About
Currently, I work at Munzur University, Department of English Language and Literature, Tunceli in Turkey. I received my bachelor’s degree from the Department of English Language and Literature at Gaziantep University, Turkey in 2010, and my PhD in the Department of English Language and Literature at Ankara University in December 2017, with a thesis entitled “Censorship in Twentieth and Twenty-First Century British Drama: Representations and Responses.” My research interests include contemporary British theatre, censorship, intersectionality, immigrant plays, and identity. Education
2011-2017: Combined PhD, Department of English Language and Literature, Faculty of Letters, Ankara University, Turkey.
Thesis Title: “Censorship in Twentieth and Twenty-First Century British Drama: Representations and Responses”
Co-Supervisors: Prof. Dr. Sıla Şenlen Güvenç (Ankara University)
Assist. Prof. Dr. Patrick Hart (Bilkent University)
2005-2010: Bachelor of Arts, Department of English Language and Literature, Faculty of Letters, Gaziantep University, Turkey. Publications
Forthcoming:
Published:
Doğan-Özger, Pelin. “Oscar Wilde (1854-1900)”. Swift’ten McPherson’a İrlandalı Edebiyatçılar. Ed. Yiğit Sümbül. Ankara: Nobel Bilimsel Yayıncılık, 2022, pp. 111-123. (ISBN: 978-625-433-361-3)
Doğan-Özger, Pelin. “George Bernard Shaw (1856-1950)”. Swift’ten McPherson’a İrlandalı Edebiyatçılar. Ed. Yiğit Sümbül. Ankara: Nobel Bilimsel Yayıncılık, 2022, pp. 125-135. (ISBN: 978-625-433-361-3)
Doğan, Pelin. “An International Crossroads of Female Pain”/Intersectional Feminism: Jackie Kay’s
Chiaroscuro, in
New Readings in British Drama, Peter Lang, 2021.
Doğan, Pelin. “Irkçılık ve Cinsiyetçilik Kesişiminde Ucubeleşen Göçmen Kadın,” PHOENIX KİTABEVİ, ISBN No: 978-605-7789-19-8, 2021, 143-174.
Doğan, Pelin and Onur Özger. “Haldun Taner’in
Keşanlı Ali Destanı‘nda Popülizmin İzini Sürmek,”
MONOGRAF, ISSN 2148-3442 (15), 2021, 184-202.
http://www.monografjournal.com/
Doğan, Pelin. “The Uncanny as the Intrasubjectivity in the (m)Other: Edgar Allan Poe’s “Morella”’.
Gaziantep University Journal of Social Sciences, 20 (1), 2021, 125-135. DOI: 10.21547/jss.776658
https://dergipark.org.tr/en/pub/jss
Doğan, Pelin. “Yirmi birinci Yüzyıl Dönümünde Sansürün Dönüşen Yüzü: Gurpreet Kaur Bhatti’nin
Behzti (Utanç) Adlı Oyunu”.
Çağdaş Britanya Tiyatrosu ve Politika. Eds. Dilek İnan and YelizBiber Vangölü. İstanbul: Çizgi Kitabevi, 2020, pp. 175-203.
Doğan, Pelin. “The “Malcontent”’s Fool, Censorship, and the Construction of the Subject”.
Freedom and Censorship in Early Modern English Literature. Ed. Sophie Chiari. New York: Routledge, 2019, pp. 121-131.
Doğan, Pelin. “Evelyn Waugh’s
Decline and Fall: Satire through Blending of Genres.”
International Journal of Arts and Sciences (
IJAS), 2015, pp. 393-402.
Doğan, Pelin.
“An Analysis of the Sign System Constructed through Binary Oppositions in
Much Ado About Nothing”, Littera, Vol. XXXV, December 2014, pp. 99-108.
Doğan, Pelin. “History: Legitimization through Power in Stendhal’s
The Red and The Black”,
History in Western Literature. Ed. Zekiye Antakyalıoğlu. Ankara: UEM, Ürün Yayınları, 2014, pp. 333-341.
Upcoming Talks and Conferences
Seminar Given:
Doğan-Özger, Pelin. “Edebî Portreler: Oscar Wilde”, Munzur University, Tunceli, Turkey. (25.03.2022).
Doğan, Pelin. “Censorship and Gurpreet Kaur Bhatti”, Middlesex University, London, UK. (13.02.2020) Memberships
TDN: Theatre and Drama Network (Tiyatro ve Drama Ağı), Founding Member, 2021-…
AG-DA: Gender Equality Solidarity Network (Toplumsal Cinsiyet Eşitliği Dayanışma Ağı), Member, 2020-…
İDEA: The English Language and Literature Association of Turkey (İngiliz Dili ve Edebiyatı Araştırmaları Derneği), Member, 2018-…
