This article presents the frontispiece of the Leviathan, the emblem of the Body Politic,
in new contexts. S tarting from a detail mostly overlooked in previous analyses, the masks of the
plague doctors, the author sketches a new picture of sovereignty, establishing a connection to
sanitation and biopolitics. As the crux of his interpretation…[Read more]

This case study looks at the march of the Paris women to Versailles in October
1789
as a paradigmatic point in the history of demonstration. The march of the market
women is also an expression of their long tradition of political participation as
members of a corporative estate as well as of the experience of loss of power. The
focus is above…[Read more]

In this essay the theoretical focus of postcolonial theory has been shifted
from the cultures and societies of former formal colonies to those countries
that have an explicit self-understanding as an outsider within the European
colonial power constellation. Using the example of Switzerland, it analyses
the presence and perseverance of…[Read more]

Introduction to special issue

Instead of preventing protest, deportations on political grounds could – under certain
circumstances – help to spread dissent. Accordingly, the spaces deportees were sent
became fertile ground for new coalitions. Analysing such spaces furthers our understanding
of how resistance may be contained, dispersed and re-constituted. The main
part of…[Read more]

Veit Harlan zählte zu den wichtigsten Regisseuren des Nationalsozialismus, insbesondere mit seinem antisemitischen Propagandafilm „Jud Süss“. Nach dem Krieg musste sich Harlan wegen Verbrechen gegen die Menschlichkeit vor Gericht verantworten, wurde jedoch aus Mangel an Beweisen 1950 freigesprochen und konnte seine Regietätigkeit fortse…[Read more]

The plague doctors’ masks on the frontispiece of the “Leviathan”, John Locke’s empty land, the photographs by Carleton Watkins, a military policeman’s protective mask, the colonial history of the deportation camps, the plague policies and the Sans-Papiers – these are the seemingly disparate pieces that Francesca Falk assembles into a mosaic to…[Read more]

In this essay Queen Margaret’s curses in Richard III become part of a feminist ethics on the early modern stage. As a parrhesiast, in Foucault’s terms, Margaret speaks truth to power and claims a right of citizenship. That Margaret elicits universal revulsion from the other characters while also holding a unique, though not untroubled, pos…[Read more]

This dissertation ‘Inns and Innkeeping in North Hertfordshire: 1660-1815’ addresses the lack of a localised study on this building type and supplements the wider body of work that has been undertaken, on inn form, function and innkeeping lifestyles in other regions of England during the long eighteenth century.

Young Michelangelo Buonarroti’s experience was deeply marked by his cult of Antiquity, reverberated in the creation of artworks such as the Sleeping Cupid and the Bacchus and shared with Raffaele Riario and Jacopo Galli, his patrons during his first stay in Rome (1496-1501). The cardinal-camerlengo Raffaele Riario was an important promoter of t…[Read more]

The peculiar iconography of the winged horse surmounted by several puttos, as appears in the Hypnerotomachia Poliphili sixth woodcut, turns out to be unprecedented and enigmatic at a glance and it’s the result of the depth and complexity of the author’s concepts. Considering the iconographic details of the sculptural group as well as the text sca…[Read more]

This essay explores glass engravings by Dutch authors Anna Roemers Visscher, Maria Tesselschade
Roemers Visscher, and Anna Maria van Schurman. I place these engravings in their rich contemporary
contexts, comparing them to other art forms that were the product of female pastime. Like
embroidery, emblems, and alba amicorum, engraved glasses…[Read more]

This graduate reading seminar examines some of the historical literature on migration in a global perspective, focusing on the nineteenth century through the present. It focuses on theoretical approaches to the study of migration as well as on case studies, moving between longue-durée and comparative issues on the one hand and local effects of…[Read more]

Shakespeare’s representations of history often have replaced history itself in the popular imagination: Julius Caesar, Margaret of Anjou, Henry V, Richard III — popular recollections of their lives and deaths are intimately linked with Shakespeare’s accounts of their stories, despite the playwright’s deviations from historical facts. In order t…[Read more]

Gendered night, or the nocturnal brightness of the early modern English stage
In French, critics speak of the night using feminine terms, but the term is grammatically neutral in English. Despite this neutrality, night may be gendered. In Romeo and Juliet, virgins hide their shame from their lovers by hiding in the dark. If night is consecrated…[Read more]

For poets like Sir Philip Sidney, the numerous incongruities found in Elizabethan drama fly in the face of Aristotelian theory. London audiences in 1580-1600 would have been hard pressed to recognize the time and place of the action represented on stage from one scene to the next. By comparing Greek theory and Elizabethan practice, this paper…[Read more]

What might strike some as Arden of Faversham’s faulty construction may perhaps be ascribed to the fact that Arden’s murderers, as well as the play’s audience, had to learn how to “temper poison” (i.229). Poison is not simply a means to commit murder, its use also requires great dexterity, one which must be interpreted within a historical and metat…[Read more]

بخشی از مطالعات ادبی بینارشته‌ای شامل بررسی ارتباط میان ادبیات و تصویر می‌شود. در این زمینه ارتباط میان ادبیات و سینما شناخته‌شده‌ترین حوزۀ پژوهشی است که تعداد چشمگیری اثر پژوهشی، اعم از رساله و مقاله، در این حوزه نگاشته شده‌ است. در همین زمینه می‌توان به ارتباط میان ادبیات و نقاشی اشاره کرد که در سال‌های اخیر شاهد تعداد انگشت‌شماری اثر تحقیق…[Read more]

LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®’s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur…[Read more]