We schrijven Brussel. 6 januari 1504. De Rotterdamse humanist Desiderius Erasmus staat op het spreekgestoelte en heeft zojuist de lof van de Bourgondische prins Filips de Schone (1478–1506) gezongen. In het Latijn, natuurlijk: dat was toen de cultuurtaal bij uitstek. Maar Erasmus heeft nog een toemaatje voor Filips in petto: hij rondt zijn l…[Read more]

De afgelopen twintig jaar heeft het onderzoek naar (studenten)notities in vroegmoderne tekstedities een enorme groei gekend. Hoewel deze recente studies tot belangrijke inzichten in de lespraktijk hebben geleid, blijven het vaak ad hoc-analyses die (1) diepgaandere implicaties over het studieobject achterwege laten en (2) een traditionele…[Read more]

Coupled columns in French architecture and the reaction to their use from the Renaissance up to the classical rationalism of the early twentieth century hinged on the debates regarding the relation- ship between structural stability and visual delight, over the backdrop of the search for a national classical tradition. This architectural motif was…[Read more]

Het Latijn heeft geen lidwoord zoals bijvoorbeeld het Nederlands (de, het) of het Oudgrieks (ho, hē, tó), en dat vond de 16de-eeuwse humanist Julius Caesar Scaliger prima. De grootse taal van Rome kon het makkelijk stellen zonder dat pietluttige woordje. Toegegeven, het kan soms nuttig zijn om aan te geven dat je een specifiek object op het oog h…[Read more]

Het Latijn, de taal van de Romeinen, heeft lange tijd zijn stempel gedrukt op de taalkunde en taalbeschrijving, niet alleen in de oudheid, maar ook in de middeleeuwen en de Renaissance, wanneer men de talige diversiteit van de wereld gestaag ontdekte. De meest uiteenlopende talen werden met wisselend succes gegoten in de mal van het Latijnse…[Read more]

Met de wereld op stelten is het tegenwoordig niet evident om van de mediterrane zon te genieten, al moet het weer in de Lage Landen de laatste jaren niet veel meer onderdoen. Mocht je toch snakken naar een zweempje Griekenland deze zomer, dan biedt de dichter van Gentse origine Daniël Heinsius (1580–1655) misschien een tegengif.

Exact 398 jaar geleden ontsnapte de beroemde Nederlandse jurist, filoloog en diplomaat Hugo Grotius (de Groot, 1583–1645) op spectaculaire wijze uit Slot Loevestein in een kist, geholpen door zijn vrouw en zijn dienstmeid. Grotius zat daar een levenslange straf uit vanwege zijn remonstrantse sympathieën. Het regime was er evenwel nogal losjes: Gr…[Read more]

1492 was a momentous year for Spain. The Genoese explorer Christopher Columbus set foot in the Americas, leading to the continent’s largescale colonization by Europeans. Columbus did so by order of the so-called Catholic Monarchs of Spain, Queen Isabella I of Castile and King Ferdinand II of Aragon, while actually trying to discover a new travel r…[Read more]

In the new “Ad fontes” feature of Adendros, I want to offer English translations of short source texts or text excerpts from the history of (Greek) language studies which struck me as particularly interesting, enlightening, or enticing.

Today: part two of a grammar dispute between Philipp Nicodemus Frischlin and Martin Crusius, two six…[Read more]

Vandaag is het exact 500 jaar geleden dat Hadrianus Amerotius’ (ca. 1495-1560) Compendium Graecae grammatices te Leuven verscheen in het atelier van Dirk Martens.

This article analyzes representations of cities in two pictures created around 1600: Theodor de Bry’s engraving of Macao, and the views of Kyoto attributed to Iwasa Katsumochi Matabei. The relationship between fragmented and total forms of repre- sentation is studied in both pictures. The European engraving depicts urban space as a whole, while t…[Read more]

Only a small number of fragments, which could be categorized (generously) as “medieval,” actually survive in modern ballad traditions. As it turns out, however, one could in fact hear hundreds of verses about the Cid being recited in the streets of Spanish towns and cities in the nineteenth century. But they were verses that survived pre…[Read more]

Jean de la Taille’s ‘The Famine’ (1573), like the author’s slightly earlier ‘Saul in his Madness’ (1572) is a dramatization of events narrated or mentioned in the biblical Books of Samuel, augmented by excerpts from Josephus’ ‘Antiquities’. This English translation of ‘La Famine’ is based principally on the edition prepared by Kathleen M. Hall…[Read more]

This article explores how certain dramatists in early modern England and in Spain, specifically Ben Jonson and Miguel de Cervantes (with much more emphasis on the former), pursued authority over texts by claiming as their own a new realm which had not been available – or, more accurately, as prominently available – to playwrights before: the sta…[Read more]

Young Michelangelo Buonarroti’s experience was deeply marked by his cult of Antiquity, reverberated in the creation of artworks such as the Sleeping Cupid and the Bacchus and shared with Raffaele Riario and Jacopo Galli, his patrons during his first stay in Rome (1496-1501).
The cardinal-camerlengo Raffaele Riario was an important promoter of t…[Read more]

Young Michelangelo Buonarroti’s experience was deeply marked by his cult of Antiquity, reverberated in the creation of artworks such as the Sleeping Cupid and the Bacchus and shared with Raffaele Riario and Jacopo Galli, his patrons during his first stay in Rome (1496-1501).
The cardinal-camerlengo Raffaele Riario was an important promoter of t…[Read more]

The peculiar iconography of the winged horse surmounted by several puttos, as appears in the Hypnerotomachia Poliphili sixth woodcut, turns out to be unprecedented and enigmatic at a glance and it’s the result of the depth and complexity of the author’s concepts.
Considering the iconographic details of the sculptural group as well as the text sca…[Read more]

The peculiar iconography of the winged horse surmounted by several puttos, as appears in the Hypnerotomachia Poliphili sixth woodcut, turns out to be unprecedented and enigmatic at a glance and it’s the result of the depth and complexity of the author’s concepts.
Considering the iconographic details of the sculptural group as well as the text sca…[Read more]

Overlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment.…[Read more]

Going to the theater was one of the most distinctive-as well as conspicuous-cultural activities to take place regularly in early modern european cities. Precisely because so many people from all walks of life partook of this highly visible pastime, public theaters became spaces wherein social and cultural boundaries between spectators were easily…[Read more]