Publications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]

Publications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]

Tritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]

Tritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]

Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]

Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]

‘There is no truth, only perception of truth’, and that perception too changes with time. Lysistrata is one such text where this difference of perception prevails. Written by Aristophanes in 411 BCE, Lysistrata is one of the eleven Old Greek Comedy plays surviving out of forty-two. The play revolves around the Peleponnesian war, when women hav…[Read more]

This is pre-publication preview introduces the major questions, methods, and insights of my book When a Human Gives Birth to a Raven: Rabbis & the Reproduction of Species (UC Press, 2023).

Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few…[Read more]

This paper explores the dynamics of women’s fashion marketing in advertisements and promotional materials related to Western ideas, materials or products. It will analyse published promotional visual and written texts in the interwar Bucharest press, with local or national distribution. The aim is to ascertain the degree and nature of Western w…[Read more]

“The Rape of the Lock” by Alexander Pope published in 1712 is a mock-heroic narrative which satirically
glorifies trivial incident of cutting of locks of protagonist Belinda. This poem was written in the
Augustan Era (1660-1784) which is marked by the period of scientific reason and rationality, whose
effect can be seen on the writers of those…[Read more]

This book brings together thirteen contributors from diverse backgrounds – mean and women born in Cameroon, England, Scotland, South Africa, Zambia. What they all have in common is years of service within their respective communities, working individually and within projects and programmes, with both young people and adults to build social c…[Read more]

In this short article I argue that the UK government’s decision not to update the Gender Recognition Act 2004 (GRA) is more than a missed opportunity. It weaponises the GRA, now an effective instrument of assimilation and containment. The failure to reform the GRA seems like a maintenance of the status quo, but given that the circumstances have s…[Read more]