Nigeria’s Federal Ministry of Science and Technology was created on 1 January 1980, with the vision of making “Nigeria one of the acknowledged leaders of the scientifically and technologically developed nations of the world”. Sixty years after independence, and forty years after the Science and Technology Ministry was created, Nigeria is neith…[Read more]

In recent years a very rare phenomenon was observed in Igboland, Southeastern Nigeria—the conversion of the Igbo to Islam. There exists a signi cant scholarly work on the stages of conversion or conversion process among di erent people group; however, to the best of our knowledge, little exists on the Igbo conversion to Islam. This could be as a r…[Read more]

The second volume of the DH Benelux Journal. This volume includes four full-length, peer-reviewed articles that are based on accepted contributions to the 2019 DH Benelux conference in Liège (Belgium) on Digital Humanities in Society. Contents: 1. Editors’ Preface (Wout Dillen, Marijn Koolen, Marieke van Erp); 2. Introduction: Digital Humanities…[Read more]

The first volume of the DH Benelux Journal. This volume includes four full-length, peer-reviewed articles that are based on accepted contributions to the 2018 DH Benelux conference in Amsterdam (The Netherlands) on Integrating Digital Humanities.

Contents:
1. Editors’ Preface (Wout Dillen, Marijn Koolen, Marieke van Erp)
2. Introduction:…[Read more]

For Paeanius’ Greek translation of Eutropius’ Breviarium, a single manuscript, Iviron 812 (12th cent.), is found to be the only independent witness for establishing the text.

This presentation discusses whether the dating application Tinder and similarly organized applications reinforce rigid gender and other identities and addresses the potential of technologically enhanced selves to contest them. Notions of identity as well as aspects of power and agency in the context of dating apps are discussed by referring to…[Read more]

Drawing insight from Toyin Falola’s call for African scholars to Africanize knowledge, this paper is an attempt to Africanize digital technological tools being used for research in African studies. Our aim is to address the challenges confronting scholars in African Studies, especially across the disciplines in the Arts and Humanities, in their d…[Read more]

MEI-encoded scores are versatile music information resources representing musical meaning within a finely addressable XML structure. The Verovio MEI engraver reflects the hierarchy and identifiers of these encodings into its generated SVG output, supporting presentation of digital scores as richly interactive Web applications. Typical MEI…[Read more]

In this paper, we apply machine translation techniques to solve one of the central problems in the field of optical music recognition: extracting the semantics of a sequence of music characters. So far, this problem has been approached through heuristics and grammars, which are not generalizable solutions. We borrowed the seq2seq model and the…[Read more]

While the increase in digital editions, online corpora, and browsable databases of encoded music presents an extraordinary resource for contemporary music scholarship, using these databases for computational research remains a complex endeavor. Although norms and standards have begun to emerge, and interoperability among different formats is often…[Read more]

Despite the interdisciplinary nature of the Italian madrigal—a genre in which poetry and music often stand on equal footing—critical editions of this repertoire tend to focus primarily on the musical text, devoting limited attention to the often-complex philological tradition of the poems set to music. Likewise, most critical editions are dev…[Read more]

In this paper we introduce a set of improvements to Neon, an online square-notation music editor based on the International Image Interoperability Framework (IIIF) and the Music Encoding Initiative (MEI) file format. The enhancements extend the functionality of Neon to the editing of lyrics and single-session editing of entire manuscripts and…[Read more]

Poster

This paper reports on the task of developing concepts for a computational analysis of the transmission of mensural music based on concepts of phylogenetic analysis. Since the analysis of transmission aims for the reconstruction of relations between sources, it focuses on the differences of rather similar items. Therefore, it is necessary to find…[Read more]

In 1731, Johann Mattheson writes in the preface to the Große Generalbass-Schule: “The complaint, however, which I made in the first edition of this Organisten-Probe about the badly printed notes, is still in its full strength, and patience is the only remedy.” Probstücke Digital is an open and critical digital edition project of the 24 test piece…[Read more]

Conversion issues across musical symbolic representations, such as musicXML, MEI, and humdrum, are well known. Often, these depend on methodological choices undertaken during the generation and processing of the data. For a better under-standing of this topic, we present a transcription protocol, result of trial and error transcription attempts…[Read more]

For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work…[Read more]

In this paper, we propose a ‘minimal digital pedagogy’ that applyies the principles of Minimal Computing in the classroom. As a working group of ADHO’s GO:DH Special Interest Group, Minimal Computing sets out to rethink DH work for areas in the world where factors such as high-end hardware, software, network capacity, power, etc. are not a given,…[Read more]