“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]

La producción de los medios de comunicación constituye una expresión de la sociedad que los gesta. Los grupos sociales que intervienen en la producción televisiva actualmente son herederos de la práctica funcionalista y trasmisiva de los medios tradicionales de comunicación (prensa plana, radio y televisión). En esa lógica los temas que se represe…[Read more]

Los textosaudiovisualesdemandan una combinación de actividades entorno a larepresentación ydecodificación. El proceso se encuentra condicionado pordiferentesrolesen los procesos de producción y consumo televisivo. Se plantea como objetivo de la investigación: diseñarun modelo de producción para las comunidades de práctica televis…[Read more]

In this paper, I argue that Hygieia has to be viewed as a full goddess in Greek religion and medicine, with a special focus on her position within the Asklepios cult. I will examine her identity, to which scholars attribute several labels like goddess, abstraction and personification. I further argue that Hygieia’s role in performing incubation r…[Read more]

The present paper aims to investigate the role of anthropology in the development of Ritual Studies as an inter-disciplinary platform, with a focus on ritual dynamics by using a historiographic description, focusing on thetransition of Greco-Roman to Christian culture. This study attempts to shed light not only on the contributionof anthropology…[Read more]

इस आलेख में मैंने देखने की कोशिश कि कोविड की रोकथाम के लिए उठाए गए अतिरेकपूर्ण कदमों के कारण दुनिया में क्या स्थितियाँ उत्पन्न होने वाली हैं। विशेष तौर पर सामाजिक वंचना झेल रहे मानव-समुदायों पर इसका क्या प्रभाव पड़ने वाला है। आलेख में भारत के उन शोषित समुदायों को केंद्र में रखा गया है, जो भारतीय आबादी का बहुसंख्यक हिस्सा हैं। इस बहुसंख्या में…[Read more]

(Sobre el «Discurso a Diogneto» y la literatura cristiana primitiva).
En este trabajo, se lleva a cabo un concienzudo estudio del «Discurso a Diogneto» o «Epistola a Diogneto» (como queramos llamar a este texto). Y en él, su autor destaca como rasgos fundamentales:
—El carácter muy temprano de este texto, que intentó armonizar la Iglesia co…[Read more]

Considerando a política da autoria associada à história da luta anticolonial e às suas relações com o cinema francês, este artigo aborda o filme anticolonialista Afrique 50 (1950). Distinguindo entre o filme como produto e como processo, discuto o problema das autorias rasuradas no documentário associado à assinatura autoral de René Vautier.…[Read more]

This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]

In the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]

This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]

In the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]

The drawing ‘Autonomous Terrace’ by anarchist artist Clifford Harper was published first in the book ‘Radical Technology’ in 1974 as part of a series of illustrations “that although they are utopian images they depict an existence that is immediately approachable” (Harper 1984, p. 99). In Harper’s (ibid.) words, “all it would take is the seizing…[Read more]

Esta disciplina da área de concentração em Cinema e Audiovisual, oferecida regularmente pela Faculdade de Comunicação para o Bacharelado Interdisciplinar em Artes (IHAC-UFBA), assim como para quaisquer outros cursos e estudantes que tenham interesse, tem como objetivo: mapear o campo das teorias do cinema e do audiovisual, seus principais mome…[Read more]

Through the example of Barry Jenkins’ choices for Moonlight (2016), this chapter argues that pre-existing musical cues can link a film’s themes to other minority filmmaking traditions. The song at the center of this chapter, “Cucurrucucú Paloma,” exemplifies the kinds of cultural translations common in transnational queer cinema. It was orig…[Read more]

Como ya saben muchos de mis amigos y seguidores de Internet, suelo organizar casi todos los meses un foro-debate en Academia.edu sobre asuntos que normalmente giran en torno a la antropología social y cultural, pero también relativos a asuntos destacados de la historia antigua y de la crítica textual, campos en los que normalmente se de…[Read more]