In the history of old Romanian painting, the icon of Saint John the Baptist with scenes from his life from Budești‑Josani occupies a very important place due to its exceptional artistic quality, as well as the Slavonic inscription with the master’s signature and date. The inscription, in a very poor state of preservation, has already been part…[Read more]

This study identified the icon of Virgin Moscovita and the icon of the Holy Mandylion, described in Konstantinos Dapontes’ writings, with the icon of the Virgin and the icon of the Holy Mandylion preserved in his family monastery Evangelistria in Skopelos island. We can now retrace the “biography”of these two artefacts, the history of their creat…[Read more]

La découverte d’une inscription slavonne dans le narthex de l’église du monastère de Râmeț (comté d’Alba) en 1966, sa relecture avec des moyens techniques spéciaux en 1978 et sa publication officielle en 1985 ont porté à l’attention des historiens le nom du peintre (Mihul du Criș-Blanc), le nom de l’évêque fondateur (archevêque Gélase),…[Read more]

अष्टभुजा शुक्ल की अनेक कविताओं का कथ्य भी बहुत समस्याग्रस्त है। उनमें प्रतिक्रियावादी मूल्य भरे पड़े हैं। इन कविताओं को पढ़ते हुए लगता है कि वे समाज को पीछे ले जाने वाले कवि हैं। इस लेख में उनकी कविता की प्रतिगामिता पर चर्चा की गई है।

This short-form article explores the various presentations of “the Middle” within Valentinian authored documents (the Gospel of Truth and Gospel of Philip) and sources which report about the Valentinians (Irenaeus and his report about Ptolemy’s theology). It suggests underscores the deep distinctions each view has and suggests that these may be…[Read more]

En cada una de estas [identidades] hay almacenado un conocimiento implícito y arraigado sobre valores y comportamientos apropiados, gustos y disgustos, formas de ser.
R. Se identifican tres formas principales de autorregulación automática: un efecto automático de la percepción sobre la acción, la búsqueda automática de una meta y una evaluac…[Read more]

This chapter examines the reception of the American ‘flapper’ model and how it was interpreted and translated into the interwar Romanian fashion and beauty discourse, into the 1920s model termed as the ‘modern girl’, as opposed to the ‘new woman’ of the 1930s. It follows the evolution of 1920s styles, including Jazz and Hollywood cultures, J…[Read more]