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Patrick McEvoy-Halston deposited How Insensitive! in the group
TC Postcolonial Studies on MLA Commons 6 years, 10 months agoExploring several key scholarly explorations on the culture of sensibility in the British 18th-century, this article draws attention to what the current manner of accessing the people who invoked and participated in it are deemed to have been like, and to how this has exposed them to being invested in protecting people of, ostensibly actually,…[Read more]
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Patrick McEvoy-Halston deposited How Insensitive! in the group
TC Ecocriticism and Environmental Humanities on MLA Commons 6 years, 10 months agoExploring several key scholarly explorations on the culture of sensibility in the British 18th-century, this article draws attention to what the current manner of accessing the people who invoked and participated in it are deemed to have been like, and to how this has exposed them to being invested in protecting people of, ostensibly actually,…[Read more]
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Patrick McEvoy-Halston deposited How Insensitive! in the group
LLC Restoration and Early-18th-Century English on MLA Commons 6 years, 10 months agoExploring several key scholarly explorations on the culture of sensibility in the British 18th-century, this article draws attention to what the current manner of accessing the people who invoked and participated in it are deemed to have been like, and to how this has exposed them to being invested in protecting people of, ostensibly actually,…[Read more]
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Patrick McEvoy-Halston deposited How Insensitive! in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 6 years, 10 months agoExploring several key scholarly explorations on the culture of sensibility in the British 18th-century, this article draws attention to what the current manner of accessing the people who invoked and participated in it are deemed to have been like, and to how this has exposed them to being invested in protecting people of, ostensibly actually,…[Read more]
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Explores Douglas Coupland’s “Generation X” as almost a Gen Xer’s “version of John Updike’s Couples”; that is, as, a place where, like Updike’s book, friends create a community isolated only to themselves. Though unlike Updike’s work, where — considering the time it was written in, the ’70s, where a generation succeeded in overtly contesting and…[Read more]
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George Walker’s “The Good Fight” as arguing for means towards self-growth which aren’t merely acting out; which aren’t simply signs of perversity, of mental illness. Argues that rather than delineating the key differences between the downtrodden — those stepped on — and the rich — those (gleefully) doing the stomping down — it is truly more…[Read more]
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Exploring several key scholarly explorations on the culture of sensibility in the British 18th-century, this article draws attention to what the current manner of accessing the people who invoked and participated in it are deemed to have been like, and to how this has exposed them to being invested in protecting people of, ostensibly actually,…[Read more]
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Patrick McEvoy-Halston deposited Moderns and their Mothers’ Reach in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years, 10 months agoDiscusses Tennessee WIlliams’ “Cat on a Hot Tin Roof” and Arthur Miller’s “Death of a Salesman” in regards to Ann Douglas’s thesis of Americans appropriating the concept of terrible, truth-telling, phallicly-empowered “monsters” in order to lay low the influence of mothers whose influence over their children has stretched way outside the bounds of…[Read more]
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Patrick McEvoy-Halston deposited Grabbing Hold for Departure’s Sake in the group
TC Psychology, Psychoanalysis, and Literature on MLA Commons 6 years, 10 months agoExplores how Max Vigne, from Andrea Barrett’s “Servants of the Map,” makes use of the dangerous Himalayan mountain environment as almost as Winnicottian “play space,” in which to recover from being requited to a life of obligation, rather than real-self discovery, after his mother’s death.
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Patrick McEvoy-Halston deposited Grabbing Hold for Departure’s Sake in the group
LLC 20th- and 21st-Century American on MLA Commons 6 years, 10 months agoExplores how Max Vigne, from Andrea Barrett’s “Servants of the Map,” makes use of the dangerous Himalayan mountain environment as almost as Winnicottian “play space,” in which to recover from being requited to a life of obligation, rather than real-self discovery, after his mother’s death.
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Patrick McEvoy-Halston deposited Grabbing Hold for Departure’s Sake in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 6 years, 10 months agoExplores how Max Vigne, from Andrea Barrett’s “Servants of the Map,” makes use of the dangerous Himalayan mountain environment as almost as Winnicottian “play space,” in which to recover from being requited to a life of obligation, rather than real-self discovery, after his mother’s death.
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Patrick McEvoy-Halston deposited Grabbing Hold for Departure’s Sake in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years, 10 months agoExplores how Max Vigne, from Andrea Barrett’s “Servants of the Map,” makes use of the dangerous Himalayan mountain environment as almost as Winnicottian “play space,” in which to recover from being requited to a life of obligation, rather than real-self discovery, after his mother’s death.
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Patrick McEvoy-Halston deposited Moderns and their Mothers’ Reach on MLA Commons 6 years, 10 months ago
Discusses Tennessee WIlliams’ “Cat on a Hot Tin Roof” and Arthur Miller’s “Death of a Salesman” in regards to Ann Douglas’s thesis of Americans appropriating the concept of terrible, truth-telling, phallicly-empowered “monsters” in order to lay low the influence of mothers whose influence over their children has stretched way outside the bounds of…[Read more]
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Patrick McEvoy-Halston deposited Grabbing Hold for Departure’s Sake on MLA Commons 6 years, 10 months ago
Explores how Max Vigne, from Andrea Barrett’s “Servants of the Map,” makes use of the dangerous Himalayan mountain environment as almost as Winnicottian “play space,” in which to recover from being requited to a life of obligation, rather than real-self discovery, after his mother’s death.
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Patrick McEvoy-Halston deposited Matricide in the City in the group
TC Psychology, Psychoanalysis, and Literature on MLA Commons 6 years, 10 months agoExplores the invisible man, in Ralph Ellison’s “The Invisible Man,” as borrowing upon associations of patriarchal maleness, in the sense Ann Douglas in her “Terrible Honesty” argues 20s modern’s did, to secure freedom from feelings of entrapment by maternal figures, whose near-proximity to him is expressed in the text as often incestuous, gross;…[Read more]
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Patrick McEvoy-Halston deposited Matricide in the City in the group
TC Ecocriticism and Environmental Humanities on MLA Commons 6 years, 10 months agoExplores the invisible man, in Ralph Ellison’s “The Invisible Man,” as borrowing upon associations of patriarchal maleness, in the sense Ann Douglas in her “Terrible Honesty” argues 20s modern’s did, to secure freedom from feelings of entrapment by maternal figures, whose near-proximity to him is expressed in the text as often incestuous, gross;…[Read more]
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Patrick McEvoy-Halston deposited Matricide in the City in the group
TC Cognitive and Affect Studies on MLA Commons 6 years, 10 months agoExplores the invisible man, in Ralph Ellison’s “The Invisible Man,” as borrowing upon associations of patriarchal maleness, in the sense Ann Douglas in her “Terrible Honesty” argues 20s modern’s did, to secure freedom from feelings of entrapment by maternal figures, whose near-proximity to him is expressed in the text as often incestuous, gross;…[Read more]
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Patrick McEvoy-Halston deposited Matricide in the City in the group
LLC 20th- and 21st-Century American on MLA Commons 6 years, 10 months agoExplores the invisible man, in Ralph Ellison’s “The Invisible Man,” as borrowing upon associations of patriarchal maleness, in the sense Ann Douglas in her “Terrible Honesty” argues 20s modern’s did, to secure freedom from feelings of entrapment by maternal figures, whose near-proximity to him is expressed in the text as often incestuous, gross;…[Read more]
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Patrick McEvoy-Halston deposited Matricide in the City in the group
CLCS 20th- and 21st-Century on MLA Commons 6 years, 10 months agoExplores the invisible man, in Ralph Ellison’s “The Invisible Man,” as borrowing upon associations of patriarchal maleness, in the sense Ann Douglas in her “Terrible Honesty” argues 20s modern’s did, to secure freedom from feelings of entrapment by maternal figures, whose near-proximity to him is expressed in the text as often incestuous, gross;…[Read more]
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Explores the invisible man, in Ralph Ellison’s “The Invisible Man,” as borrowing upon associations of patriarchal maleness, in the sense Ann Douglas in her “Terrible Honesty” argues 20s modern’s did, to secure freedom from feelings of entrapment by maternal figures, whose near-proximity to him is expressed in the text as often incestuous, gross;…[Read more]
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