most commercially successful and in uential bands to emerge from the British post-punk movement in the 1980s. Along with elements such as lyrics, harmony, and musical form, a key component of The Smiths’ distinctive musical style involves their sound and, in particular, their sound as represented on studio recordings. D…[Read more]
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John Brackett deposited Examining Rhythmic and Metric Practices in Led Zeppelin’s Musical Style in the group
Music and Sound on Humanities Commons 8 years, 3 months agoIn this essay, I examine how aspects of rhythm and metre play a fundamental role in shaping and defining Led Zeppelin’s musical style. At the same time, I will show how Led Zeppelin was able to modify, manipulate, and develop pre-existing musical models and forms through various rhythmic and metric strategies. Comparative analyses will be used i…[Read more]
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John Brackett deposited “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde in the group
Music and Sound on Humanities Commons 8 years, 3 months agoMusico-analytical examination of Frank Ocean’s album Blonde and the lyrical references and musical allusions to a marijuana high.
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John Brackett deposited Some Notes on John Zorn’s Cobra in the group
Music and Sound on Humanities Commons 8 years, 3 months agoHistorical, analytical, and critical overview of John Zorn’s celebrated file-card composition, Cobra.
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John Brackett deposited Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I) in the group
Music and Sound on Humanities Commons 8 years, 3 months agoFor Arnold Schoenberg, presentation (Darstellung) is an act of conscien- tious composition by which the formal/functional properties of motives and Gestalten, along with any possible development or variation, are real- ized in the creation of a coherent musical artwork. Presentation, then, is the manner by which a musical idea (Gedanke) is made…[Read more]
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John Brackett deposited John Zorn: Tradition and Transgression in the group
Music and Sound on Humanities Commons 8 years, 3 months agoBook-length examination of the musical, artistic, and aesthetic practices of the American experimental composer and saxophonist, John Zorn.
-
John Brackett deposited ‘Hand in Glove’ and the Development of The Smiths’ Sound in the group
Music and Sound on Humanities Commons 8 years, 3 months agoThe Smiths are one of the most commercially successful and in uential bands to emerge from the British post-punk movement in the 1980s. Along with elements such as lyrics, harmony, and musical form, a key component of The Smiths’ distinctive musical style involves their sound and, in particular, their sound as represented on studio recordings. D…[Read more]
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John Brackett deposited Examining Rhythmic and Metric Practices in Led Zeppelin’s Musical Style in the group
Music and Sound on Humanities Commons 8 years, 3 months agoIn this essay, I examine how aspects of rhythm and metre play a fundamental role in shaping and defining Led Zeppelin’s musical style. At the same time, I will show how Led Zeppelin was able to modify, manipulate, and develop pre-existing musical models and forms through various rhythmic and metric strategies. Comparative analyses will be used i…[Read more]
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John Brackett deposited “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde in the group
Music and Sound on Humanities Commons 8 years, 3 months agoMusico-analytical examination of Frank Ocean’s album Blonde and the lyrical references and musical allusions to a marijuana high.
-
John Brackett deposited Some Notes on John Zorn’s Cobra in the group
Music and Sound on Humanities Commons 8 years, 3 months agoHistorical, analytical, and critical overview of John Zorn’s celebrated file-card composition, Cobra.
-
John Brackett deposited Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I) in the group
Music and Sound on Humanities Commons 8 years, 3 months agoFor Arnold Schoenberg, presentation (Darstellung) is an act of conscien- tious composition by which the formal/functional properties of motives and Gestalten, along with any possible development or variation, are real- ized in the creation of a coherent musical artwork. Presentation, then, is the manner by which a musical idea (Gedanke) is made…[Read more]
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