The use of the term “community” in historical studies continues to present problems for many medievalists. Myriad studies have emphasized the inadequacy of the term when describing medieval society. Microstudies of manors and villages, especially in the English context, by historians Barbara A. Hanawalt, J. Ambrose Raftis, and Sherri Olson (am…[Read more]

The history of homicidal insanity in the courts of law of medieval England.

Given the hurdles one faced in trying to stay healthy in later medieval England, it should come as no surprise that the medieval English placed a premium on competent medicine. As Carole Rawcliffe has argued, “medieval life was beset by constant threats to health arising from poor diet (at both ends of the social spectrum), low levels of h…[Read more]

With regard to English common law, medieval women were able to participate in the curial process in only a limited way. This is not true of women as defendants: women could be sued for almost any civil or criminal plaint, but their privileges as plaintiffs were broadly curtailed by marital status and cultural expectation. The legal fiction of…[Read more]

In the year 1304, Matilda Bonamy of Guernsey, a young woman from one of the Anglo-Norman island’smost established and affluent families, found herself in a predicament familiar to many of today’s youth. A liaison with Jordan Clouet, also from a family of long provenance in Guernsey if not as comfortable, had left her pregnant. To Matilda the sol…[Read more]

Spanish abstract: Una lectura intertextual de ‘Beowulf’ (2007), una película animada con captura de movimiento dirigida por Robert Zemeckis y escrita por Neil Gaiman y Roger Avary, basada en el poema anglosajón ́Beowulf ́.

English abstract: An intertextual reading of ‘Beowulf’ (2007), a motion-capture animated feature directed by Robert Zem…[Read more]

This report is intended as a guide to facilitate the development of the Transgender Media Portal (transgendermediaportal.org). The Transgender Media Portal aims to make audiovisual work by trans, Two Spirit, nonbinary, intersex, and gender-nonconforming people more available to artists, activists, festival programmers, researchers, instructors,…[Read more]

This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]

Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]

This paper addresses a curious pattern of interlocking relationships. This pattern unfolds in a fixed form of ever-changing content, or what is often described as a ‘standing wave’. I will attribute this pattern to the interactive nervous system that synchronizes the periodic effects of four, neurological functions. These functions connect a par…[Read more]

We say, you belong to me, or I belong to you. But is it possible to be possessed by others? And can we ever possess ourselves? In this raw and intimate account, Eva-Lynn Jagoe merges memoir with critical theory as she recounts the unraveling of everything she thought she knew about selfhood, relationships, and desire. Through the story of an…[Read more]

As Prof. Dale Townsend has observed, the concept of the Gothic has had an association with fairies from its inception; even before Walpole’s 1764 Castle of Otranto (considered the first Gothic novel), eighteenth-century poetics talked of ‘the fairy kind of writing’ which, for Addison, ‘raise a pleasing kind of Horrour in the Mind of the Reader’…[Read more]

Com base na análise das formas cinematográficas de reconstituição da história em Serras da desordem, Corumbiara e Taego Ãwa, identifico a importância da figura dos espectadores indígenas para a compreensão das imagens que os filmes criam e mobilizam. Argumento que o contracampo efetivo, virtual ou espectral dos espectadores indígenas constitui…[Read more]

Illustration as part of art works has often been considered a form of low art, but as it has progressively become more developed, it has established a decent place in the art community. This paper focuses on how Indonesian punk artist succeed expanding the art of illustration in Indonesia as well as building local and global networking through…[Read more]

As Indonesia’s increasingly authoritarian populist president Jokowi began his second term in autumn 2019, he finds himself confronted by a new generation radicalised by the converging crises of militarism, agrarian dispossession, environmental destruction and corruption.

Este artigo discute os principais filmes de curta metragem dirigidos por Leo Pyrata, que exploram a figura do “macaco com a câmera na mão”, mencionada em Cuauhtémoc (2012), para insinuar o devir-animal como prática criativa. Em diálogo com linhagens do cinema experimental e da videoarte, Pyrata elabora modos de montagem anarquívica e reivindic…[Read more]

Se o estudo do que Clarisse denomina filmes de contato depende de uma compreensão histórica do que está em jogo em cada uma das obras abordadas, sua análise de Os últimos isolados (Adrian Cowell, 1967-1999), Corumbiara (Vincent Carelli, 1986-2009) e Os Arara (Andrea Tonacci, 1980-) busca pensar a relação entre culturas como experiência aberta…[Read more]

This chapter analyzes administrative efforts to control epizootic disease in eighteenth-century Schleswig-Holstein as disaster management. It points to the importance of quarantine, slaughter, and the control of trade as the principal methods adopted by governments and draws links with the methods used to control plague in humans. The chapter…[Read more]