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Sabine LAMOUR deposited Partir pour mieux s’enraciner ou retour sur la fabrique du poto-mitan en Haiti in the group
Postcolonial Studies on Humanities Commons 6 years, 10 months agoBook chapter of: Dejouer le silence: contre discours sur les femmes haïtiennes
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Nick Di Taranto started the topic Apply to participate in a NEH Summer Program – Deadline 3/1/19 in the discussion
Postcolonial Studies on Humanities Commons 6 years, 11 months agoThe National Endowment for the Humanities (NEH) Summer Seminars and Institutes offer tuition-free opportunities for higher education faculty to study a variety of humanities topics. Stipends of $1,200-$3,300 help cover expenses for these one- to four-week programs. This summer NEH is supporting two programs that may be of particular interest to…[Read more]
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Narasimhananda Swami deposited Encyclopedia of Kashmiri Pandit Culture and Heritage by C L Kaul Book Review February 2011 Prabuddha Bharata in the group
Postcolonial Studies on Humanities Commons 6 years, 11 months agoEncyclopedia of Kashmiri Pandit Culture and Heritage by C L Kaul Book Review February 2011 Prabuddha Bharata
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Narasimhananda Swami deposited Vedanta Brain and Islam Body Dr A P J Abdul Kalam Prabuddha Bharata October 2015 in the group
Postcolonial Studies on Humanities Commons 6 years, 11 months agoLife of former President of India Dr A P J Abdul Kalam, who was also the author of the Indian missile program.
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Narasimhananda Swami deposited The Changing Classroom Student Vedanta Kesari December 2016 in the group
Postcolonial Studies on Humanities Commons 6 years, 11 months agoThis paper discusses the various tools and platforms available to disseminate and receive educate in an increasingly virtual world. It analyses the impact of MOOCs in the changing face of ICT based education. With many examples of life-transformations due to online learning platforms, this paper gives a glimpse of the sea transformations that…[Read more]
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Christoph Lange deposited Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture in the group
Performance Studies on Humanities Commons 6 years, 11 months agoThe chapter focuses on conceptualizing event and situation for ethnographic knowledge production and development of anthropological theory. Therefore, in a first step, I draw attention to the historical and conceptual importance of the anthropological approaches of “situational analysis” and “extended-case method”, developed by Max Gluckma…[Read more]
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Rebecca Ruth Gould deposited “The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov’s Natives” (2018) in the group
Postcolonial Studies on Humanities Commons 7 years, 1 month agoWhile Anton Chekhov’s influence on Katherine Mansfield is widely acknowledged, the two writers’ settler colonial aesthetics have not been brought into systematic comparison. Yet Chekhov’s chronicle of Sakhalin Island in the Russian Far East parallels in important ways Mansfield’s near-contemporaneous account of colonial life in New Zealand…[Read more]
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Philip Gentry deposited Hamilton’s Ghosts in the group
Performance Studies on Humanities Commons 7 years, 1 month agoReview Essay of Hamilton: An American Musical
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Wladimir Fischer-Nebmaier deposited Dositej Obradović and the Ambivalence of Enlightenment in the group
Postcolonial Studies on Humanities Commons 7 years, 2 months agoStarting from the critique of Enlightenment from Horkheimer/Adorno to Foucault, this essay discusses implications of such critique for the most eminent figure of Serb enlightenment, Dimitrije (Dositej) Obradović. Topics: Politics towards Josef II’ enlightened despotism, the misunderstanding about Obradovic’ championship of a popular literary…[Read more]
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Joshua Neumann deposited Data Generation and Multi-Modal Analysis for Recorded Operatic Performance in the group
Performance Studies on Humanities Commons 7 years, 2 months agoCommercial recordings of live opera performance are only sporadically available, mostly due to various legal protections held by opera houses. The resulting onsite, archive-only access for them inhibits analysis of the creative process in “live” environments. Based on a technique I developed for generating performance data from copyright protected…[Read more]
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Joshua Neumann deposited Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera in the group
Performance Studies on Humanities Commons 7 years, 2 months agoAmidst discussions regarding the nature of a musical work, tensions within and between score- and performance-based approaches often increase ideological entrenchment. Opera’s textual and visual elements, along with its inherently social nature, both simultaneously complicate understanding of a work’s nature and provide interdisciplinary…[Read more]
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Irene Marques deposited Spaces of Magic: Couto’s Relational Practices in the group
Postcolonial Studies on Humanities Commons 7 years, 2 months agoThrough a detailed analysis of the story “The Three Sisters” from Mia Couto’s collection O Fio das Missangas (“The Bead Necklace”) published in 2004, I reveal how Couto recreates a space where relational practices are at the forefront of existence. I analyse this specific story to reveal Couto’s relational practices and its accompanyin…[Read more]
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Irene Marques deposited Looking for ‘God’ in Non-Identity: Reading the Transcendental in Agualusa’s The Book of Chameleons in the group
Postcolonial Studies on Humanities Commons 7 years, 2 months ago. I demonstrate how The Book of Chameleons is replete with metaphors of what I call the “non-self,” or “supra-self,” or even “God,” which are commonly found in Zen Buddhist thought, classical African epistemological and ontological paradigms, and more specifically, the idea of African Personality as put forward by Léopold S. Senghor or even in s…[Read more]
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Irene Marques deposited Suspending the ‘Lack’ Through Art: African and Western Epistemological and Artistic Intersections (Mia Couto, Wole Soyinka, Léopold Senghor, Gaston Bachelard and Mark Epstein) in the group
Postcolonial Studies on Humanities Commons 7 years, 2 months agoAs a continuation of my previous transcultural comparative project, the current study aims to unearth some other similarities that exist between African classical knowledge systems, as put forward in the writing of Mia Couto and the work of other Africanists such as Wole Soyinka, Jacob Olupona and Léopold Senghor— in respect to their links to po…[Read more]
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Hania A.M. Nashef deposited Palestinian Culture and the Nakba: Bearing Witness in the group
Postcolonial Studies on Humanities Commons 7 years, 2 months agoThe Nakba not only resulted in the loss of the homeland, but also caused the dispersal and ruin of entire Palestinian communities. Even though the term Nakba refers to a singular historic event, the consequence of 1948 has symptomatically become part of Palestinian identity, and the element that demarcates who the Palestinian is. Palestinian exile…[Read more]
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Sara Sánchez-Hernández deposited “Hoy comamos y bebamos”: bebida, comida y celebración en las églogas de Antruejo de Juan del Encina in the group
Performance Studies on Humanities Commons 7 years, 2 months agoEl presente trabajo estudia la presencia de comida y bebida en las dos églogas carnavalescas de Juan del Encina (1468-1529), Égloga representada en la noche postrera de Carnal y la de Antruejo o Carnestollendas. El objetivo es establecer una suerte de catálogo provisional de los diversos usos escenográficos de la alimentación, así como su varia…[Read more]
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Sara Sánchez-Hernández deposited De aldeas, villas y palacios. Los espacios dramáticos en el teatro de Juan del Encina in the group
Performance Studies on Humanities Commons 7 years, 2 months agoEste trabajo analiza los espacios dramáticos del teatro de Juan del Encina, sus funciones y su potencialidad escénica. La noción de «espacio dramático» deriva de la teoría semiótica, que considera las referencias locativas en el texto dramático como parte del espacio ficticio teatral y examina el modo en el que todas ellas conjugan el espacio…[Read more]
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Sara Sánchez-Hernández deposited Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea in the group
Performance Studies on Humanities Commons 7 years, 2 months agoMe propongo en estas páginas realizar un análisis de los elementos teatrales preservados en la Égloga de Cristino y Febea de Juan del Encina. El objetivo de este trabajo es recuperar los elementos teatrales de la Égloga de Cristino y Febea para demostrar que, pese a la casi ausencia de acotaciones explícitas, Juan del Encina sí tiene prese…[Read more]
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Sara Sánchez-Hernández deposited “A las manos he la porra”: violencia escénica en el Auto del repelón de Juan del Encina in the group
Performance Studies on Humanities Commons 7 years, 2 months agoPartiendo de la dualidad del texto dramático, como texto literario y espectacular, y con la convicción de que para estudiar el género teatral, en especial el quinientista, es necesaria una mirada bajo la óptica de la semiótica, este trabajo focaliza un análisis del Auto del repelón de Juan del Encina desde la perspectiva del carácter plurisí…[Read more]
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Sara Sánchez-Hernández deposited Palabra habitada: in principio erat Verbum in the group
Performance Studies on Humanities Commons 7 years, 2 months agoTopografías literarias: el espacio en la literatura hispánica de la Edad Media al siglo XXI
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