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Bernd Brabec deposited Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes in the group
Music and Sound on Humanities Commons 2 years, 10 months agoThis contribution focuses on strategies to bridge what in anthropology is called ontological incommensurability: Indigenous worlds often seem inaccessible to modern thought. Instead of trying to open Indigenous worlds to Westerners, I rather intend to make Western worlds accessible to Indigenous thought; and likewise, academic disciplines…[Read more]
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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Paulino Capdepon deposited Domenico Scarlatti, in Diccionario Biográfico Electrónico in the group
Music and Sound on Humanities Commons 2 years, 11 months agoArticle about the biography and musical output of the Italian composer Doomenico Scarlatti
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Paulino Capdepon deposited La música en la Real Capilla de Madrid (Siglo XVIII) in the group
Music and Sound on Humanities Commons 2 years, 11 months agoThe importance of this publication lies in the recovery and study of a musical heritage of extraordinary quality: unpublished musical works by the masters of the Royal Chapel of Madrid, the most important centre in Spain at the time, which until now had slept the sleep of oblivion. In addition to the musical transcriptions, this contribution is…[Read more]
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Gustavo Racy deposited The Photographer as Producer: on photography in the group
Frankfurt School Critical Theory on Humanities Commons 2 years, 11 months agoThe current article focuses on the approach to Walter Benjamin’s theory of the author as producer, narrowing it down to the case of photography. In the attempt to both expanding and testing Benjamin’s theory, the article speculates through an approach ranging from philosophy to visual culture propos-ing, at its end, a photographic principle in tun…[Read more]
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Paulino Capdepon deposited Articles ‘Carreño, Teresa’, ‘Colbrán, Isabella’ y ‘Viardot Garcia, Pauline’, in Lexikon Musik und Gender in the group
Music and Sound on Humanities Commons 2 years, 11 months agoDictionary articles in Lexicon about women musicians
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Patrick Eisenlohr deposited Atmospheric resonance: Sonic motion and the question of religious mediation in the group
Music and Sound on Humanities Commons 2 years, 11 months agoBecause of its material characteristics, the sonic poses a challenge to the influential paradigm of religion as mediation. This article makes a case for a neo-phenomenological analytic of atmospheres in order to do justice to the sonic in anthropological approaches to religion. Approaching the sonic as atmospheric half-things, I propose a…[Read more]
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Paulino Capdepon deposited L’activité d’Aristide Cavaillé-Coll dans le nord d’Espagne : L’orgue Cavaillé-Coll de l’église paroissiale d’Irun in the group
Music and Sound on Humanities Commons 2 years, 11 months agoStudy about the construction of organs in North Spain by Cavaillé-Coll (19th century)
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Joel Edelman deposited Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures. in the group
Music and Sound on Humanities Commons 2 years, 11 months agoAbstract submitted to Timbre 2023 conference. This abstract describes a new approach to understanding consonance and dissonance.
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Melle Jan Kromhout deposited ‘Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler. in the group
Music and Sound on Humanities Commons 3 years, 2 months agoThis chapter examines the revolutin in media within music based on Friedrich Kittler’s work. It highlights Kittler’s musical preferences, from Richard Wagner to Jimi Hendrix and Pink Floyd. For Kittler this music exemplified an “other music” that was based on a cutout from the totality of “worldwide noise” as it was theorized after Arthur Schopen…[Read more]
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Joel Edelman deposited Voice Based Affinity; A Recipe for Auditory Cheesecake in the group
Music and Sound on Humanities Commons 3 years, 2 months agoThe age-old search for an understanding of “consonance” has been hobbled from the beginning by the expectation that a silver bullet can be found. In this section from a book-in-progress, the historical searches are analyzed for their failings and a new approach is suggested based on observing the effects of tonal sounds within the context of…[Read more]
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Tekla Babyak deposited Teaching Music and Disability Through Disclosure-Oriented Pedagogy in the group
Music and Sound on Humanities Commons 3 years, 4 months agoIn this paper, presented at the 2022 H-Net Teaching Conference, I describe how I teach undergraduate students about disability in music through what I call disclosure-oriented pedagogy. This practice involves demonstrating cross-historical comparisons between my lived experiences of disability and the representations of disability in 19th-century…[Read more]
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Patrick Eisenlohr deposited Atmospheric citizenship: Sonic movement and public religion in Shi‘i Mumbai in the group
Music and Sound on Humanities Commons 3 years, 9 months agoIn Mumbai the sonic dimensions of place‐making and religious life are deeply connected to the right to the city. For Twelver Shi‘i Muslims, who are marginal to both the city and the nation, public religious rituals and processions have long played very important roles in staging claims to the city. Investigating the sonic aspects of urban pla…[Read more]
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Karsten Schubert deposited Biopolitics of COVID-19: Capitalist Continuities and Democratic Openings in the group
Frankfurt School Critical Theory on Humanities Commons 3 years, 12 months ago“Biopolitics” has become a popular concept for interpreting the COVID-19 pandemic, yet the term is often used vaguely, as a buzzword, and therefore loses its specificity and relevance. This article systematically explains what the biopolitical lens offers for analyzing and normatively criticizing the politics of the coronavirus. I argue that…[Read more]
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Karsten Schubert deposited Brauchen wir Political Correctness? Ein politisches Streitgespräch in the group
Frankfurt School Critical Theory on Humanities Commons 4 years, 1 month agoFür ein Gespräch über die Themen Political Correctness, Identitätspolitik, Streitkultur und die Rolle der politischen Bildung kamen im Juli 2021 Saba-Nur Cheema von der Bildungsstätte Anne Frank und Dr. Karsten Schubert von der Universität Freiburg in einem Zoom-Raum zusammen. Die Fragen stellten Prof. Dr. Beate Rosenzweig und Petra Barz, beide…[Read more]
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Karsten Schubert deposited Konstruktivistische Identitätspolitik. Warum Demokratie partikulare Positionierung erfordert in the group
Frankfurt School Critical Theory on Humanities Commons 4 years, 2 months agoIdentity politics is subject to similar critiques in contemporary public debate and political theory. A central topos of this critique is that identity politics is essentializing: it fixes subjects to their social position and resorts to a politics of
particularity that leads to divisions in national citizenship and democratic discourse (the…[Read more] -
Larisa Mann deposited Booming at the Margins: Ethnic Radio, Intimacy, and Nonlinear Innovation in Media in the group
Music and Sound on Humanities Commons 4 years, 2 months agoPirate radio still flourishes in dense, multiethnic cities such as Brooklyn, New York, despite the rise of Web radio. For immigrants in particular, radio sounds mark identity and community and (re)claim social spaces of work, commutes, and the home. It is not only lack of access to digital technologies or broadband that shapes radio’s relevance, b…[Read more]
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Larisa Mann deposited White Faces in Intimate Spaces: Jamaican Popular Music in Global Circulation in the group
Music and Sound on Humanities Commons 4 years, 2 months agoThis study explores Jamaican popular music’s changing engagement with globally networked media technologies. It combines ethnographic analysis of the street dance as a site of urban poor and Black resistance to colonial institutions with an analysis of song lyrics about video cameras at street dances. Newly networked technologies for circulating…[Read more]
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Karsten Schubert deposited Der letzte Universalismus. Foucaults Freiheitsdenken und die Begründung von radikaler Demokratie im Postfundamentalismus in the group
Frankfurt School Critical Theory on Humanities Commons 4 years, 3 months agoDie Debatte um die politische Differenz stellt Kontingenz und Konfliktualität als fundamentale Eigenschaften des Politischen heraus. Dies birgt ein Problem für die postfundamentalistische Demokratietheorie, die auf Augenhöhe mit dieser Debatte argumentieren will: Durch die Kontingentsetzung aller normativen Begründungen ist zunächst unklar, welc…[Read more]
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