Dear group members,

In the survey following our 2020 meeting, a majority of respondents indicated interest in the IG organizing a special session proposal for SMT 2022. To do this, we would need to choose a topic, determine the program committee, and send out the CFP in late summer or early fall 2021. The program committee would then s…[Read more]

Laura and I are delighted to announce that Robert Hasegawa has agreed to lead a workshop for our group at our meeting this November. The description is below, and we look forward to some preliminary conversations happening in this space before then!

Best wishes,

Tara

Post-1945 Music Analysis Interest Group

Workshop at SMT 2021: Diversity and…[Read more]

The Acoustic Text Symposium

1-2 October 2021 (Online)

CFP Deadline: 15 July 2021

Hosted By: Nanyang Technological University

Keynote Speakers: Steven Connor, Rita Felski

This symposium brings into critical aggregation the aesthetic concerns
of literature, music, and sound. Where these areas of study frequently intersect to generate novel and…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

I’m a classically trained composer considering writing a chamber piece about Joan of Arc.  I’m looking for information regarding (folk) songs she would have probably been familiar with during the early part of her life – before she began her quest.  Any information, links, suggestions, would be greatly appreciated.  Thanks

Dear scholars in post-1945 music,

Please consider submitting your published articles or book chapters for consideration for the SMT Post-1945 Music Analysis Interest Group Publication Award. Details below:

The Post-1945 Music Analysis Interest Group is a discursive space for scholars of music after 1945, with an emphasis on the modernist,…[Read more]