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Philip Smith deposited Re-visioning Romantic-Era Gothicism: An Introduction to Key Works and Themes in the Study of H.P. Lovecraft in the group
LLC Late-19th- and Early-20th-Century American on MLA Commons 10 years agoHoward Phillips Lovecraft was an author, letter writer and poet who lived between 1890 and 1937. His works blend science fiction with Gothic themes. Lovecraft was, by the majority of accounts (including his own), a bad writer. He was also an outspoken racist for the majority of his life to a degree which makes much of his work, to a modern reader,…[Read more]
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Philip Smith deposited Re-visioning Romantic-Era Gothicism: An Introduction to Key Works and Themes in the Study of H.P. Lovecraft in the group
LLC 20th- and 21st-Century American on MLA Commons 10 years agoHoward Phillips Lovecraft was an author, letter writer and poet who lived between 1890 and 1937. His works blend science fiction with Gothic themes. Lovecraft was, by the majority of accounts (including his own), a bad writer. He was also an outspoken racist for the majority of his life to a degree which makes much of his work, to a modern reader,…[Read more]
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Philip Smith deposited Postmodern Chinoiserie in Gene Luen Yang’s American Born Chinese in the group
LLC 20th- and 21st-Century American on MLA Commons 10 years agoThis paper offers a synthesis and critique of the existing academic literature on Gene Luen Yang’s American Born Chinese and an overview of Asian American alternative comics. It examines the range of literary and linguistic sources which Yang draws upon in his collage of Chinoiserie and Japonism. It presents the argument that existing criticism h…[Read more]
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Philip Smith deposited 'We have experienced a tragedy which words cannot properly describe’: Representations of Trauma in Post-9⁄11 Superhero Comics in the group
LLC 20th- and 21st-Century American on MLA Commons 10 years agoThis paper explores the manifestation of trauma in superhero comics following the terrorist attacks on the World Trade Center on September 11. These texts are considered from the perspectives of clinical psychology and Silverman’s concept of historical trauma. The paper first examines the genre as a whole, followed by an exploration of elements c…[Read more]
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Marina Fedosik started the topic CFP MLA 2017 guaranteed session Adoption and Performance in the discussion
Twentieth-Century American Literature on MLA Commons 10 years agoThe Alliance for the Study of Adoption and Culture seeks paper proposals for its guaranteed session at the MLA Annual Convention in Philadelphia, PA January 5-8, 2017.
Adoption in Contemporary Drama and Performance
This panel seeks submissions that explore the engagement of contemporary dramatic literature, theatrical practices, various…[Read more]
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Gayle Rogers deposited Modernism: Evolution of an Idea (Introduction) in the group
LLC 20th- and 21st-Century American on MLA Commons 10 years agoIntroduction to Modernism: Evolution of an Idea, which traces the emergence and coherence of the term “modernism”, and the field of modernist studies, from the late 1800s to the present.
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Miriam Thaggert edited the file: Cash Bar – MLA 2016 – 2 in
LLC African American on MLA Commons 10 years ago -
Miriam Thaggert uploaded the file: Cash Bar – MLA 2016 – 3 to
LLC African American on MLA Commons 10 years agoAttendees at the LLC African American Cash Bar
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Miriam Thaggert uploaded the file: Cash Bar – MLA 2016 – 2 to
LLC African American on MLA Commons 10 years agoRiche Richardson, Lisa B. Thompson, and Angela Ards
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Miriam Thaggert uploaded the file: Cash Bar – MLA 2016 to
LLC African American on MLA Commons 10 years agoLLC African American members re-connected at the cash bar during MLA 2016.
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Helene Meyers deposited The Unmarked Chains of Paper Clips in the group
MS Screen Arts and Culture on MLA Commons 10 years agoArgues that the documentary Paper Clips exemplifies the ways in which Holocaust education can unwittingly foster competing victimization narratives between blacks and Jews, sanitize both European and U.S. history, and serve subtle
but pernicious forms of supersessionism. -
Helene Meyers deposited "Woman in Gold" in the group
MS Screen Arts and Culture on MLA Commons 10 years, 1 month agoFilm review of Woman in Gold (2015) as a cinematic rendering of the material turn in Holocaust memory.
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Amy L. Friedman started the topic CFP- Beat Studies at ALA 2016 in the discussion
Twentieth-Century American Literature on MLA Commons 10 years, 1 month agoThe Beat Studies Association invites papers for 2 panels at the upcoming American Literature Association Annual Conference in San Francisco (May 26-29, 2016): papers on all aspects of Beat Literature and Beats Studies OR papers on the work and contributions to Beat Studies of the scholar Ann Charters, for the panel “Mapping Beat Movements…[Read more]
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Leah Milne deposited Choosing Africa: The Importance of Naming in Beloved and The Poisonwood Bible. in the group
LLC African American on MLA Commons 10 years, 1 month ago“Choosing Africa: The Importance of Naming in Beloved and The Poisonwood Bible.” CLA Journal 55.4 (June 2012): 352-369.
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Davide Castiglione deposited A Parsing-Proof Whole: Susan Howe’s Experimental Syntax and Its Processing Implications in the group
LLC 20th- and 21st-Century American on MLA Commons 10 years, 1 month agoIt has long been acknowledged that syntactic violations in poetry are central to the difficulty of a poetic text (e.g. Fowler 1971, Fois-Kaschel 2002, Burke 2007, Thoms 2008). However, for all its merits, most of the work carried out so far tends either to be more concerned with linguistic theory than with literary effects (i.e. the generativist…[Read more]
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Brandon Taylor deposited The Pleasure of Walter White’s Grotesque Odyssey: Complex Narrative Escalation in AMC’s Breaking Bad (2008-2013) in the group
MS Screen Arts and Culture on MLA Commons 10 years, 1 month agoThis article maps the emergence and prevalence of the white heterosexual male psychopath in modern American commercial television through an analysis of the final three episodes of Breaking Bad (2009-2013).
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Jonathan Senchyne deposited Bottles of ink, and reams of paper: Clotel, Racialization, and the Material Cultue of Print in the group
LLC African American on MLA Commons 10 years, 1 month agoThis essay argues that greater attention to the significance of the material culture of print, especially in early African American print culture, shows how technologies of racialization emerge in conjunction with technologies of printed words and images. The stereotype is perhaps the most familiar case. In one sense it offers quick reproduction…[Read more]
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Jason Charles Courtmanche started the topic Extended Deadline for 21st Summer Meeting of the Nathaniel Hawthorne Society in the discussion
Late-Nineteenth- and Early-Twentieth-Century American Literature on MLA Commons 10 years, 2 months agoExtended Deadline!
Call for Papers
The 21st Summer Meeting
of the Nathaniel Hawthorne Society
June 2-5, 2016
The Stoweflake Inn at Stowe, Vermont
During an extended period of self-imposed isolation following his graduation from Bowdoin, Hawthorne embarked on a tour of New England and the Hudson Valley. In 1832, he visited Burlington,…[Read more]
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Jason Charles Courtmanche started the topic CFP w/ extended deadline for Hawthorne ALA panels in the discussion
Late-Nineteenth- and Early-Twentieth-Century American Literature on MLA Commons 10 years, 2 months ago*Extended Deadlines!*
Calls for Papers: Nathaniel Hawthorne Society Sessions, American Literature Association Conference in San Francisco, May 26-29, 2016.
“Hawthorne, Poe, and Childhood”
Proposals for papers on the topic of “Hawthorne, Poe, and Childhood” are sought for a Nathaniel Hawthorne Society session at the American Literature Associat…[Read more]
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Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group
MS Screen Arts and Culture on MLA Commons 10 years, 2 months agoThis article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]
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