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Pruritus Migrans deposited CAPITAL PUNISHMENT in the group
Contemporary Art on Humanities Commons 3 years, 1 month agoCAPITAL PUNISHMENT * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Pruritus Migrans deposited CAPITAL PUNISHMENT in the group
Art’s Impact on Society on Humanities Commons 3 years, 1 month agoCAPITAL PUNISHMENT * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Lukas Fuchsgruber deposited Digitale Vermittlung ohne Facebook und Co in the group
Digital Art History on Humanities Commons 3 years, 1 month agoIm Zeitalter von Smartphones und Social Media sind digitale Netze ein allgegenwärtiger und zentraler gesellschaftlicher Raum geworden. Kulturvermittlung arbeitet oft in diesem neuen digitalen Kontext, trotz zahlreicher Enthüllungen über das skandalöse Geschäftsmodell der kostenlosen Social Media Plattformen. Darum müssen wir über Datenethik in der…[Read more]
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María-Teresa García Ballesteros deposited El ferrocarril de Gerona a Port-Bou: su construcción en cianotipos, 1876-1878 in the group
History of Art on Humanities Commons 3 years, 1 month agoEn este artículo veremos un álbum con fotografías en cianotipia que reflejan la construcción de la línea férrea que, desde Girona, llegó a la frontera con Francia en Port-Bou en 1878. / In this article we will see an album with cyanotype photographs that reflect the construction of the railway line that, from Girona, reached the border with France…[Read more]
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Pruritus Migrans deposited V stands for Vanadium in the group
Contemporary Art on Humanities Commons 3 years, 1 month agoV stands for Vanadium * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Pruritus Migrans deposited V stands for Vanadium in the group
Art’s Impact on Society on Humanities Commons 3 years, 1 month agoV stands for Vanadium * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Pruritus Migrans deposited Kherson eleison in the group
Contemporary Art on Humanities Commons 3 years, 2 months agoKherson eleison * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Pruritus Migrans deposited Kherson eleison in the group
Art’s Impact on Society on Humanities Commons 3 years, 2 months agoKherson eleison * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Katharine Lemessy started the topic CFP: Open Educational Resources in Caribbean Studies in the discussion
Latin America and the Caribbean on Humanities Commons 3 years, 2 months agoCFP: Open Educational Resources in Caribbean Studies
dLOC OER Project website: https://dloc.domains.uflib.ufl.edu/oer/
Call for Proposals 2022-2023 (English) Link to PDF
Convocatoria de propuestas 2022-2023 (Español) Enlace a PDF
Appel à projets 2022-2023 (Français) Lien vers le PDF
Submit proposals by March 15, 2023 to triosmarrero@ufl.edu…[Read more]
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Marley Treloar deposited Recycle Archaeology: Community Reuse of Archaeological Disposals in the group
Art’s Impact on Society on Humanities Commons 3 years, 2 months agoIn this paper, I interview Dr Helen Wickstead, director of Recycle Archaeology about the reuse of usually discarded archaeological materials as an alternative to disposal. I explain through recent pilot projects partnered with Recycle Archaeology, how archaeological materials can be used by students, researchers, artists and the public to create…[Read more]
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Pruritus Migrans deposited pop ART is not dead ! in the group
Contemporary Art on Humanities Commons 3 years, 3 months agopop ART is not dead ! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Pruritus Migrans deposited pop ART is not dead ! in the group
Art’s Impact on Society on Humanities Commons 3 years, 3 months agopop ART is not dead ! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Dora Apel deposited Podcast interview on my book Beautiful Terrible Ruins: Detroit and the Anxiety of Decline, with Thomas Hill for The Library Cafe at Vasser College in the group
History of Art on Humanities Commons 3 years, 3 months ago“In Beautiful Terrible Ruins: Detroit and the Anxiety of Decline, Dora Apel goes on the offensive against the myriad myths and delusions peddled about the Motor City; not only that, she rebuffs the blame and shame that have traditionally been directed at the Detroit citizenry, and redirects our attention to the corporations and bureaucrats who…[Read more]
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Pruritus Migrans deposited We are all Mahsa! in the group
Women in the Arts on Humanities Commons 3 years, 3 months agoWe are all Mahsa! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND
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Pruritus Migrans deposited We are all Mahsa! in the group
Contemporary Art on Humanities Commons 3 years, 3 months agoWe are all Mahsa! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND
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Pruritus Migrans deposited We are all Mahsa! in the group
Art’s Impact on Society on Humanities Commons 3 years, 3 months agoWe are all Mahsa! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND
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Pruritus Migrans deposited WE ARE ALL MAHSA AMINI ! in the group
Women in the Arts on Humanities Commons 3 years, 3 months agoWE ARE ALL MAHSA AMINI! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND
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Pruritus Migrans deposited WE ARE ALL MAHSA AMINI ! in the group
Contemporary Art on Humanities Commons 3 years, 3 months agoWE ARE ALL MAHSA AMINI! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND
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Pruritus Migrans deposited WE ARE ALL MAHSA AMINI ! in the group
Art’s Impact on Society on Humanities Commons 3 years, 3 months agoWE ARE ALL MAHSA AMINI! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND
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Norberto Barreto Velázquez deposited La República Aristocrática en el escaparate: la visita de Elihu Root al Perú, 1906 in the group
Latin America and the Caribbean on Humanities Commons 3 years, 4 months agoTras el fin de la III Conferencia Panamericana en Río de Janeiro, el Secretario de Estado de Estados Unidos, Elihu Root, inició una gira por varios países sudamericanos. Uno de ellos fue el Perú, a donde arribó el 10 de setiembre de 1906. Al desembarcar en el Callao, Root se convirtió en el oficial estadounidense de más alto rango en visita…[Read more]
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