This co-authored piece introduces our co-edited volume ‘Dreams of Germany’. It explores how, where and by whom notions of ‘musical Germanness’ have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection ‘Music and German National…[Read more]

Rising on the shoulders of the İstanbul Araştırmaları Yıllığı / Annual of Istanbul Studies, the relaunched YILLIK: Annual of Istanbul Studies is now peer-reviewed. Thanks to a reformed advisory board, whose expertise covers all periods and disciplines in the study of Istanbul’s past and present, the journal now sets a much higher academic…[Read more]

The British rule still has a sway on us and we still unconsciously see them as our masters/ or a better race than us in terms of looks, language, traditions clothing style and hobbies. Though the Britishers only enforced their norms through law and schooling but its impact was long-lasting and deep-rooted amongst the young natives.the current…[Read more]

This commentary takes advantage of the provenance established by Hoffman, et al.2018 to explore exclusionary symbol sets in Art, Astrology, and Myth within La Pasiega Gallery C in Spain. Using the One Godz paradigm plus the added parameter of U-TH dating this commentary ascribes meaning to two proximate rock art panels, one homo sapien and the…[Read more]

En la más reciente edición y estudio de la Carajicomedia, su editor llama la atención sobre un aspecto determinado de esta obra, y por extensión, a todas las sátiras a mitad de camino entre lo burlesco y lo erótico: se establece la necesidad de explorar «more fully the political complexity of the period; the reasons that its authors may have h…[Read more]

2019’da yayımlanan “Nature’s ‘Cosmopolis’: Villagers, Engineers, and Animals along Terkos Waterworks in Late Nineteenth-Century Istanbul.” In The Seeds of Power: Explorations in the Environmental History of the Ottoman Empire, edited by Onur Inal and Yavuz Köse, 155-183 (Winwick: The White Horse Press, 2019) makalemin, kısaltılarak Türkçe’ye çev…[Read more]

How did migrants’ presence manifest itself in the Vienna urban space and how can we study it?

The story of Lough Derg in Ireland’s County Donegal is arranged around clusters of sectarian narratives in juxtaposition, synthesis and conflict. The Sanctuary of Saint Patrick sits on Station Island, a small rocky islet set within the waters of the lake. The site became well known in the early Middle Ages as the place of Saint Patrick’s del…[Read more]

Through The Making of Early Kashmir, Shonaleeka Kaul, who teaches in the Centre for Historical Studies, Jawaharlal Nehru University, New Delhi, deftly presents a new discourse on Kashmir’s culture and history and successfully argues not only that a traditional Sanskrit text can indeed function as a historical text, but that the very fact that s…[Read more]

In the cultural and religious history of Saint Patrick’s Purgatory—a centuries-old Catholic pilgrim site situated on Station Island within the waters of Donegal’s Lough Derg—the mass drowning of 1795 stands out. The aftermath was devastating, stamping a lasting mark on the memory of place. The disaster continues to be complicated by its entangl…[Read more]

Selections from DE LA MANUFACTURE AU MUR: Pour une histoire matérielle du papier peint 1770-1914 (From the Workshop to the Wall – Toward a Material History of Wallpaper 1770-1914) a thesis by Dr. Bernard Jacqué, University of Lyon, 2003. Translated by Robert M. Kelly.

PDF 3: The Scenic Revival of the Twentieth Century

Selections from DE LA MANUFACTURE AU MUR: Pour une histoire matérielle du papier peint 1770-1914 (From the Workshop to the Wall – Toward a Material History of Wallpaper 1770-1914) a thesis by Dr. Bernard Jacqué, University of Lyon (2003). Translated by Robert M. Kelly.

PDF 2: Zuber’s “Indépendance” (1853), a hand-painted restatement of “Scenic…[Read more]

Selections from DE LA MANUFACTURE AU MUR: Pour une histoire matérielle du papier peint 1770-1914 (From the Workshop to the Wall – Toward a Material History of Wallpaper 1770-1914) a thesis by Dr. Bernard Jacqué, University of Lyon (2003). Translated by Robert M. Kelly.

PDF 1: A Historiography of Wallpaper

Historic Nova Scotia is a digital humanities and public history project that aims to bring community histories to life online (https://historicnovascotia.ca/). This paper will explore how collaborative, digital-storytelling can help bridge the gap between heritage theory and practice. We will provide an overview of the project followed by specific…[Read more]

Anton Pannekoek (1873-1960), prominent astronomer and world-renowned socialist theorist, stood at the nexus of the revolutions in politics, science and the arts of the early twentieth century. His astronomy was uniquely visual and highly innovative, while his politics were radical. Anton Pannekoek: Ways of Viewing Science and Society collects…[Read more]

The genealogy of board games in Britain is also an expression of its imperial past. Built on colonialist and orientalist tropes that reinforce a hierarchy of race, their legacy is still discernible in the worlds created for the games played today.

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An updated version of my Portolan piece from 2018.

The chapter deals with the image of the personal union between Saxony and Poland as portrayed in the novels of the Polish writer Józef Ignacy Kraszewski, who emigrated to the Saxon capital of Dresden in the 19th century. His so called Saxon Novels are an important source for popular conceptions of history until today.

Georg Leibbrandt (1899-1982), one of the leading figures in the NSDAP Office of Foreign Affairs and the Reich Ministry for the Occupied Eastern Territories, claimed his status as an expert for questions concerning Eastern Europe on the basis of his origin: Born as a Volksdeutscher in the Ukraine, he devoted himself early to racial thinking and to…[Read more]

Monarchy – Republic – Dictatorship. The District of Görlitz between 1900 and 1939

The article deals with the images and perceptions of Paris and London as seen by German intellectuals in the era of the French revolution. It discusses the key concepts “freedom” and “equality”, using the examples of Joachim Heinrich Campe and Johann Wilhelm von Archenholz.