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Jeremy Coleman deposited Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36. on Humanities Commons 5 years, 1 month ago
The anniversary commemoration of great artistic figures would be incomplete without a survey of the scholarly landscape. So in the year of Richard Wagner’s bicentenary, the publication of new books shows no sign of abating, and nor should it, when there is still so much to be said about this most controversial of composers. But many of the l…[Read more]
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Jeremy Coleman deposited ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 1 month agoArticle on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).
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Jeremy Coleman deposited ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide in the group
Global & Transnational Studies on Humanities Commons 5 years, 1 month agoArticle on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).
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Jeremy Coleman's profile was updated on Humanities Commons 5 years, 1 month ago
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Jeremy Coleman's profile was updated on Humanities Commons 5 years, 1 month ago
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Jeremy Coleman's profile was updated on Humanities Commons 5 years, 1 month ago
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Article on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).
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Jeremy Coleman's profile was updated on Humanities Commons 5 years, 1 month ago
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Jeremy Coleman's profile was updated on Humanities Commons 5 years, 1 month ago
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Hania A.M. Nashef deposited Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks in the group
Postcolonial Literature on MLA Commons 5 years, 2 months agoABSTRACT
In his introduction to Palestinian Walks, Raja Shehadeh remarks that in spite of the great number of travelers to Palestine, travel literature, for the most part, willfully ignored the living experience and existence of the land’s inhabitants. Often, Palestine was the imaginary place that was continuously invented to confirm r…[Read more]
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Hania A.M. Nashef deposited Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks in the group
LLC Arabic on MLA Commons 5 years, 2 months agoABSTRACT
In his introduction to Palestinian Walks, Raja Shehadeh remarks that in spite of the great number of travelers to Palestine, travel literature, for the most part, willfully ignored the living experience and existence of the land’s inhabitants. Often, Palestine was the imaginary place that was continuously invented to confirm r…[Read more]
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Hania A.M. Nashef deposited Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks in the group
GS Nonfiction Prose on MLA Commons 5 years, 2 months agoABSTRACT
In his introduction to Palestinian Walks, Raja Shehadeh remarks that in spite of the great number of travelers to Palestine, travel literature, for the most part, willfully ignored the living experience and existence of the land’s inhabitants. Often, Palestine was the imaginary place that was continuously invented to confirm r…[Read more]
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Hania A.M. Nashef deposited Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks in the group
Critical Studies in World Literature on MLA Commons 5 years, 2 months agoABSTRACT
In his introduction to Palestinian Walks, Raja Shehadeh remarks that in spite of the great number of travelers to Palestine, travel literature, for the most part, willfully ignored the living experience and existence of the land’s inhabitants. Often, Palestine was the imaginary place that was continuously invented to confirm r…[Read more]
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Hania A.M. Nashef deposited Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks in the group
CLCS Global Arab and Arab American on MLA Commons 5 years, 2 months agoABSTRACT
In his introduction to Palestinian Walks, Raja Shehadeh remarks that in spite of the great number of travelers to Palestine, travel literature, for the most part, willfully ignored the living experience and existence of the land’s inhabitants. Often, Palestine was the imaginary place that was continuously invented to confirm r…[Read more]
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Hania A.M. Nashef deposited Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks on MLA Commons 5 years, 2 months ago
ABSTRACT
In his introduction to Palestinian Walks, Raja Shehadeh remarks that in spite of the great number of travelers to Palestine, travel literature, for the most part, willfully ignored the living experience and existence of the land’s inhabitants. Often, Palestine was the imaginary place that was continuously invented to confirm r…[Read more]
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Hania A.M. Nashef's profile was updated on MLA Commons 5 years, 2 months ago
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Hania A.M. Nashef deposited “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza” in the group
TC Popular Culture on MLA Commons 5 years, 2 months agoOften described as an open-air prison, the citizens of the Gaza Strip have long resisted a subaltern existence. Conditions in Gaza, and specifically since the Second Intifada of 2000, have increasingly worsened. With the advent of Hamas in 2006-2007, a complete blockade was imposed on the Strip. A deafening silence by the world has resulted in…[Read more]
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Hania A.M. Nashef deposited “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza” in the group
MS Visual Culture on MLA Commons 5 years, 2 months agoOften described as an open-air prison, the citizens of the Gaza Strip have long resisted a subaltern existence. Conditions in Gaza, and specifically since the Second Intifada of 2000, have increasingly worsened. With the advent of Hamas in 2006-2007, a complete blockade was imposed on the Strip. A deafening silence by the world has resulted in…[Read more]
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Hania A.M. Nashef deposited “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza” in the group
LLC Arabic on MLA Commons 5 years, 2 months agoOften described as an open-air prison, the citizens of the Gaza Strip have long resisted a subaltern existence. Conditions in Gaza, and specifically since the Second Intifada of 2000, have increasingly worsened. With the advent of Hamas in 2006-2007, a complete blockade was imposed on the Strip. A deafening silence by the world has resulted in…[Read more]
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Hania A.M. Nashef deposited “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza” in the group
GS Drama and Performance on MLA Commons 5 years, 2 months agoOften described as an open-air prison, the citizens of the Gaza Strip have long resisted a subaltern existence. Conditions in Gaza, and specifically since the Second Intifada of 2000, have increasingly worsened. With the advent of Hamas in 2006-2007, a complete blockade was imposed on the Strip. A deafening silence by the world has resulted in…[Read more]
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