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Olivia Louvel deposited The Sculpted Voice: an exploration of voice in sound art in the group
Music and Sound on Humanities Commons 6 years, 3 months agoThe author is examining the interplay between voice and sculpture, within the field of sound art. The term ‘sculpture’ has been appropriated by many artists to define their work with the voice. Exploring the sculpted voice, three main categories are here identified: the plastic dimension of voice as a sculptable material, the sculptural…[Read more]
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Russell Millard deposited Telling Tales: A Survey of Narratological Approaches to Music in the group
Music and Sound on Humanities Commons 6 years, 3 months agoOf the various hermeneutic approaches to the study of music developed in the last half century or so, narratological analysis has gone further than many in navigating a path that draws on both cultural and structural contexts. This overview of the development of narrative theory in music charts the course of three “waves” of narratological eng…[Read more]
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Randye Jones deposited Appendix 8 – Art Songs by African American Composers in Musical Anthologies in the group
Music and Sound on Humanities Commons 6 years, 3 months agoAvailability of vocal music scores compilations containing art songs by African American composers. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Willamae Boling deposited Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos in the group
Performance Studies on Humanities Commons 6 years, 4 months agoThis thesis focuses on the ways that Beyoncé traverses the boundaries between black and white. In his oft-quoted maxim from White, Richard Dyer states the goal of his book: to make whiteness strange. Using the lenses of critical whiteness studies, and performance studies, I mark the ways in which Beyoncé, one of the pre-eminent pop star of our t…[Read more]
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Mariusz Kozak deposited Enacting Musical Time: The Bodily Experience of New Music in the group
Performance Studies on Humanities Commons 6 years, 4 months agoABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more] -
Mariusz Kozak deposited Enacting Musical Time: The Bodily Experience of New Music in the group
Music and Sound on Humanities Commons 6 years, 4 months agoABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more] -
Rouco Collazo Jorge deposited Las funciones de una fortaleza bajomedieval: el caso de Pambre in the group
Late Medieval History on Humanities Commons 6 years, 5 months agoLas fortalezas son uno de los más prominentes hitos del paisaje bajomedieval gallego. Pambre (Palas de Rei) es una de ellas, envuelta en la fama de ser una de las pocas capaz de resistir el ataque irmandiño. Sus constructores son los Ulloa, uno de los linajes nobles gallegos más distinguidos de los últimos siglos del medievo. La fortaleza de Pam…[Read more]
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Alim Al Ayub Ahmed deposited The Role of Self-esteem and Optimism in Job Satisfaction among Teachers of Private Universities in Bangladesh in the group
Performance Studies on Humanities Commons 6 years, 5 months agoThe objective of this study was to investigate the role of self- esteem and optimism in job satisfaction among teachers of private universities in Bangladesh. The measuring instruments used in this study were: 1. Self-Esteem Scale (SES) (Rosenberg’s, 1965) for measuring self-esteem. 2. Life Orientation Test (LOT) (Scheier& Carver, 1985) for m…[Read more]
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Rosa Vidal Doval deposited Modelos de asesinato ritual: la influencia de Fortalitium fidei en el caso del Santo Niño de La Guardia in the group
Late Medieval History on Humanities Commons 6 years, 5 months agoUn estudio del impacto de la obra de Alonso de Espina en la acusación de crimen ritual presuntamente ocurrida en La Guardia tal y como se refleja en los documentos del proceso inquisitorial contra Yucé Franco. Este estudio intenta dilucidar cómo los procesos de comunicación escritos, en este caso las acusaciones de asesinato ritual, fomentan la…[Read more]
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Alessandra Ciucci deposited Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy) in the group
Music and Sound on Humanities Commons 6 years, 6 months agoBased on ethnographic research that is part of a larger project on the role of music and sound among migrant Moroccan men in Italy, this article focuses
on ‘L-ḥərraga’, a song that narrates the voyage and the experience of undocumented migration that ends with the tragic death of a young
Moroccan man crossing the Mediterranean. Through ‘L-ḥər…[Read more] -
Randye Jones deposited Appendix 7 – Composers Brief Biographies in the group
Music and Sound on Humanities Commons 6 years, 6 months agoShort biographies, with score and recordings information, of composers of concert spirituals for solo voice. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 5 – Relevant Resources in the group
Music and Sound on Humanities Commons 6 years, 6 months agoResources specifically about Negro spirituals or that reference performers, composers or other information related to spirituals. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 2 – Concert Spiritual Singers and Their Recordings in the group
Music and Sound on Humanities Commons 6 years, 6 months agoSample of singers, arranged by voice type, and their recordings of concert spirituals. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 4 – Song Literature Classification in the group
Music and Sound on Humanities Commons 6 years, 6 months agoConcert spirituals classified by category with scriptural reference(s) and entry in musical anthologies. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 3 – Spirituals in Musical Anthologies in the group
Music and Sound on Humanities Commons 6 years, 6 months agoAvailability of Spiritual Music Scores: print publishers, online databases and publishers, self-publishing composers, online resellers, selected musical scores: compilations containing concert spirituals for solo voice. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 1 – Recommended Recordings in the group
Music and Sound on Humanities Commons 6 years, 6 months agoSelection of recordings recommended for those beginning a collection of concert spirituals for solo voice. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Alessandra Ciucci deposited Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco in the group
Music and Sound on Humanities Commons 6 years, 6 months ago‘L-ʿalwa’, a sung poem whose text recounts the pilgrimage to a saint’s shrine in Morocco, is celebrated for its ability to convey images and emotions stirred up by the sacred journey. As part of the repertory of ʿaita—a genre of sung poetry from the Moroccan plains and plateaus traditionally performed by professional female singer-danc…[Read more]
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Alessandra Ciucci deposited EMBODYING THE COUNTRYSIDE IN AIṬA ḤAṢBAWIYA (MOROCCO) in the group
Music and Sound on Humanities Commons 6 years, 6 months agoʿAiṭa–a genre of sung poetry from the Moroccan Atlantic Plains and its adjacent territories—is regarded as the quintessential expression of the identity of the region. If it is possible to analyse the poetic language of ʿaiṭa in order to understand its significance among these populations, it is also critical to examine how the affective power of…[Read more]
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Alessandra Ciucci deposited The Study of Women and Music in Morocco in the group
Music and Sound on Humanities Commons 6 years, 6 months agoPanorama of scholarly work on women and music in Morocco
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Alessandra Ciucci deposited “The Text Must Remain the Same”: History, Collective Memory, and Sung Poetry in Morocco in the group
Music and Sound on Humanities Commons 6 years, 6 months agoThe article explores why a particular group of Moroccan musicians conceives of different performances of a sung poem titled “Kharbusha” as unchanging despite variables arising from the dynamics of performance practices. To this end, I explore the seeming discrepancy between discourses about “Kharbusha” and its performance, and what this discrep…[Read more]
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