Peter Mondelli
,@pmondelli
52
Following
19
Followers
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Kendra Leonard replied to the topic Petition in the discussion
Prospective Forum: Adaptation Studies on MLA Commons 7 years, 1 month agoI support this petition.
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Erika Supria Honisch deposited Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750 in the group
Music and Sound on Humanities Commons 7 years, 1 month agoWhat were the sounds of war in the early modern period? What were the sounds of peace? The period between 1570 and 1750—roughly coincident with the cultural era known in Western contexts as “the Baroque”—was characterized by almost continual conflict in Europe. Whether caught up in the French Wars of Religion, the English Civil War, the Thirty…[Read more]
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Erika Supria Honisch deposited Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750 on Humanities Commons 7 years, 1 month ago
What were the sounds of war in the early modern period? What were the sounds of peace? The period between 1570 and 1750—roughly coincident with the cultural era known in Western contexts as “the Baroque”—was characterized by almost continual conflict in Europe. Whether caught up in the French Wars of Religion, the English Civil War, the Thirty…[Read more]
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Kendra Leonard deposited Review: Recomposing the Past: Representations of Early Music on Stage and Screen in the group
MS Screen Arts and Culture on MLA Commons 7 years, 2 months agoReview of James Cook, Alexander Kolassa, and Adam Whittaker, eds.
Recomposing the Past: Representations of Early Music on Stage and
Screen. Ashgate Screen Music Series. New York and London:
Routledge, 2018. xii, 259 pp. ISBN: 9781138287471 (hardback). -
Kendra Leonard deposited Review: Recomposing the Past: Representations of Early Music on Stage and Screen in the group
MS Opera and Musical Performance on MLA Commons 7 years, 2 months agoReview of James Cook, Alexander Kolassa, and Adam Whittaker, eds.
Recomposing the Past: Representations of Early Music on Stage and
Screen. Ashgate Screen Music Series. New York and London:
Routledge, 2018. xii, 259 pp. ISBN: 9781138287471 (hardback). -
Kendra Leonard deposited Review: Recomposing the Past: Representations of Early Music on Stage and Screen on Humanities Commons 7 years, 2 months ago
Review of James Cook, Alexander Kolassa, and Adam Whittaker, eds.
Recomposing the Past: Representations of Early Music on Stage and
Screen. Ashgate Screen Music Series. New York and London:
Routledge, 2018. xii, 259 pp. ISBN: 9781138287471 (hardback). -
Philip Gentry deposited Hamilton’s Ghosts in the group
Performance Studies on Humanities Commons 7 years, 2 months agoReview Essay of Hamilton: An American Musical
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Review Essay of Hamilton: An American Musical
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Erika Supria Honisch's profile was updated on Humanities Commons 7 years, 3 months ago
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Jacek Blaszkiewicz's profile was updated on Humanities Commons 7 years, 3 months ago
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Joshua Neumann deposited Data Generation and Multi-Modal Analysis for Recorded Operatic Performance in the group
Performance Studies on Humanities Commons 7 years, 3 months agoCommercial recordings of live opera performance are only sporadically available, mostly due to various legal protections held by opera houses. The resulting onsite, archive-only access for them inhibits analysis of the creative process in “live” environments. Based on a technique I developed for generating performance data from copyright protected…[Read more]
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Joshua Neumann deposited Data Generation and Multi-Modal Analysis for Recorded Operatic Performance in the group
Digital Pedagogy on Humanities Commons 7 years, 3 months agoCommercial recordings of live opera performance are only sporadically available, mostly due to various legal protections held by opera houses. The resulting onsite, archive-only access for them inhibits analysis of the creative process in “live” environments. Based on a technique I developed for generating performance data from copyright protected…[Read more]
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Joshua Neumann deposited Data Generation and Multi-Modal Analysis for Recorded Operatic Performance in the group
Digital Humanists on Humanities Commons 7 years, 3 months agoCommercial recordings of live opera performance are only sporadically available, mostly due to various legal protections held by opera houses. The resulting onsite, archive-only access for them inhibits analysis of the creative process in “live” environments. Based on a technique I developed for generating performance data from copyright protected…[Read more]
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Joshua Neumann deposited Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera in the group
Performance Studies on Humanities Commons 7 years, 3 months agoAmidst discussions regarding the nature of a musical work, tensions within and between score- and performance-based approaches often increase ideological entrenchment. Opera’s textual and visual elements, along with its inherently social nature, both simultaneously complicate understanding of a work’s nature and provide interdisciplinary…[Read more]
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Joshua Neumann deposited Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera in the group
Digital Pedagogy on Humanities Commons 7 years, 3 months agoAmidst discussions regarding the nature of a musical work, tensions within and between score- and performance-based approaches often increase ideological entrenchment. Opera’s textual and visual elements, along with its inherently social nature, both simultaneously complicate understanding of a work’s nature and provide interdisciplinary…[Read more]
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Joshua Neumann deposited Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera in the group
Digital Humanists on Humanities Commons 7 years, 3 months agoAmidst discussions regarding the nature of a musical work, tensions within and between score- and performance-based approaches often increase ideological entrenchment. Opera’s textual and visual elements, along with its inherently social nature, both simultaneously complicate understanding of a work’s nature and provide interdisciplinary…[Read more]
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Emily Hagen's profile was updated on Humanities Commons 7 years, 3 months ago
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Joshua Neumann deposited Data Generation and Multi-Modal Analysis for Recorded Operatic Performance on Humanities Commons 7 years, 3 months ago
Commercial recordings of live opera performance are only sporadically available, mostly due to various legal protections held by opera houses. The resulting onsite, archive-only access for them inhibits analysis of the creative process in “live” environments. Based on a technique I developed for generating performance data from copyright protected…[Read more]
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Joshua Neumann deposited Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera on Humanities Commons 7 years, 3 months ago
Amidst discussions regarding the nature of a musical work, tensions within and between score- and performance-based approaches often increase ideological entrenchment. Opera’s textual and visual elements, along with its inherently social nature, both simultaneously complicate understanding of a work’s nature and provide interdisciplinary…[Read more]
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