This article explores the changes to the legal status of Scots in ‘English Ireland’ after the advent of the Scottish Wars of Independence (c.1295). There appears to have been a drastic change in status as the Scots in Ireland were not explicitly labelled before 1295, but were afterwards and they were arrested on sight usually. It is also peculiar…[Read more]

This paper examines two issues: misconceptions concerning English law in high medieval Ireland; and the invention and mutation of an exceptio (objection) in court which was based on a fabrication. The plea, or defensive claim, was that the plaintiff in a court case was an unfranchised Gael (Hibernica/Hibernicus) and therefore could not sue a civil…[Read more]

This article examines how the Persian prison poem (habsiyāt) incorporated Islamic legal norms for governing non-Muslim peoples into its poetics. By tracing how Khāqāni of Shirvān (d. 1199) brought the aesthetics of incarceration to bear on Islamic legal regulations pertaining to non-Muslim communities (ahl al-zemma), I offer a new perspective on…[Read more]

The chapter focuses on conceptualizing event and situation for ethnographic knowledge production and development of anthropological theory. Therefore, in a first step, I draw attention to the historical and conceptual importance of the anthropological approaches of “situational analysis” and “extended-case method”, developed by Max Gluckma…[Read more]

This bibliography presents selected sources (mostly in English) at the intersection of music and architecture. Many of the sources approach the relationship between the practices through multiple case studies. Several books focused on particular artists in both disciplines have been included not because those artists are central to the study of…[Read more]

Two late medieval manuscripts have been rediscovered in the library of Johann Wolfgang von Goethe in Weimar in 2018. The paper gives, for the first time, a complete codicological and paleographical analysis of both manuscripts, presents a medieval owner and, last but not least, identifies the works contained in both codices.

The article presents illuminated charters and discusses how they might be presented online.

Study and critical edition of this anonymous elegy written in 1516 shortly after King Ferdinand II of Aragon’s death. This paper focuses on both political and cultural circumstances surrounding the Catholic Monarch’s death, together with the tradition of poetical testaments within Castilian songbook poetry. The edition of the text underscores the…[Read more]

Dante Alighieri’s Inferno (1314) portrays Hell as an alienated realm, in which the doomed spirits must spend eternity in isolation and regret. Franz Liszt’s two-movement Dante Symphony (1857), based on the Inferno and Purgatorio, gives musical form to Dante’s textual expressions of agony. These evocations of suffering are enhanced by Lisz…[Read more]

Contemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the…[Read more]

During the final decade of his productive life, Moshe Gammer (1950-2013) edited the first major English-language series on Daghestani philology. This chapter examines key aspects of Gammer’s legacy, while offering an overview of Daghestani philology from the colonial period to the present, and outlining how this field of inquiry enables us to r…[Read more]

What were the sounds of war in the early modern period? What were the sounds of peace? The period between 1570 and 1750—roughly coincident with the cultural era known in Western contexts as “the Baroque”—was characterized by almost continual conflict in Europe. Whether caught up in the French Wars of Religion, the English Civil War, the Thirty…[Read more]

For some years I have been meaning to upload some of the material I have gathered over the years, including interviews I conducted with experimental composers and performers. One of the most useful, clearest interviews was my interview with Michael Nyman, 23 March 1983, just a few days after I had seen him in Hammersmith with the eponymous Michael…[Read more]

In 1972–3, the American composer Barney Childs began work on a book of interviews with modern composers. Unfortunately, Childs could not find a publisher for the book and abandoned the project. The interviews have remained, unpublished and almost unseen, for over forty years. This paper will introduce Childs’ interview with Wolff in June 1972. H…[Read more]

This collection of essays represents the first international survey of minimalism and postminimalist music from a wide variety of analytical and historical perspectives; its authors include the central scholars in this area. This chapter is the first comprehensive study of the wide variety of minimalist styles in Britain, from the sparse,…[Read more]

Review Essay of Hamilton: An American Musical

Se suele señalar a 1385 como uno de los momentos de mayor incertidumbre política, social y económica no solo del medievo peninsular, sino prácticamente de toda la historia de España. En aquella precisa fecha, al factor estructural de lo que se ha venido en llamar la crisis del modelo de producción feudal, se le añadió un factor coyuntural bien co…[Read more]

An article on the Armenian manuscripts at the Vatican Library (Biblioteca Apostolica Vaticana).

Commercial recordings of live opera performance are only sporadically available, mostly due to various legal protections held by opera houses. The resulting onsite, archive-only access for them inhibits analysis of the creative process in “live” environments. Based on a technique I developed for generating performance data from copyright protected…[Read more]

Amidst discussions regarding the nature of a musical work, tensions within and between score- and performance-based approaches often increase ideological entrenchment. Opera’s textual and visual elements, along with its inherently social nature, both simultaneously complicate understanding of a work’s nature and provide interdisciplinary…[Read more]