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Raphael Grazziano deposited A arquitetura do século XX segundo Henri Lefebvre in the group
Architectural History and Theory on Humanities Commons 6 years, 2 months agoThe urban turn in Henri Lefebvre: its spatial tenets and his architectural references
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Raphael Grazziano deposited Corporate urbanism internationally certified: use and contradiction of LEED© ND in Parque da Cidade in the group
Architectural History and Theory on Humanities Commons 6 years, 2 months agoLeadership in Energy and Environmental Design (LEED©) is a certification used to assess the degree of environmental sustainability attained by a project. However, LEED© has an impact not only on the technical specifications, but also on design. The objective of this paper is to evaluate what the impact of its version for neighborhoods (LEED© ND…[Read more]
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Raphael Grazziano deposited Space and the otherness: an anthology in the group
Architectural History and Theory on Humanities Commons 6 years, 2 months agoAlexander Cuthbert published a daring anthology on architecture and urban design, completed in 2011. The project began in 2001 resulting in three volumes: Designing Cities (2003), The Form of the Cities (2006) and Understanding Cities (2011). Unlike other anthologies on architecture, this author organized it as follows: critical selection of…[Read more]
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Raphael Grazziano deposited The presence of Henri Lefebvre in the contemporary academic debate of architecture in the group
Architectural History and Theory on Humanities Commons 6 years, 2 months agoHenri Lefebvre’s (HL) large production about cities, urban, urban space and society could indicate its relevance to the architecture produced after the heyday of the neoliberal cycle and its crisis in 2008. This author introduced the practical-sensitive basis in the debate between the spatial and social processes to discuss the ideological d…[Read more]
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Raphael Grazziano deposited A perspectiva tecnológica da sustentabilidade ambiental: Buckminster Fuller e a arquitetura dos anos 2000 / The technological perspective of environmental sustainability: Buckminster Fuller and the architecture of the 2000’s in the group
Architectural History and Theory on Humanities Commons 6 years, 2 months agoIn the end of the 1980’s, the current hegemonic discourse about the environmental crisis settled the notion of “sustainability”. This notion was formulated in the Brundtland report, which argued that innovation in technology would overcome the impasses of environmental exploitation, in a way that could even result in social development. We choos…[Read more]
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Koca Mehmet Kentel deposited Hafıza-i Beşer: Osmanlı Yazmalarından Hikâyeler | Memories of Humankind: Stories from the Ottoman Manuscripts in the group
History of Art on Humanities Commons 6 years, 3 months agoThe opening text for the exhibition Hafıza-i Beşer: Osmanlı Yazmalarından Hikâyeler | Memories of Humankind: Stories from the Ottoman Manuscripts, organized by the Istanbul Research Institute, open between October 18, 2019 – July 25, 2020.
Sergi Küratörü/Exhibition Curator
K. Mehmet KentelDanısmanlar/Advisors
M. Baha Tanman, Selim S.…[Read more] -
Ben Newbound deposited Linear and cult art: addenda, corrigenda, concludenda in the group
History of Art on Humanities Commons 6 years, 3 months agoAs per its title
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Glen M Golub deposited How the Aleph-Bet Got Its Shape in the group
History of Art on Humanities Commons 6 years, 3 months agoThis thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA”M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, “Why do all religions…[Read more]
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Glen M Golub deposited Strategies and Methods in Archeo Art History in the group
History of Art on Humanities Commons 6 years, 3 months agoThis is a series of brief paradigms that suggest ways of manipulating abstraction, such as Art Language Religion and Politics, for use with a Carlos Ginzburg Evidentiary Paradigm, or other multivariate analysis. The tables in this appendix accompany the Index of Deities and Demons and How the Aleph-Bet Got Its Shape.
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Maximilian Kaiser deposited Structure, Network, Discourse. Anatomy of an Artists Association in the group
History of Art on Humanities Commons 6 years, 4 months agoArticle for the exhibition catalogue “Hagenbund. A European network of modernism 1900 to 1938” (2014)
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Rodney Swan deposited Contrée: Picasso’s visual fragmented tailpieces emphasise the poetry of Robert Desnos. in the group
History of Art on Humanities Commons 6 years, 4 months agoCompleted in early 1944, Robert Desnos’s militant series of 25 poems in Contrée evokes memories of a lost peace and calls for the defeat of the German occupiers. Suggesting the desecration of the human body by the occupiers, Picasso cut his cubist–surrealist frontispiece etching of Dora Marr to produce severed heads and dismembered body part…[Read more]
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Christine Stevenson deposited Vantage Points in the Seventeenth-century City in the group
Architectural History and Theory on Humanities Commons 6 years, 4 months agoLate twentieth-century social and linguistic theory tells us that the view from the tall building transforms us into analysts and historians, disembodied readers of the civic ‘text’. This paper argues that the proposition would have been familiar to seventeenth-century City-dwellers, and does so by pursuing the experience of the elevated obs…[Read more]
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Stylianos (Stelios) Giamarelos deposited Interdisciplinary Deflections: Histories of the Scientific Revolution in Alberto Pérez-Gómez’s Architecture and the Crisis of Modern Science in the group
Architectural History and Theory on Humanities Commons 6 years, 5 months agoAlberto Pérez-Gómez’s 1983 Architecture and the Crisis of Modern Science is used here as a vehicle for exploring the behavior of disciplinary boundaries in the context of crisis both historically and theoretically. Responding to his contemporaneous architectural crisis of the 1970s instigated by the rise of positivism, Pérez-Gómez uses Ale…[Read more]
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Stylianos (Stelios) Giamarelos deposited The Art of Building Reception: Aris Konstantinidis behind the Global Published Life of his Weekend House in Anavyssos (1962–2014) in the group
Architectural History and Theory on Humanities Commons 6 years, 5 months agoAris Konstantinidis’s Weekend House in Anavyssos (1962–1964) holds an emblematic place within his oeuvre. This article uncovers the architect’s own role in building the global reception of this project through a tripartite account of its global published life from the printed page to the digital website over the last five decades (1962…[Read more]
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Roland Steinacher deposited Wenden, Slawen, Vandalen. Eine frühmittelalterliche pseudologische Gleichsetzung und ihre Nachwirkungen in the group
Classical Tradition on Humanities Commons 6 years, 5 months agoAufgrund der Vorstellungen der ‚fränkischen Völkertafel‘ erlaubte die Gleichung Wenden = Vandalen die Einordnung der Slawen in die anerkannten Völkergenealogien. Die Gleichsetzung Wenden = Vandalen zeugt von den Schwierigkeiten, die ethnische Landschaft Osteuropas im Frühmittelalter zu klassifizieren. Diese Gleichsetzung wurde vor dem Stadium…[Read more]
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Roland Steinacher deposited Wiener Anmerkungen zu ethnischen Bezeichnungen als Kategorien der römischen und europäischen Geschichte in the group
Classical Tradition on Humanities Commons 6 years, 5 months agoZusammenfassung: Aus der schriftlichen Überlieferung der antiken Ethnographie kennen wir ethnische Bezeichnungen oder Gentilnamen, deren Bedeutungen und Bedeutungskontinuitäten oft nur schwer zu fassen sind. In den Peripherieräumen des Imperiums agierten gentes bzw. ἔθνη. Die römische und griechische Literatur bietet diesbezüglich aber keine…[Read more]
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Roland Steinacher deposited Rex Vandalorum – The Debates on Wends and Vandals in Swedish Humanism as an Indicator for Early Modern Patterns of Ethnic Perception in the group
Classical Tradition on Humanities Commons 6 years, 5 months agoFor more than four hundred years, up to the accession of the present king Carl XVI Gustaf in 1973, did the Swedish monarchs hold the title “King of the Wends“. The first evidence of this claim dates from the reign of Gustav I Vasa (1523-1560), who adopted the title Sveriges, Göthes och Wendes Konung in official sources around the year 1540. In L…[Read more]
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Roland Steinacher deposited The So-called Laterculus Regum Vandalorum et Alanorum: A Sixth-century African Addition to Prosper Tiro’s Chronicle? in the group
Classical Tradition on Humanities Commons 6 years, 5 months agoThis essay will show, however, that the text is not linked to diplomas, but belonged to an African version of Prosper’s chronicle. I will propose a new edition, which will put the text back in its original context. Rather than looking for ‘good’ and ‘bad’ texts according to 19th-century categories, I will try to analyze the specific character…[Read more]
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Rodney Swan deposited Henri Matisse’s Jazz: The Mystery of The Codomas in the group
History of Art on Humanities Commons 6 years, 5 months agoIn addition to the enigmatic The Codomas, Henri Matisse distinguished three other images with a name, Icarus, Monsieur Loyal and Pierrot’s Funeral for his landmark livre d’artiste Jazz. While the characters Loyal, Pierrot and Icarus were readily identifiable and the images could be interpreted within the context of the difficulties of the Ger…[Read more]
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
History of Art on Humanities Commons 6 years, 5 months agoIn the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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