An interview with three American historians of art on the the past, present, and future of digital art history.

The development of a professionalized, highly centralized printmaking industry in northern Europe during the mid-sixteenth century has been argued to be the inevitable result of prints’ efficacy at reproducing images, and thus encouraging mass production. However, it is unclear whether such a centralized structure was truly inevitable, and if it…[Read more]

Invited response to “Hubertus Kohle, “Kunstgeschichte und Digital Humanities. Einladung zu einer Debatte/Art History and the Digital Humanities. Invitation to a Debate”

In displaying archaeological information as points on a map, we lose elements of the social and economic geography of the region we are studying. This paper suggests a methodology for exploring the space between our ‘dots-on-the-map’, based on the rapidly developing ‘science of networks’. It takes as a case study the distribution of sites using s…[Read more]