A celebração de novenas, assim como de septenários e trezenas, constitui uma importante manifestação de devoção popular desde o século XVIII até à atualidade, funcionando de forma parela à liturgia regular. O repertório musical escrito para estas ocasiões percorria praticamente todas as camadas da sociedade, com graus de complexidade diferente, c…[Read more]

The author is examining the interplay between voice and sculpture, within the field of sound art. The term ‘sculpture’ has been appropriated by many artists to define their work with the voice. Exploring the sculpted voice, three main categories are here identified: the plastic dimension of voice as a sculptable material, the sculptural…[Read more]

Of the various hermeneutic approaches to the study of music developed in the last half century or so, narratological analysis has gone further than many in navigating a path that draws on both cultural and structural contexts. This overview of the development of narrative theory in music charts the course of three “waves” of narratological eng…[Read more]

https://www.ispsconference.nl/wp-content/uploads/2019/08/AbstractBook-def-red.pdf

Abstract number 10

To further promote the performance of African American spirituals and art songs, this article offers a different perspective – direct response from collegiate voice students, voice teachers, vocal coaches, and professional singers. In the spring of 2005, “The African American Art Song Survey” was developed and disseminated through the Internet to…[Read more]

Availability of vocal music scores compilations containing art songs by African American composers. Supplemental content accompanying the book, So You Want to Sing Spirituals.

Of the 762 brass bands I have records of from County Durham, around 130 were colliery bands (and more of them would have been directly connected to the local colliery, even if not specifically named after the mine or mining company). This article looks briefly at the history of the Durham Miners’ Gala and the colliery bands that performed at it.

This report describes a collection of 210,305 volumes of fiction that researchers are encouraged to borrow for their own work. Alternately, readers can simply browse the report as a description of English-language fiction in HathiTrust Digital Library. For instance, how does the proportion of fiction written by British authors or by women change…[Read more]

This is a ‘study of a choir’; the author joined the choir for three months and participated in every aspect, from rehearsals, dinners, a meeting to a gig. They chatted to the members, sang with them and talked to the choir leader and manager about everything from the ethos of the choir, to whether meat was served often enough at dinner. It was the…[Read more]

Brass bands are, of course, musical organisations first and foremost, and the bulk of their heritage is bound up in the hundreds of thousands of concerts, marches, contests and other performances they have provided their audiences with over the years. Very few of these live performances were ever recorded, at least until recent years, and we must…[Read more]

During the 1890s and early parts of the 20th century a type of band arose using kazoo-type instruments. Zobo instruments, based on kazoo principles, were invented and developed in the USA in the early 1890s, rapidly becoming a new craze for a while. When the instruments spread to the UK the bands that were formed using them were largely “comic”…[Read more]

(v9 – August 2019) [c. 6,740 entries] A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics

Travelling musicians and entertainers had been a part of European life for centuries. In the German speaking countries of Europe during the German Empire there arose a large number of “Damen Kapellen”, troupes of musical and variety entertainers consisting largely of women, usually led by a man, and occasionally including males as players. Thi…[Read more]

Review of ‘The History of European Jazz: The Music, Musicians and Audience in Context’, ed. by Francesco Martinelli (Sheffield: Equinox, 2018), SAMPLES – Online-Publikationen der Gesellschaft für Popularmusikforschung, 17 (June 2019).
Published online 12 June 2019.

ABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more]

The aim of this special issue of Gothic Studies (23/3, to be published Nov 2021) is to bring together research that does not simply consider Gothic short fiction and its artistic and cultural brethren as incidental, but integral to the design and effect and/or cultural significance of the piece because the short form in the Gothic tradition has,…[Read more]

In the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]

Based on ethnographic research that is part of a larger project on the role of music and sound among migrant Moroccan men in Italy, this article focuses
on ‘L-ḥərraga’, a song that narrates the voyage and the experience of undocumented migration that ends with the tragic death of a young
Moroccan man crossing the Mediterranean. Through ‘L-ḥər…[Read more]

Based on ethnographic research that is part of a larger project on the role of music and sound among migrant Moroccan men in Italy, this article focuses
on ‘L-ḥərraga’, a song that narrates the voyage and the experience of undocumented migration that ends with the tragic death of a young
Moroccan man crossing the Mediterranean. Through ‘L-ḥər…[Read more]

Short biographies, with score and recordings information, of composers of concert spirituals for solo voice. Supplemental content accompanying the book, So You Want to Sing Spirituals.